最小剧场:形式的需要还是形式的需要?

IF 0.5 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI:10.5944/signa.vol29.2020.23411

Antonio César Morón Espinosa

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引用次数: 0

摘要

摘要:短剧已成为一种具有显著特点的戏剧企业现象。消费的关系更加密切、自发和非正式。它吸引了一类通常避开传统空间的观众。本文介绍了所谓的“最小剧院”，其中包括2012年至2014年在塞维利亚的一群演员、导演和剧作家。他们开发了一个创新的戏剧项目，并致力于深入研究西班牙上一次大规模危机主要时期的社会经济和政治环境。

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TEATRO MÍNIMO: ¿NECESIDAD DE FORMA O FORMA DE NECESIDAD?

Abstract: Short Theater has become a drama enterprise phenomenon with noteworthy characteristics. The relationships of consumption are much more close, spontaneous and informal. It attracts a type of spectator who usually shuns traditional spaces. This article gives account of the socalled Minimum Theatre, which encompasses a group of actors, directors and playwrights in Seville, between 2012 and 2014. They developed an innovative drama project and were very committed to delve into the socioeconomic and political circumstances of the main years of the last largescale crisis in Spain.

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来源期刊

Signa-Revista de la Asociacion Espanola de Semiotica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

258