马查多电影生物学:该隐的影子在美丽的西班牙土地上!

IF 0.1 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI:10.5944/SIGNA.VOL30.2021.26474

Fernando Gómez Beceiro, N. A. Ramos, J. L. C. D. Paz

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引用次数: 0

摘要

摘要:在安东尼奥·马查多逝世80周年之际，我们将注意力转向两部电影，它们的演讲吸引了人们对他的作品和他的个性的深刻沉浸。影片由阿图罗·鲁伊斯-卡斯蒂略执导，拍摄于1952年夏至1953年春，《黑湖》是塞维利亚诗人的浪漫故事的转换，而战后的《卡米诺斯》似乎受到了对马查迪亚思想的密集寓言性召唤的滋养。这两部电影几乎不为人所知，也很少被史学电影所考虑，它们构成了一种明确无误的生物学，具有不同寻常的语义密度，迫切需要得到证实。

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BILOGÍA FÍLMICA MACHADIANA: LA SOMBRA DE CAÍN SOBRE LA ¡HERMOSA TIERRA DE ESPAÑA!

Abstract: Just after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo Ruiz- Castillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition of a romance of the Sevillian poet, while the post-war account Dos caminos seem to be nourished by a dense allegorical invocation of Machadian thought. Scarcely known and barely considered by historiography film, both films make up an unmistakable biology with an unusual semantic density that needs to be vindicated urgently.

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来源期刊

Signa-Revista de la Asociacion Espanola de Semiotica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

258