Studies in American Indian Literatures最新文献_第2页

Performing Justice in Recent Native American Women’s Theater: Mary Kathryn Nagle’s Sovereignty and Manahatta 在最近的美国土著妇女戏剧中执行正义:玛丽·凯瑟琳·内格尔的主权和曼纳哈塔

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0022

C. Waegner

{"title":"Performing Justice in Recent Native American Women’s Theater: Mary Kathryn Nagle’s Sovereignty and Manahatta","authors":"C. Waegner","doi":"10.1353/ail.2022.0022","DOIUrl":"https://doi.org/10.1353/ail.2022.0022","url":null,"abstract":"Abstract:Lawyer-dramatist Mary Kathryn Nagle’s plays and engagement are significant in the twenty-first century movement to transform received modes of perceiving and staging Native America, particularly through Indigenous women’s theater emphasizing the continuing capitalistic “rape culture” of colonization and the resurgence of Indigenous approaches. This article analyzes Nagle’s plays Sovereignty and Manahatta, with their experimental past/present dialectic, focus on strong women, and unblinking treatment of painful intratribal clashes arising from the imposition of Western-based hegemonic postulates. Chronological and geo-cultural telescoping, crossfading between scenes, character twinning, dialogic immediacy, parallel or cross-language, and enactment of judicial documents or treaties are among the dramatic techniques Nagle employs. This article examines theories of active, performative sovereignty from the individual body to the political that support linkage among the “restored acts” of performance theory, performing (in)justice on stage, and the participatory audience’s virtual experience of collusion and reparation.","PeriodicalId":53988,"journal":{"name":"Studies in American Indian Literatures","volume":"26 1","pages":"124 - 152"},"PeriodicalIF":0.4,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85433303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From the Floodland: Countering Extraction, Remembering Relations in Eeyou Istchee 从洪水泛滥的土地:反对提取，记住伊尤斯奇的关系

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0018

Isabella Huberman

引用次数: 0

From the Editor 来自编辑

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0016

Kiara M. Vigil

引用次数: 0

Claiming Oral Sovereignty Over Literariness: The Arrowmaker According to N. Scott Momaday 声称口头主权高于文学:根据N. Scott Momaday的说法

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0024

Kyle Garton-Gundling

引用次数: 0

Home Is Where the Heartsong Is: X-Marks and Manifest Domesticity in The Heartsong of Charging Elk 心之歌在哪里，家就在哪里:《冲锋麋鹿的心歌》中的x标记和明显的家庭生活

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0023

Thomas W. Krause

{"title":"Home Is Where the Heartsong Is: X-Marks and Manifest Domesticity in The Heartsong of Charging Elk","authors":"Thomas W. Krause","doi":"10.1353/ail.2022.0023","DOIUrl":"https://doi.org/10.1353/ail.2022.0023","url":null,"abstract":"Abstract:This essay encourages critics to take a new look at what “home” is and means in James Welch’s novel The Heartsong of Charging Elk (2000). It argues that home should be critiqued less for its geographic place in the historical transatlantic world of the novel, and more for the domestic processes that give it meaning and structure. Indeed, home in Heartsong is more the stuff of “who” and “how” than it is of “where.” The ways in which Charging Elk fails and succeeds in making a home for himself on two continents during the assimilation era depend not so much on where he is, but in large part on the company he keeps and how he keeps it. Scott Richard Lyons’s metaphor of the x-mark and Amy Kaplan’s concept of manifest domesticity inform a reading that explores home in Heartsong as a domestic and domesticated space constructed for and by Charging Elk. Subject and object to domestication, Charging Elk manages the oppressive political realities and social currents over which he has little charge but some command as he attempts to build a life and home for himself in France. Never exclusively one thing or another or easily and neatly bifurcated, home in Heartsong is a primary site in the struggle against US imperialism for control of Indigenous lives in the United States and abroad during the late nineteenth and early twentieth centuries.","PeriodicalId":53988,"journal":{"name":"Studies in American Indian Literatures","volume":"113 1","pages":"153 - 172"},"PeriodicalIF":0.4,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79395955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Decolonial Ch’owen Across Abiayala and Turtle Island: Calixta Gabriel Xiquín’s Poetic Invocations of Kaqchikel Spirituality, the Cardinal Points, and Trans-Indigenous Grandmothers 《穿越阿比亚亚拉和海龟岛:卡莉克斯塔·加布里埃尔Xiquín对Kaqchikel灵性、枢机点和跨土著祖母的诗意召唤》

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0019

Tiffany D. Creegan Miller

引用次数: 0

Lands, Bodies, and the Meaning(s) of Consent in Recent Writing by Indigenous Women and Two-Spirit Authors 土地，身体，和同意的意义在土著妇女和双重精神作家的近期写作

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0020

Jenny Kerber

引用次数: 0

Land Acknowledgement: Surviving Displacement through Reclamation of Querencia in Kali Fajardo-Anstine’s Short Stories “Sugar Babies” and “Ghost Sickness” published in her collection Sabrina & Corina (2019) 《土地承认:在卡莉·法哈尔多·安斯汀的短篇小说《糖宝宝》和《鬼病》中，通过对卡伦西亚的开垦生存流离失所》(2019年出版)

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-09-01 DOI: 10.1353/ail.2022.0017

Shelli Rottschafer

{"title":"Land Acknowledgement: Surviving Displacement through Reclamation of Querencia in Kali Fajardo-Anstine’s Short Stories “Sugar Babies” and “Ghost Sickness” published in her collection Sabrina & Corina (2019)","authors":"Shelli Rottschafer","doi":"10.1353/ail.2022.0017","DOIUrl":"https://doi.org/10.1353/ail.2022.0017","url":null,"abstract":"Abstract:Kali Fajardo-Anstine’s writing affirms her Land Acknowledgement because she honors her querencia, place of origin, and elders. Her collection of short stories Sabrina & Corina (2019) gives voice to Chicana-Amerindian women and girls whose lives are affected by displacement, cyclical poverty, and the challenge to reclaim traditional knowledges. Fajardo-Anstine confronts her people’s trauma through writing strong female characters who inspire others and create a path for seven generations to come. Specifically in her inaugural story “Sugar Babies,” it is the younger generation who reconnects with their multicultural heritages where their parents’ generation suffers the susto of displacement. Whereas “Ghost Sickness,” the closing story of the collection, addresses the consequences of displacement but chooses to lift up life rather than fall into the abyss caused by multigenerational trauma.The analysis herein considers place-based querencia as a means to reclaim what was lost due to trauma caused by displacement. I use querencia as defined in the anthology Querencia: Reflections on the New Mexico Homeland (2020), as well as Raúl Homero Villa’s Barrio-Logos: Space and Place in Urban Chicano Literature and Culture on the effects of displacement, and Priscilla Solis Ybarra’s Writing the Good Life: Mexican American Literature and the Environment (2016), which explains the importance of Chicana-Amerindian writing as a means of emphasizing multicultural heritages and connection to the land. Hence, Fajardo-Anstine’s work embodies the intent of stressing Land Acknowledgement as a means to honor traditional teachings, one’s elders, and origin.","PeriodicalId":53988,"journal":{"name":"Studies in American Indian Literatures","volume":"28 25 1","pages":"1 - 26"},"PeriodicalIF":0.4,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79264872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Teaching Indigenous Graphic Novels: English / Indigenous Studies 360 土著图画小说教学:英语/土著研究360

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-03-01 DOI: 10.1353/ail.2022.0008

Sophie Mccall

引用次数: 0

Embodiment in an Indigenous Lit Classroom: Why I'm Over Discussion but Can't Get Enough of Research-Creation 在本土文学课堂上的体现:为什么我过度讨论而不能得到足够的研究创造

IF 0.4 3区文学

Studies in American Indian Literatures Pub Date : 2022-03-01 DOI: 10.1353/ail.2022.0003

Keavy Martin

引用次数: 0