Primerjalna Knjizevnost最新文献_第4页

Dialoškost v sodobni slovenski poeziji: vpeljava persone kot vidik zunanje dialoškosti

3区文学

Primerjalna Knjizevnost Pub Date : 2020-09-09 DOI: 10.3986/pkn.v43.i2.06

Varja Balžalorsky Antić

{"title":"Dialoškost v sodobni slovenski poeziji: vpeljava persone kot vidik zunanje dialoškosti","authors":"Varja Balžalorsky Antić","doi":"10.3986/pkn.v43.i2.06","DOIUrl":"https://doi.org/10.3986/pkn.v43.i2.06","url":null,"abstract":"Primerjalna književnost (Ljubljana) 43.2 (2020) Članek je uvod v širše zasnovano raziskavo o artikulaciji in konfiguraciji subjektov v najsodobnejši slovenski poeziji. Po kratkem povzetku vrst dialoškosti pri Bahtinu in sklepih iz ponovnega branja Bahtinovih tez o monološkosti poezije sledi predstavitev njegove tipologije dialoških odnosov v prozi z vidika prenovljenega pojma lirskega subjekta. Drugi del periodizira krepitev dialoškosti v sodobni slovenski poeziji pri avtoricah in avtorjih različnih generacij. Razlika je med dialoškimi strategijami v strukturaciji pesemskega diskurza in subjekta oziroma subjektov na različnih pesemskih ravneh (t j. govorne strategije in pozicioniranja izjavnih subjektov) in, na drugi strani, uprizarjanjem razpada trdnih pojmovanj (filozofske kategorije) subjekta ali (sociološke kategorije) individuuma znotraj monoloških pesniških postopkov. Z vidika pesniških strategij in vidika rekonceptualiziranega lirskega subjekta se novejši pojavi dialoškosti na ravni pesmi v večji meri pogosto vgrajujejo v navidezni monološki model subjektne konfiguracije: mnoštvenost pesemskega subjekta se uveljavlja predvsem na ravni sistema pesniške knjige, manj pa na ravni mikrosistema pesmi ali celo same izjave. Zato je mogoče govoriti o močnem toku zunanje dialoškosti. Sklepna analiza petih zbirk predstavi pojav, ki bi ga glede na Bahtinovo tipologijo lahko uvrstili v zunanji tip dvoglasne besede: vpeljavo pesmi s persono oziroma pesemskih knjig s persono (Oblak in gora Iva Svetine, Opus quinque dierum Taje Kramberger, Izganjalci smisla Milana Dekleve, Trpljenje mlade Hane Katje Gorečan, Hemingwayeve ustnice Krištofa Dovjaka).","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83779812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Memory of the Avant-Garde and the New Wave in the Contemporary Serbian Novel 当代塞尔维亚小说的先锋派记忆与新浪潮

3区文学

Primerjalna Knjizevnost Pub Date : 2020-09-09 DOI: 10.3986/pkn.v43.i2.03

M. Avramović

引用次数: 0

Listanje Sarajevskih zvezkov v spominskem zrcalu

3区文学

Primerjalna Knjizevnost Pub Date : 2020-09-09 DOI: 10.3986/pkn.v43.i2.01

Boris A. Novak

{"title":"Listanje Sarajevskih zvezkov v spominskem zrcalu","authors":"Boris A. Novak","doi":"10.3986/pkn.v43.i2.01","DOIUrl":"https://doi.org/10.3986/pkn.v43.i2.01","url":null,"abstract":"Primerjalna književnost (Ljubljana) 43.2 (2020) Članek je posvečen zgodovini Sarajevskih zvezkov, pogumnega, umetniško in intelektualno ambicioznega projekta ponovne graditve komunikacijskih mostov med pisatelji različnih narodov nekdanje Jugoslavije, ki so se po tragičnih vojnah znašli ločeni z visokimi mejami novonastalih držav. Avtor, slovenski pesnik, prevajalec in profesor primerjalne književnosti, je bil eden izmed ustanovnih članov uredništva te publikacije. Ustanovitelji Sarajevskih zvezkov, ki sodijo med najboljše pisatelje in intelektualce svojih jezikov in kultur, niso imeli nikakršnega namena oživljati propadlo Jugoslavijo ali pa ustanoviti novo, tretjo Jugoslavijo (po kraljevini in socialistični federativni republiki). Njihova ambicija je bila v političnem smislu neprimerno skromnejša, v umetniškem, intelektualnem in etičnem smislu pa kar najvišja – literarno artikulirati stanje sveta ter eksistencialno počutje posameznika po koncu velikih utopičnih zgodb, razpadu jugoslovanskega projekta »bratstva in enotnosti« ter padcu socializma, velikega političnega projekta 20. stoletja, ki je najprej ideološko skrepenel v totalitaristično strahovlado, spričo spodletele demokratizacije pa se je v obdobju jugoslovanskih vojn še zadnjič vrnil kot vampir krvoločnega nacionalizma.","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76583686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Charles Simic, American Poetry, and Serbian Critical Reception 查尔斯·西米奇:《美国诗歌与塞尔维亚评论接受》

3区文学

Primerjalna Knjizevnost Pub Date : 2020-09-09 DOI: 10.3986/pkn.v43.i2.12

B. Vujin, Sonja Veselinović

{"title":"Charles Simic, American Poetry, and Serbian Critical Reception","authors":"B. Vujin, Sonja Veselinović","doi":"10.3986/pkn.v43.i2.12","DOIUrl":"https://doi.org/10.3986/pkn.v43.i2.12","url":null,"abstract":"Primerjalna književnost (Ljubljana) 43.2 (2020) A Serbian-born American poet, Charles Simic (1938) has been a staple of both American and Serbian poetic scenes for decades, though for different reasons. The paper examines the reception of Simic’s work in Serbian criticism, offering commentary on the translation of his poetry and its critical interpretation. Though Simic is undoubtedly part of American literary canon, and his work is informed by Modernist and Postmodernist American authors such as Williams, Stevens, or Ashbery, Serbian criticism has until very recently focused only on his origin and on the influence of his birth country on his work. By giving an overview of Simic’s major thematic and tonal elements placed within an American context, supported by numerous examples from his poems, we position him firmly within the American poetic tradition, while at the same time pointing out some elements of Serbian poetry relevant for his poetic development, like the influence of Popa, Tadić and Ristović. Shining a historical light on the reception of Simic’s poetry in Serbia, we uncover both the political and poetic reasons for the confusing inclusion of this American poet within Serbian culture.","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73309095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Prevajanje ideoloških referenc: primer Alana Forda

3区文学

Primerjalna Knjizevnost Pub Date : 2020-09-09 DOI: 10.3986/pkn.v43.i2.09

Ana Beguš

引用次数: 0

State of Exception: The Birthplace of Kafka’s Narrative Authority 例外状态:卡夫卡叙事权威的发源地

3区文学

Primerjalna Knjizevnost Pub Date : 2020-05-22 DOI: 10.3986/PKN.V43.I1.06

Vladimir Biti

{"title":"State of Exception: The Birthplace of Kafka’s Narrative Authority","authors":"Vladimir Biti","doi":"10.3986/PKN.V43.I1.06","DOIUrl":"https://doi.org/10.3986/PKN.V43.I1.06","url":null,"abstract":"Across the postimperial East Central Europe, whose geopolitical space was reconfigured on the model of West European nation-states, unprocessed human residues proliferated as the collateral effects of politically guided national homogenizations. These positional outsiders, who were prevented from becoming legible within the newly established political spaces, take center stage in Kafka’s narratives, not only in the form of their characters but also their narrators and ultimate authority. They passionately attach themselves to the zones of indistinction, which the modern societies’ “egalitarian discrimination” has doomed them to, thus trying to turn their enforced dispossession into a chosen self-dispossession. I argue that Kafka’s narratives owe their elusive ultimate authority precisely to this persistent translation of the political state of exception of his agencies into their literary state of exemption. They are at constant pains to transfigure the imposed state of exception through its peculiar fictional adoption, but Kafka’s ultimate narrative authority nevertheless takes care to keep an edge over their efforts. It is precisely this never-ending gradation of subversive mimicry in Kafka’s works that his postcolonial successor J. M. Coetzee most admired.","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84344601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Storyworlds and the Semiotic Rules of Narrative Imagination: Peirce and Cassirer as a Starting Point for the Study of Literary World Experience 故事世界与叙事想象的符号学规则:皮尔斯与卡西尔作为文学世界经验研究的起点

3区文学

Primerjalna Knjizevnost Pub Date : 2020-05-22 DOI: 10.3986/PKN.V43.I1.01

B. Keunen

引用次数: 1

Obraz v velikem planu in pripovedna transparentnost

3区文学

Primerjalna Knjizevnost Pub Date : 2020-05-22 DOI: 10.3986/PKN.V43.I1.04

Barbara Zorman

{"title":"Obraz v velikem planu in pripovedna transparentnost","authors":"Barbara Zorman","doi":"10.3986/PKN.V43.I1.04","DOIUrl":"https://doi.org/10.3986/PKN.V43.I1.04","url":null,"abstract":"In its first part, the article compares various theoretical insights into the topic, beginning with Balazs’s claim that the magnification and proximity of the face in close-up replace narrative movement, i.e. action, with micromovement that represents subjectivity. For Deleuze, the face in close-up is deterritorialized into the “feeling-thing,” the entity as the set-up of the affect. For Deleuze, the close-up abstracts the face from its bearer. Furthermore, the film face as a mask is presented (Barthes). Besides the metaphor of the cinema as a mirror within psychoanalytical film theory, the insights of the cognitive film theory are analyzed, particularly the function of the face in the “scenes of empathy” (Plantinga). The second part examines the role of the face in Rok Bicek’s first feature film Razredni sovražnik (Class Enemy, 2013), which presents the revolt of a class against an authoritative teacher following the suicide of their classmate Sabina. This film exposes the opaqueness of the face most notably in the representation of Sabina’s face, particularly as it is presented within the context of her friend’s mental images, memories. But the mysteriousness of her face is most prominent in the masks created from the photography of Sabina’s face that her classmates put on in an act of rebellion against their teacher. Sabina’s face is the film’s blind spot: although completely exposed to our gaze, its meaning remains ambiguous, even unattainable. Such representation seems to reject the face as “an instrument of signification” (Eleftheriotis).","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89622016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Naratološki vidiki lirskocikličnega oblikovanja: ob primeru cikla Josipa Murna »Fin de siècle«

3区文学

Primerjalna Knjizevnost Pub Date : 2020-05-22 DOI: 10.3986/PKN.V43.I1.10

Vita Žerjal Pavlin

{"title":"Naratološki vidiki lirskocikličnega oblikovanja: ob primeru cikla Josipa Murna »Fin de siècle«","authors":"Vita Žerjal Pavlin","doi":"10.3986/PKN.V43.I1.10","DOIUrl":"https://doi.org/10.3986/PKN.V43.I1.10","url":null,"abstract":"The composition of lyric cycles is strongly linked to their narratological features. According to Reinhard Ibler’s typology of lyric cycles, these are classified depending on which of the two aspects of composition, paradigmatic (with equivalence between songs) or syntagmatic (with syuzhet), they emphasize. In this analysis, I consider ways in which the methodology designed by scholars from the University of Hamburg under the leadership of Peter Huhn and Jorg Schonert is applied to the narratological analysis of a lyric poem on the level of the syntagmatic cycle. I highlight these issues on the example of the threepoem cycle “Fin de Siecle” by Josip Murn, a poet of the Slovenian moderna. I perform a chronological analysis, drawing on cognitive concepts of schema, script and frame on the level of presentation, also affected by focalization and mediating entities (the empirical/abstract author or the subject of the composition, the speaker/narrator and the protagonists). I focus both on the narratology of individual poems as well as on the cycle as a whole. Based on Huhn’s classification of five structural scheme combination types, I recognize in each of Murn’s poems, as well as in Murn’s cycle as a whole, a combination of two types: consequential changes and contrasting alternatives. The initial frame in which the subject is torn between the idealized spiritual love and the demonized sensuality, typical of decadence, is eventually substituted by the frame of asexual, metaphysical spirituality, typical of symbolism.","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81400856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Notions of Atmosphere: Toward the Limits of Narrative Understanding 氛围的概念:走向叙事理解的极限

3区文学

Primerjalna Knjizevnost Pub Date : 2020-05-22 DOI: 10.3986/PKN.V43.I1.02

Snežana Milosavljević Milić

{"title":"Notions of Atmosphere: Toward the Limits of Narrative Understanding","authors":"Snežana Milosavljević Milić","doi":"10.3986/PKN.V43.I1.02","DOIUrl":"https://doi.org/10.3986/PKN.V43.I1.02","url":null,"abstract":"The change of methodological paradigms, introduced by postclassical narratology and especially its cognitivist orientation, has thus far not reflected on the phenomenon of atmosphere. This is somewhat surprising, if we consider that the contemporary conceptualization of atmosphere and the increased interest in the questions it brings forth arise from new phenomenology and phenomenological aesthetics, fields that have directly initiated the development of postclassical narratology. Starting with the phenomenological concept of atmosphere of M. Merleau-Ponty and H. Schmitz (atmosphere as an ecstasy of experience, a specific modus of presence with a quasi-objective and inter-subjective status fitting into the extra-linguistic framework, atmospheric perception as seizing the surfaceless space) and the aesthetic relevance of the concept (G. Bohme, T. Griffero, E. Fischer-Lichte), this article presents the terminological instability and semantic vagueness of atmosphere and related terms within the narratological discourse of M. Bal, G. Prince, M.L. Ryan and P. Abbott (atmosphere as receptive and narrative disposition, the accompanying factor of morphological categories, the thematic-psychological distinctive characteristic of genre). The primary objective of the paper is to reexamine the methodological legitimacy of the concept of atmosphere, both regarding the limits of narrative understanding and its interpretative potential which might become relevant within cognitive theories of intertextuality (E. Panagiotidy, M. Juvan), while also being a humanistic response to the challenges of new epistemological paradigms and a return to the transcendental essence of literature.","PeriodicalId":52032,"journal":{"name":"Primerjalna Knjizevnost","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82511011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1