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Norba. Revista de Arte最新文献

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Platería de Talavera de la Reina (siglos XVI al XVIII) en la Alta Extremadura. Obras marcadas por Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa y José Sánchez Crespo 上埃斯特雷马杜拉地区 Talavera de la Reina（16 至 18 世纪）的银器。Juan de Ledesma、Juan Váez、Blas Carrasco、Juan Domínguez、Pedro de Soto y Loaysa 和 José Sánchez Crespo 的作品。
Norba. Revista de Arte Pub Date : 2024-01-13 DOI: 10.17398/2660-714x.43.53
Florencio-Javier García Mogollón
{"title":"Platería de Talavera de la Reina (siglos XVI al XVIII) en la Alta Extremadura. Obras marcadas por Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa y José Sánchez Crespo","authors":"Florencio-Javier García Mogollón","doi":"10.17398/2660-714x.43.53","DOIUrl":"https://doi.org/10.17398/2660-714x.43.53","url":null,"abstract":"Several pieces marked by silversmiths from Talavera de la Reina are studied. The great processional cross and the chalice of Castañar de Ibor stand out, unpublished Gothic-Renaissance works by the notable silversmith Juan de Ledesma. The Mannerist chalice from Villar del Pedroso is important, with a hitherto unpublished mark by Juan Váez. Blas Carrasco carved out the purist custody of Cabezuela del Valle in 1674: it has his mark, unpublished. The work is complemented by other works from the 17th and 18th centuries: those made by Juan Domínguez for Losar de la Vera y Serradilla and that by José Sánchez Crespo for Peraleda de la Mata stand out.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140509381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Antón Samón Pinós, Ssilversmith of Barcelona from th last quarter of the  18th century and the first third of the 19th century 安东-萨蒙-皮诺斯（Antón Samón Pinós），18 世纪最后 25 年和 19 世纪前 3 年的巴塞罗那银匠
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.71
Francisco Javier Montalvo Martín
{"title":"Antón Samón Pinós, Ssilversmith of Barcelona from th last quarter of the  18th century and the first third of the 19th century","authors":"Francisco Javier Montalvo Martín","doi":"10.17398/2660-714x.43.71","DOIUrl":"https://doi.org/10.17398/2660-714x.43.71","url":null,"abstract":"This paper focuses on the study of one of Barcelona's most prestigious silversmiths, who used the symbol of a horseshoe as his personal mark. Among the twenty-two works that are preserved with his mark, many were wrongly attributed to other artists and ten of them are now made known for the first time. His long professional career of fifty-five years of activity enabled him to produce a wide range of works of both religious and domestic use, those of the 18th century in the Rococo style and those of the 19th century in the Neoclassical style.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"18 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140509894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Algunas noticias sobre plateros y platería en Ávila 有关阿维拉银匠和银器制作的新闻
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.39
José Manuel Cruz Valdovinos
{"title":"Algunas noticias sobre plateros y platería en Ávila","authors":"José Manuel Cruz Valdovinos","doi":"10.17398/2660-714x.43.39","DOIUrl":"https://doi.org/10.17398/2660-714x.43.39","url":null,"abstract":"Through the Account Books of various parishes in towns of Avila dating back to the 18th and 19th centuries, we have been able to identify dozens of silversmiths from Madrid, Ávila, Naples and other places, as well as the works they carried out in those parishes creating new or repairing old works in Silver.   ","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"58 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140509932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between baroque and classicism: Manuel García de Santiago, a new documented work for his repertoire 巴洛克与古典主义之间：曼努埃尔-加西亚-德-圣地亚哥，他的曲目中有记载的新作品
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.307
Salvador Guijo Pérez, Raúl Antonio Macías Giráldez
{"title":"Between baroque and classicism: Manuel García de Santiago, a new documented work for his repertoire","authors":"Salvador Guijo Pérez, Raúl Antonio Macías Giráldez","doi":"10.17398/2660-714x.43.307","DOIUrl":"https://doi.org/10.17398/2660-714x.43.307","url":null,"abstract":"This study attempts to delve into the figure of Manuel García de Santiago, a mem-ber of the García de Santiago saga. This family of artists settled in Seville with the figure of Bartolomé García de Santiago in the mid-17th century and maintained their artistic work until the early 19th century. To this end, the aim is to carry out a biblio-graphical survey on this figure, analysing a new work of art documented after its resto-ration in 2016. This is the image of Our Lady of the Rosary, the Marian patron saint of the Sacramental Brotherhood of the parish of San Bartolomé de Mairena del Alcor, in the province of Seville.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"59 9-10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recepción y legado de Gustav Klimt en el norte de Italia 古斯塔夫-克里姆特在意大利北部受到的欢迎和留下的遗产
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.371
Juan Agustín Mancebo Roca
{"title":"Recepción y legado de Gustav Klimt en el norte de Italia","authors":"Juan Agustín Mancebo Roca","doi":"10.17398/2660-714x.43.371","DOIUrl":"https://doi.org/10.17398/2660-714x.43.371","url":null,"abstract":"No European country devoted to Klimt the attention he received in Italy. Widely represented at the 1910 Biennale and at the International Exhibition in Rome in 1911, his work influenced artists in the north of the country and in the irredentist territories that transcribed his laboratory of experiences both in painting and in other artistic disciplines. The reception of Klimt, through design, furniture, fashion and interior decoration perpetuated, in a more moderate way than at his starting years, modernism and symbolism until the mid-20th century in the transalpine country through Venetian decorative models, the reception in Felice Casorati and the \"rebellious\" artists of Ca'Pesaro, the Italian-speaking Austrian subjects in Trento and Trieste and the sculpture and graphics of Adolfo Wildt.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"25 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the variations of the colour of the sun at the opening of the sixth seal (Rev. 6, 12-17) in Commentaria in Apocalypsin by Beato de Liébana 关于第六封印开启时太阳颜色的变化（启示录 6，12-17），载于 Beato de Liébana 的 Commentaria in Apocalypsin 中
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.347
Jorge Jiménez López, Jennifer Solivan Robles
{"title":"On the variations of the colour of the sun at the opening of the sixth seal (Rev. 6, 12-17) in Commentaria in Apocalypsin by Beato de Liébana","authors":"Jorge Jiménez López, Jennifer Solivan Robles","doi":"10.17398/2660-714x.43.347","DOIUrl":"https://doi.org/10.17398/2660-714x.43.347","url":null,"abstract":"The last text of the biblical corpus stands out for the intense chromaticism of the account, in keeping with the conditions imposed by the public reading envisaged by its author; this descriptive precision emphasised its veracity and its effectiveness among the listeners. Likewise, the copies preserved with the commentary by Lebaniego have stood out precisely because of the great development of their illustrative cycles. The main aim of this study is to analyse the allusion to the black colour of the sun, which was fully meaningful for the author of the text, perhaps also for Beatus and for those who visually translated the sequence in the first copies, but which, as time goes by, is displaced, distorted and updated. Thus, it reveals that texture of time that manifests the variations in the reception of the work.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"45 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tejidos y bordados de la Virgen de la Antigua de la catedral de Jaén 哈恩大教堂安提瓜圣女的织物和刺绣
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.141
Ismael Amaro Martos
{"title":"Tejidos y bordados de la Virgen de la Antigua de la catedral de Jaén","authors":"Ismael Amaro Martos","doi":"10.17398/2660-714x.43.141","DOIUrl":"https://doi.org/10.17398/2660-714x.43.141","url":null,"abstract":"The Virgen de la Antigua is an sculpture with an interesting attire and lavish quilts which additionally has been decorated with vestments since its arrival to the Cathedral in Jaén. Amidst 17th and 18th centuries the main ensemble appeared and some of them are still preserved, therefore it is necessary to relate them with the manufactures at that time and the dating of those styles. Furthermore, we behold a number of embroidery clothing which integrate previous styles to this magnificent collection. The principal aim of this essay is to study the engraved and polychromatic garb of this devotional image to provide new datum to its catalogue. Moreover, to get acquainted with its trousseau textile origin throughout source files and study the different pieces which adorn this unique heritage.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"45 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El cine de José Luis Guerín: En construcción (2001) y Unas fotos en la ciudad de Sylvia (2007) 何塞-路易斯-盖林的电影：《建设中》（2001 年）和《西尔维娅城中的一些照片》（2007 年）
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.261
Jesús España Rodríguez
{"title":"El cine de José Luis Guerín: En construcción (2001) y Unas fotos en la ciudad de Sylvia (2007)","authors":"Jesús España Rodríguez","doi":"10.17398/2660-714x.43.261","DOIUrl":"https://doi.org/10.17398/2660-714x.43.261","url":null,"abstract":"The thinker Jacques Aumont confirms in Du visage au cinéma that a special treat-ment of the face has developed throughout the history of the cinema but refuses to admit the existence of a cinema portrait. The career of filmmaker José Luis Guerin calls into question such categorical statements. This work studies Guerin´s work, confronts it with that of Aumont´s and aims to establish a bridge between theory and practice that, in turn, brings cinema closer to a genre, portraiture, whose integration with other arts has never been questioned.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"23 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The criterion of "polychrome correspondence" as a primary source for art history. The Virgin of the Rosary from Santibáñez de la Sierra, Salamanca 作为艺术史主要资料来源的 "多色对应 "标准。萨拉曼卡 Santibáñez de la Sierra 的玫瑰圣母像
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.233
Alejandra Del Barrio Luna
{"title":"The criterion of \"polychrome correspondence\" as a primary source for art history. The Virgin of the Rosary from Santibáñez de la Sierra, Salamanca","authors":"Alejandra Del Barrio Luna","doi":"10.17398/2660-714x.43.233","DOIUrl":"https://doi.org/10.17398/2660-714x.43.233","url":null,"abstract":"The Virgin of the Rosary of Santibañez of the mountain range of Salamanca is a devotional sculpture with historical interest in the cultural evolution of the village. With a Ghotic origin, it was modified substantially in Hispano-Flemish style and modified later to Baroque style during the XVIIth and XVIIIth centuries. The artistic study of the sculp-ture has been based on scientific analysis prior to the restoration because the work is un-derstood as an integral continuum to ensure the best interpretation and conservation of the piece. The restoration of the work has taken into account the materiality of the object, as a primary source for history and art, and the immaterial value, an aspect that is not usually considered and which is the starting point for the application of the criterion of correspondence of polychromes for the conservation of their religious value.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"58 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La contribución arquitectónica de Ventura Vaca en Alburquerque a lo largo del tiempo: nuevas aportaciones y significaciones 文图拉-瓦卡对阿尔伯克基建筑的贡献：新的贡献和意义
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.391
Marina Bargón García
{"title":"La contribución arquitectónica de Ventura Vaca en Alburquerque a lo largo del tiempo: nuevas aportaciones y significaciones","authors":"Marina Bargón García","doi":"10.17398/2660-714x.43.391","DOIUrl":"https://doi.org/10.17398/2660-714x.43.391","url":null,"abstract":"Recently, an architectural project by the architect Ventura Vaca was discovered in the context of the town of Alburquerque, Badajoz. This discovery has significantly expanded our understanding of Ventura Vaca's relevance and influence in a specific geographical region, while enriching our interpretation of his own architectural work. \u0000Furthermore, this research undertakes an incipient analysis of the history of the Casas Consistoriales de Alburquerque, with a focus on the project proposed by Ventura Vaca for this building. This project is considered to be the starting point that gave rise to the final town hall construction, which was carried out by the architect Donato Hernández Ruiz. \u0000Therefore, this study contributes significantly to the existing knowledge about Ventura Vaca, highlighting his crucial role as the driving force behind the transformation of the town of Alburquerque from a rural to an urban society.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"53 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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