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THE SILVERSMITH VICENTE GARGALLO Y ALEXANDRE (1742-1808): BIOGRAPHICAL NEWS AND HIS WORK IN SEVILLE CATHEDRAL 银匠 vicente gargallo y Alexandre（1742-1808 年）：传记及其在塞维利亚大教堂的作品
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.119
Antonio Joaquín Santos Márquez
{"title":"THE SILVERSMITH VICENTE GARGALLO Y ALEXANDRE (1742-1808): BIOGRAPHICAL NEWS AND HIS WORK IN SEVILLE CATHEDRAL","authors":"Antonio Joaquín Santos Márquez","doi":"10.17398/2660-714x.43.119","DOIUrl":"https://doi.org/10.17398/2660-714x.43.119","url":null,"abstract":"In this paper, both biographical and artistic news of the silversmith Vicente Gargallo Alexandre are disclosed. In the first place, there is a tour of his vital trajectory which until now was totally unknown. And then, attention is paid to his facet as a cathedral silversmith and his most relevant works, in which we verify the existing debate in this period of transition, between the Rococo tradition practiced by the goldsmith and his forced adaptation to the Neoclassicism imposed by the elite of the cathedral.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"24 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unpublished works by Blas Molner: Some reflections on his production 布拉斯-莫尔纳未发表的作品：对其作品的一些思考
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.403
Jesus Porres Benavides
{"title":"Unpublished works by Blas Molner: Some reflections on his production","authors":"Jesus Porres Benavides","doi":"10.17398/2660-714x.43.403","DOIUrl":"https://doi.org/10.17398/2660-714x.43.403","url":null,"abstract":"In this article we analyze two images of Saint Joseph by Blas Molner, one unpublished and the other incorrectly identified along with two passionist angels. Some texts that emerged in the Sevillian artistic and scholarly context are also studied, which serve to better understand the importance of this sculptor in the end of the Baroque in Seville.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Una historia de amor estético: Adelardo Covarsí y la elaboración y realización de la memoria y presupuestos del decorado que se proyecta en el salón de sesiones y en el despacho presidencial del palacio municipal de Alburquerque (Badajoz) 一个关于美学之爱的故事：阿德拉多-科瓦西（Adelardo Covarsí）与在阿尔伯克基（巴达霍斯）市政厅和总统办公室中投影的场景的记忆和预算的制定和实现。
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.163
Marina Bargón García, Enrique Meléndez Galán
{"title":"Una historia de amor estético: Adelardo Covarsí y la elaboración y realización de la memoria y presupuestos del decorado que se proyecta en el salón de sesiones y en el despacho presidencial del palacio municipal de Alburquerque (Badajoz)","authors":"Marina Bargón García, Enrique Meléndez Galán","doi":"10.17398/2660-714x.43.163","DOIUrl":"https://doi.org/10.17398/2660-714x.43.163","url":null,"abstract":"Although Adelardo Covarsí’s painting have been profusely studied and much appreciated, the ornamental Project we are focusing on for Alburquerque (Badajoz) has not yet worked. On this way, we try to analyze a few masterpieces and publish a new interior decorative Project. To do this, we went to the Municipal Archive of the town of Alburquerque, where this documentation is kept and where some of these paintings are located. After that, we investigated different libraries-newspapers archives and scientific papers to understand the ornamental project as a set. \u0000This research proposes the valuing of this decoration and its understanding as a dialogue between different pictures topics and the decoration project of Adelardo Covarsí.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"19 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DREAM, UTOPIA AND DISENCHANTMENT. CAYETANO GONZÁLEZ GÓMEZ AND THE RECONSTRUCTION OF THE PROCESSIONAL MONSTRANCE OF THE CATHEDRAL OF MÁLAGA 梦想、乌托邦和迷失。卡耶塔诺-冈萨雷斯-戈麦斯与马拉加大教堂圣体巡游的重建
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.89
Juan Antonio Sánchez López
{"title":"DREAM, UTOPIA AND DISENCHANTMENT. CAYETANO GONZÁLEZ GÓMEZ AND THE RECONSTRUCTION OF THE PROCESSIONAL MONSTRANCE OF THE CATHEDRAL OF MÁLAGA","authors":"Juan Antonio Sánchez López","doi":"10.17398/2660-714x.43.89","DOIUrl":"https://doi.org/10.17398/2660-714x.43.89","url":null,"abstract":"In 1957, the diocese of Malaga decided to rebuild the monstrance and processional litters of the Corpus Christi, which had disappeared in 1936. For this purpose, a commission was set up and called a national contest, awarding two famous workshops the exact reproduction of the pieces. Four splendid unpublished designs made for this purpose by Cayetano González Gómez, the greatest representative of 20th-century Sevillian silverware, born in Malaga, are preserved in the funds of the Diocesan Heritage Delegation. Although they were never materialized, their extraordinary intrinsic plastic quality makes it possible to understand them as an interesting creative reflection on the versatility of ornament and the speaking role of iconography, applied to a secular typology of such success in Spanish silverware.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"26 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A recovered sculptural group by Antonio Susillo: El grito de Independencia (1884) 安东尼奥-苏西洛（Antonio Susillo）复原的雕塑群：《独立宣言》（El grito de Independencia）（1884 年
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.323
Alicia Iglesias Cumplido
{"title":"A recovered sculptural group by Antonio Susillo: El grito de Independencia (1884)","authors":"Alicia Iglesias Cumplido","doi":"10.17398/2660-714x.43.323","DOIUrl":"https://doi.org/10.17398/2660-714x.43.323","url":null,"abstract":"The paper studies a lost and recovered sculptural group, El grito de Independencia, modeled by Antonio Susillo in 1884. Once identified, the work proposes the study of the work through sources, and compositional, morphological, formal and stylistic analysis, elucidating the relationship between the literary contribution of the nineteenth-century poet Bernardo López García and the formal correspondences of a sculptor from the realism developed in Paris by Carpeaux and immersed in the most advanced trends of his time. The recovery of the sculpture is an important contribution to a sculptor as valued as lacking in systematic studies.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"55 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vicente Alanís, un pintor sevillano en la Baja Extremadura. Revisión a su catálogo de obras. Vicente Alanís，下埃斯特雷马杜拉地区的塞维利亚画家。对其作品目录的评论。
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.189
Álvaro Cabezas García
{"title":"Vicente Alanís, un pintor sevillano en la Baja Extremadura. Revisión a su catálogo de obras.","authors":"Álvaro Cabezas García","doi":"10.17398/2660-714x.43.189","DOIUrl":"https://doi.org/10.17398/2660-714x.43.189","url":null,"abstract":"Vicente Alanís was the Sevillian painter who most openly derived from late baroque aesthetics into the most typical academicism advocated by the Royal School of the Three Noble Arts, a board in which he held several positions and in which his professional career ended. In 1795 he executed the painting Animas in the parish of Santa María de la Encina and San Juan Bautista, in the town of Burguillos del Cerro, Badajoz. The canvas testifies the aroma of historical thought in a place other than a heart of power at the end of the Old Regime, and shows the importance of the of art ideas and influence trafficking. As a result of this discovery, I have been able to add some other works to his oeuvre.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"62 1-2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La cerámica desaparecida de Carlos V e Isabel de Portugal. Un estudio de sus piezas a través de los inventarios reales 葡萄牙查理五世和伊莎贝拉遗失的陶瓷器。通过皇室清单研究他们的作品。
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.213
E. Calvo
{"title":"La cerámica desaparecida de Carlos V e Isabel de Portugal. Un estudio de sus piezas a través de los inventarios reales","authors":"E. Calvo","doi":"10.17398/2660-714x.43.213","DOIUrl":"https://doi.org/10.17398/2660-714x.43.213","url":null,"abstract":"This study focuses on the investigation of the earthenware and porcelain that Emperor Charles V and Empress Isabella of Portugal gathered in their respective private collections and that has not been preserved over time. Our main objective will be to show the value of the emperors' ceramic heritage and to contribute to the study of 16th century Spanish court ceramics. To achieve this, we will carry out an exhaustive analysis of the royal inventories and, through the results obtained, we will reveal the appreciation and interest that Charles V and Isabella of Portugal had for our object of study.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139640363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Architecture and Spanish art in the second half of the 20th century. Disciplinary transfers and collaborations 20 世纪下半叶的建筑与西班牙艺术。学科转移与合作
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.285
José Antonio Flores Soto
{"title":"Architecture and Spanish art in the second half of the 20th century. Disciplinary transfers and collaborations","authors":"José Antonio Flores Soto","doi":"10.17398/2660-714x.43.285","DOIUrl":"https://doi.org/10.17398/2660-714x.43.285","url":null,"abstract":"Spanish architecture experienced a revival of modernity in the 1950s and 1960s. The stripping away of the historicist and vernacular forms of the early Franco regime marked this revival; also, due to the disciplinary interaction with the plastic arts, which at that time moved towards abstraction as modernity. This paper traces the lines of transfers and collaborations between architecture, painting and sculpture in a complex moment of interdisciplinary relationship through an analytical reading of different works and events of the moment. It is about outlining an environment of collaboration and interaction between singular architects and artists, who learned from each other and proposed other ways of building the common ‘plastic space’ of the arts.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139640677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The marking of silver in Castile and AragónRT ONE: CASTILE 卡斯蒂利亚和阿拉贡的银器标识RT ONE：卡斯蒂利亚
Norba. Revista de Arte Pub Date : 2024-01-11 DOI: 10.17398/2660-714x.43.21
Aurelio Á. Barrón García
{"title":"The marking of silver in Castile and AragónRT ONE: CASTILE","authors":"Aurelio Á. Barrón García","doi":"10.17398/2660-714x.43.21","DOIUrl":"https://doi.org/10.17398/2660-714x.43.21","url":null,"abstract":"We study the marking of silver in Castile and compare it with that adopted by the civil authorities of Paris and Bruges, the latter city with which Burgos was related both commercially and artistically. We specify the municipal charges that watched over the production with precious metals and we point out the different functions they had, weighters, contrasts and markers. We study the triple system of marking silver that was adopted in Burgos and Valladolid, which were reference cities for the rest of the Castilian territory. However, the cities of the Crown of Aragon, which worked silver of eleven dineros, adopted a system of surveillance marking by the city authorities, but with hardly any participation of the silversmiths.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"82 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140510087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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