{"title":"银匠 vicente gargallo y Alexandre（1742-1808 年）：传记及其在塞维利亚大教堂的作品","authors":"Antonio Joaquín Santos Márquez","doi":"10.17398/2660-714x.43.119","DOIUrl":null,"url":null,"abstract":"In this paper, both biographical and artistic news of the silversmith Vicente Gargallo Alexandre are disclosed. In the first place, there is a tour of his vital trajectory which until now was totally unknown. And then, attention is paid to his facet as a cathedral silversmith and his most relevant works, in which we verify the existing debate in this period of transition, between the Rococo tradition practiced by the goldsmith and his forced adaptation to the Neoclassicism imposed by the elite of the cathedral.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"24 12","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE SILVERSMITH VICENTE GARGALLO Y ALEXANDRE (1742-1808): BIOGRAPHICAL NEWS AND HIS WORK IN SEVILLE CATHEDRAL\",\"authors\":\"Antonio Joaquín Santos Márquez\",\"doi\":\"10.17398/2660-714x.43.119\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, both biographical and artistic news of the silversmith Vicente Gargallo Alexandre are disclosed. In the first place, there is a tour of his vital trajectory which until now was totally unknown. And then, attention is paid to his facet as a cathedral silversmith and his most relevant works, in which we verify the existing debate in this period of transition, between the Rococo tradition practiced by the goldsmith and his forced adaptation to the Neoclassicism imposed by the elite of the cathedral.\",\"PeriodicalId\":516708,\"journal\":{\"name\":\"Norba. Revista de Arte\",\"volume\":\"24 12\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Norba. Revista de Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17398/2660-714x.43.119\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Norba. Revista de Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17398/2660-714x.43.119","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
THE SILVERSMITH VICENTE GARGALLO Y ALEXANDRE (1742-1808): BIOGRAPHICAL NEWS AND HIS WORK IN SEVILLE CATHEDRAL
In this paper, both biographical and artistic news of the silversmith Vicente Gargallo Alexandre are disclosed. In the first place, there is a tour of his vital trajectory which until now was totally unknown. And then, attention is paid to his facet as a cathedral silversmith and his most relevant works, in which we verify the existing debate in this period of transition, between the Rococo tradition practiced by the goldsmith and his forced adaptation to the Neoclassicism imposed by the elite of the cathedral.
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