DREAM, UTOPIA AND DISENCHANTMENT. CAYETANO GONZÁLEZ GÓMEZ AND THE RECONSTRUCTION OF THE PROCESSIONAL MONSTRANCE OF THE CATHEDRAL OF MÁLAGA

Juan Antonio Sánchez López
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Abstract

In 1957, the diocese of Malaga decided to rebuild the monstrance and processional litters of the Corpus Christi, which had disappeared in 1936. For this purpose, a commission was set up and called a national contest, awarding two famous workshops the exact reproduction of the pieces. Four splendid unpublished designs made for this purpose by Cayetano González Gómez, the greatest representative of 20th-century Sevillian silverware, born in Malaga, are preserved in the funds of the Diocesan Heritage Delegation. Although they were never materialized, their extraordinary intrinsic plastic quality makes it possible to understand them as an interesting creative reflection on the versatility of ornament and the speaking role of iconography, applied to a secular typology of such success in Spanish silverware.
梦想、乌托邦和迷失。卡耶塔诺-冈萨雷斯-戈麦斯与马拉加大教堂圣体巡游的重建
1957 年,马拉加教区决定重建 1936 年消失的基督圣体的圣体台和游行轿子。为此,教区成立了一个委员会,并举办了一次全国性的竞赛,奖励两家著名的手工作坊精确复制这些作品。出生于马拉加的 20 世纪塞维利亚银器最伟大的代表人物卡耶塔诺-冈萨雷斯-戈麦斯(Cayetano González Gómez)为此设计了四件未公开发表的精美作品,这些作品保存在教区遗产代表团的基金中。虽然这些作品从未实现,但其非凡的内在可塑性使我们有可能将其理解为一种有趣的创造性反思,即装饰的多功能性和图标的说话作用,并将其应用于西班牙银器中如此成功的世俗类型。
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