作为艺术史主要资料来源的 "多色对应 "标准。萨拉曼卡 Santibáñez de la Sierra 的玫瑰圣母像

Alejandra Del Barrio Luna
{"title":"作为艺术史主要资料来源的 \"多色对应 \"标准。萨拉曼卡 Santibáñez de la Sierra 的玫瑰圣母像","authors":"Alejandra Del Barrio Luna","doi":"10.17398/2660-714x.43.233","DOIUrl":null,"url":null,"abstract":"The Virgin of the Rosary of Santibañez of the mountain range of Salamanca is a devotional sculpture with historical interest in the cultural evolution of the village. With a Ghotic origin, it was modified substantially in Hispano-Flemish style and modified later to Baroque style during the XVIIth and XVIIIth centuries. The artistic study of the sculp-ture has been based on scientific analysis prior to the restoration because the work is un-derstood as an integral continuum to ensure the best interpretation and conservation of the piece. The restoration of the work has taken into account the materiality of the object, as a primary source for history and art, and the immaterial value, an aspect that is not usually considered and which is the starting point for the application of the criterion of correspondence of polychromes for the conservation of their religious value.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"58 8","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The criterion of \\\"polychrome correspondence\\\" as a primary source for art history. The Virgin of the Rosary from Santibáñez de la Sierra, Salamanca\",\"authors\":\"Alejandra Del Barrio Luna\",\"doi\":\"10.17398/2660-714x.43.233\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Virgin of the Rosary of Santibañez of the mountain range of Salamanca is a devotional sculpture with historical interest in the cultural evolution of the village. With a Ghotic origin, it was modified substantially in Hispano-Flemish style and modified later to Baroque style during the XVIIth and XVIIIth centuries. The artistic study of the sculp-ture has been based on scientific analysis prior to the restoration because the work is un-derstood as an integral continuum to ensure the best interpretation and conservation of the piece. The restoration of the work has taken into account the materiality of the object, as a primary source for history and art, and the immaterial value, an aspect that is not usually considered and which is the starting point for the application of the criterion of correspondence of polychromes for the conservation of their religious value.\",\"PeriodicalId\":516708,\"journal\":{\"name\":\"Norba. Revista de Arte\",\"volume\":\"58 8\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Norba. Revista de Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17398/2660-714x.43.233\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Norba. Revista de Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17398/2660-714x.43.233","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

萨拉曼卡山区圣蒂巴涅斯的玫瑰圣母像是一座虔诚的雕塑,对该村庄的文化演变具有历史意义。它起源于古希腊,在十七世纪和十八世纪期间,曾被大幅修改为伊斯帕诺-弗拉芒风格,后来又被修改为巴洛克风格。在修复之前,对该雕像的艺术研究是以科学分析为基础的,因为该作品未被理解为一个完整的连续体,以确保对该作品的最佳诠释和保护。作品的修复考虑到了作为历史和艺术主要来源的文物的物质性和非物质价值,这是一 个通常不被考虑的方面,也是应用多色性对应标准保护其宗教价值的出发点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The criterion of "polychrome correspondence" as a primary source for art history. The Virgin of the Rosary from Santibáñez de la Sierra, Salamanca
The Virgin of the Rosary of Santibañez of the mountain range of Salamanca is a devotional sculpture with historical interest in the cultural evolution of the village. With a Ghotic origin, it was modified substantially in Hispano-Flemish style and modified later to Baroque style during the XVIIth and XVIIIth centuries. The artistic study of the sculp-ture has been based on scientific analysis prior to the restoration because the work is un-derstood as an integral continuum to ensure the best interpretation and conservation of the piece. The restoration of the work has taken into account the materiality of the object, as a primary source for history and art, and the immaterial value, an aspect that is not usually considered and which is the starting point for the application of the criterion of correspondence of polychromes for the conservation of their religious value.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信