Platería de Talavera de la Reina (siglos XVI al XVIII) en la Alta Extremadura. Obras marcadas por Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa y José Sánchez Crespo
{"title":"Platería de Talavera de la Reina (siglos XVI al XVIII) en la Alta Extremadura. Obras marcadas por Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa y José Sánchez Crespo","authors":"Florencio-Javier García Mogollón","doi":"10.17398/2660-714x.43.53","DOIUrl":null,"url":null,"abstract":"Several pieces marked by silversmiths from Talavera de la Reina are studied. The great processional cross and the chalice of Castañar de Ibor stand out, unpublished Gothic-Renaissance works by the notable silversmith Juan de Ledesma. The Mannerist chalice from Villar del Pedroso is important, with a hitherto unpublished mark by Juan Váez. Blas Carrasco carved out the purist custody of Cabezuela del Valle in 1674: it has his mark, unpublished. The work is complemented by other works from the 17th and 18th centuries: those made by Juan Domínguez for Losar de la Vera y Serradilla and that by José Sánchez Crespo for Peraleda de la Mata stand out.","PeriodicalId":516708,"journal":{"name":"Norba. Revista de Arte","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Norba. Revista de Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17398/2660-714x.43.53","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Several pieces marked by silversmiths from Talavera de la Reina are studied. The great processional cross and the chalice of Castañar de Ibor stand out, unpublished Gothic-Renaissance works by the notable silversmith Juan de Ledesma. The Mannerist chalice from Villar del Pedroso is important, with a hitherto unpublished mark by Juan Váez. Blas Carrasco carved out the purist custody of Cabezuela del Valle in 1674: it has his mark, unpublished. The work is complemented by other works from the 17th and 18th centuries: those made by Juan Domínguez for Losar de la Vera y Serradilla and that by José Sánchez Crespo for Peraleda de la Mata stand out.
上埃斯特雷马杜拉地区 Talavera de la Reina(16 至 18 世纪)的银器。Juan de Ledesma、Juan Váez、Blas Carrasco、Juan Domínguez、Pedro de Soto y Loaysa 和 José Sánchez Crespo 的作品。
我们研究了塔拉韦拉-德拉雷纳的几件银器。Castañar de Ibor 的大十字架和圣杯脱颖而出,它们是著名银匠胡安-德-莱德斯马(Juan de Ledesma)未发表的哥特-文艺复兴时期作品。来自比利亚尔德尔佩德罗索(Villar del Pedroso)的曼纳主义圣杯非常重要,上面有胡安-瓦埃斯(Juan Váez)迄今未发表的印记。布拉斯-卡拉斯科(Blas Carrasco)于 1674 年雕刻了卡贝苏埃拉-德尔瓦莱的纯粹主义保管器:上面有他的印记,但未公开发表。17 世纪和 18 世纪的其他作品对该作品进行了补充:胡安-多明格斯(Juan Domínguez)为洛萨尔-德拉-维拉-塞拉迪亚(Losar de la Vera y Serradilla)制作的作品和何塞-桑切斯-克雷斯波(José Sánchez Crespo)为佩拉尔达-德拉-马塔(Peraleda de la Mata)制作的作品尤为突出。