上埃斯特雷马杜拉地区 Talavera de la Reina（16 至 18 世纪）的银器。Juan de Ledesma、Juan Váez、Blas Carrasco、Juan Domínguez、Pedro de Soto y Loaysa 和 José Sánchez Crespo 的作品。
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引用次数: 0
摘要
我们研究了塔拉韦拉-德拉雷纳的几件银器。Castañar de Ibor 的大十字架和圣杯脱颖而出，它们是著名银匠胡安-德-莱德斯马（Juan de Ledesma）未发表的哥特-文艺复兴时期作品。来自比利亚尔德尔佩德罗索（Villar del Pedroso）的曼纳主义圣杯非常重要，上面有胡安-瓦埃斯（Juan Váez）迄今未发表的印记。布拉斯-卡拉斯科（Blas Carrasco）于 1674 年雕刻了卡贝苏埃拉-德尔瓦莱的纯粹主义保管器：上面有他的印记，但未公开发表。17 世纪和 18 世纪的其他作品对该作品进行了补充：胡安-多明格斯（Juan Domínguez）为洛萨尔-德拉-维拉-塞拉迪亚（Losar de la Vera y Serradilla）制作的作品和何塞-桑切斯-克雷斯波（José Sánchez Crespo）为佩拉尔达-德拉-马塔（Peraleda de la Mata）制作的作品尤为突出。
Platería de Talavera de la Reina (siglos XVI al XVIII) en la Alta Extremadura. Obras marcadas por Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa y José Sánchez Crespo
Several pieces marked by silversmiths from Talavera de la Reina are studied. The great processional cross and the chalice of Castañar de Ibor stand out, unpublished Gothic-Renaissance works by the notable silversmith Juan de Ledesma. The Mannerist chalice from Villar del Pedroso is important, with a hitherto unpublished mark by Juan Váez. Blas Carrasco carved out the purist custody of Cabezuela del Valle in 1674: it has his mark, unpublished. The work is complemented by other works from the 17th and 18th centuries: those made by Juan Domínguez for Losar de la Vera y Serradilla and that by José Sánchez Crespo for Peraleda de la Mata stand out.
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