SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna最新文献

{"title":"Parole, mare e isole del Mediterraneo: Joan Estelrich nel ricordo di Josep Pla","authors":"Ivan Lo Giudice","doi":"10.7203/scripta.22.27840","DOIUrl":"https://doi.org/10.7203/scripta.22.27840","url":null,"abstract":"","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"16 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La hipertextualitat i la intermedialitat en Odissea, el viatge de Ningú (2017), d’Elies Monxolí","authors":"Josep Àngel Cano Mateu, Xavier Hernández Garcia","doi":"10.7203/scripta.22.27843","DOIUrl":"https://doi.org/10.7203/scripta.22.27843","url":null,"abstract":"Resum: L’Odissea d’Homer ha donat lloc a centenars de versions, traduccions o reescriptures, i també en l’àmbit musical o l’artístic. Com destaca Gérard Genette (1982), és un dels hipotextos més utilitzats que ha inspirat grans obres com l’Eneida o l’Ulisses, de James Joyce. També Odissea, el viatge de Ningú, d’Elies Monxolí: una nova lectura del relat homèric ssobre les traduccions de Carles Riba i Joan Francesc Mira, i que hi incorpora referències a Ausiàs Marc, Dante Alighieri, Salvador Espriu i Vicent Andrés Estellés, entre d’altres. A aquesta riquesa hipertextual, s’hi suma la música, que s’adapta al text i hi integra al·lusions a Lluís Llach i a Raimon. Els collages de Pere Salinas completen aquesta creació que amalgama literatura, música i art plàstic. L’objectiu d’aquest article és analitzar la hipertextualitat d’aquesta obra a partir de Genette, i les relacions intermedials entre les diferents disciplines artístiques que la conformen, seguint les tipologies de Werner Wolf (1999).Paraules clau:  hipertextualitat, intermedialitat, Homer, Odissea, El Viatge de Ningú reescripturesAbstract: Homer’s Odyssey is a major pillar of the Western literary canon that has resulted in hundreds of versions, translations, or rewritings, both from a literary point of view and from a musical or artistic point of view. In fact, as Gérard Genette (1982) points out, it is one of the most commonly used hypotexts, which have inspired great works such as the Aeneid and James Joyce’s Ulysses. Also Odissea, el viatge de Ningú, by Elies Monxolí: a new reading of the Homeric story based on the translations of Carles Riba and Joan Francesc Mira, that incorporates references to Ausiàs Marc, Dante Alighieri, Salvador Espriu and Vicent Andrés Estellés, among others. To this hypertextual richness is added the music, which is adapted to the text and, at the same time, integrates allusions to Lluís Llach and Raimon. The collages of Pere Salinas complete this interdisciplinary creation that amalgamates literature, music and plastic art. The aim of this article is to analyse, on the one hand, the hypertextuality of this work, following Genette, and, on the other, the intermediality relations between the different artistic disciplines that conform it, following the typologies developed by Werner Wolf (1999).Keywords: hypertextuality, intermediality, Homer, Odissea, el viatge de Ningú, rewritings","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"10 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Joglars, música i entreteniment en els banquets medievals","authors":"Anna Fernàndez-Clot","doi":"10.7203/scripta.22.27828","DOIUrl":"https://doi.org/10.7203/scripta.22.27828","url":null,"abstract":"Resum: La presència de joglars, música i entreteniment cortesà és un lloc comú de la descripció literària dels grans àpats i les festes de la noblesa a l’edat mitjana. En aquest treball es recullen i s’analitzen les descripcions que ofereixen diversos contes i novel·les d’àmbit occità i català, escrits entre els segles XIII i XV, així com les cròniques reials i dietaris dels segles XIV i XV. El corpus examinat permet observar quins trets comuns presenta el tòpic de la performance dels joglars en els banquets cortesans i com es desenvolupa i s’adapta en funció del tipus de text en què es presenta i de l’evolució de les formes d’entreteniment de la noblesa. Paraules clau: narrativa medieval, literatura historiogràfica, banquets, joglars, entretenimentAbstract: The presence of minstrels, music and courtly entertainment is a cliché in the literary description of banquets and aristocratic celebrations in the Middle Ages. This paper collates and analyses the descriptions pictured both in stories and novels written in Occitan and Catalan between the 13th and the 15th centuries, as well as in royal chronicles and memorialistic literature from the 14th and 15th centuries. We will see which are the general characteristics of the cliché of the minstrels’ perfomance in courtly banquets, as well as the development and adaptation of this cliché based on the type of text in which it is presented and on the evolution of the courtly entertainment.Keywords: medieval fiction, historiographic literature, banquets, minstrels, entertainment","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"8 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tradició i innovació en la selecció de l’auxiliar de perfet a Curial e Güelfa","authors":"Mar Massanell Messalles","doi":"10.7203/scripta.22.27852","DOIUrl":"https://doi.org/10.7203/scripta.22.27852","url":null,"abstract":"Resum: Una de les característiques del català antic que no s’ha conservat, tret d’algunes restes dialectals, és la doble auxiliaritat dels temps de perfet, que es construïen amb haver o ésser (p. ex., ha parlat vs. és arribat). El primer ocorria en les construccions transitives i intransitives agentives, mentre que el segon era emprat en les estatives, esdevenimentals, resultatives de canvi d’estat i de lloc, intransitives pronominals, reflexives directes i passives. Tot i que la substitució de ésser per haver és un procés que es va desenvolupar sobretot durant l’edat moderna i que va culminar en la contemporània, en el català medieval ja se’n detecten indicis. En aquest article, partint del buidatge i de la classificació dels perfets del Curial, identifiquem les mostres en què haver ocorre en lloc de ésser, analitzem els factors que ho poden haver afavorit i els relacionem amb les vies d’entrada de haver assenyalades en treballs previs. Concloem que el Curial manté amb fermesa la doble auxiliaritat i que la innovació hi queda pràcticament restringida a les construccions impersonals relatives amb romandre, sobrar, venir, esdevenir i succeir, les quals contenen un datiu experimentador com a subjecte lògic.Paraules clau: Curial e Güelfa, català antic, selecció de l’auxiliar, construccions impersonals relatives, datiu experimentadorAbstract: One of the characteristics of Old Catalan that has not been preserved, except for some dialectal remains, is double auxiliary of perfect tenses, which were built with haver ‘have’ or ésser ‘be’ (e.g. ha parlat vs. és arribat). Haver occurred in transitive and agentive intransitive constructions, while ésser was used in statives, eventives, resultatives of change of state and change of location, pronominal intransitives, direct reflexives and passives. Although the substitution of ésser for haver is a process developed mainly during Modern Age and culminated in contemporary times, signs of it can already be detected in Medieval Catalan. In this paper, starting from the extraction and classification of perfects in Curial e Güelfa, we identify the samples in which haver occurs instead of ésser, we analyze the factors that may have favored it and we relate them to the entry routes of haver indicated in previous works. We conclude that Curial e Güelfa firmly maintains double auxiliary, innovation being practically restricted to the relative impersonal constructions with romandre ‘remain’, sobrar ‘be left over’, venir ‘come’, esdevenir ‘become’ and succeir ‘happen’, which contain a dative experiencer as a logical subject.Keywords: Curial e Güelfa, Old Catalan, auxiliary selection, relative impersonal constructions, dative experiencer","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"26 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Parole del mare. Il contributo catalano al lessico sardo della pesca","authors":"G. Strinna","doi":"10.7203/scripta.22.27838","DOIUrl":"https://doi.org/10.7203/scripta.22.27838","url":null,"abstract":": Sardinia, for historical reasons, does not have traditions in the maritime field, but its inhabitants allowed foreign peoples (first Catalans and Spaniards, then fishermen from Campania, Sicily, and Liguria) to take care of professions related to the sea. As a result, the relevant lexicon in this linguistic sphere is composite and entirely borrowed from other languages. The essay specifically focuses on the contributions of Catalan to the nautical and fishing lexicon, which appear substantial and pervasive, covering various areas ranging from port and fishermen terms, along with their respective equipment, to the humblest names of sea fish, crustaceans","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"25 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A experiência de traduzir a novela Curial e Guelfa (séc. XV) para a língua portuguesa","authors":"R. Da Costa","doi":"10.7203/scripta.22.27848","DOIUrl":"https://doi.org/10.7203/scripta.22.27848","url":null,"abstract":"Resumo: Richard Fletcher (1944-2005) estava certo: nada concentra tanto a mente de um historiador em um texto quanto a tarefa de traduzi-lo. A sublime compreensão histórica (erhabenen historischen Verständnis) abarca o tênue instante em que nos deparamos com as palavras no tempo, ponderamos sua inserção cronológica sociocultural e, cuidadosamente, as conduzimos para o presente e as recolocamos fora de sua época, tentando, da melhor maneira possível, preservar seus significados temporais subjacentes. Mas como realizar esse exercício da melhor maneira? O objetivo deste artigo é apresentar nossa proposta de tradução da novela de cavalaria quatrocentista (e Humanista) Curial e Guelfa e discutir algumas de nossas encruzilhadas, nossas opções, nossas tentativas de trazer à mente do leitor a cultura do passado e a manter viva nela, e ambientar sua reconstrução histórica no melhor espaço imaginário possível, isto é, aquele que respeita os paradoxos do tempo e as multifacetadas contradições inerentes à vida de seus personagens sociais. Palavras-chave: tradução, Curial e Guelfa, novela de cavalaria, literatura, humanismoAbstract: Richard Fletcher (1944-2005) was right: nothing concentrates as much the historian’s mind than the task of translating a text. The sublime historical understanding (erhabenen historischen Verständnis) covers the tenuous moment that we face the words in time, pondering its chronological and socio-cultural insertion, and carefully bring them to the present and reposition them out of their time, trying as best as possible, to preserve their underlying temporal meanings. But how to exercise this in the best way? The purpose of this article is to present our proposal of translation of the humanist novel of chivalry from the fifteenth century Curial e Güelfa and discuss some of our crossroads, choices, and attempts to bring to the reader’s mind the culture of the past and keep it alive in his thoughts, and acclimatize his historical reconstruction in the best imaginary space as possible, i.e., the one that respects the paradoxes of time and the multifaceted contradictions inherent to the life of their social characters. Keywords: translation, Curial e Güelfa,  chivalry novel,  literature, humanism","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"25 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La llengua catalana segons els viatgers estrangers de l’últim terç del vuit-cents","authors":"Adrià Martí-Badia","doi":"10.7203/scripta.22.27821","DOIUrl":"https://doi.org/10.7203/scripta.22.27821","url":null,"abstract":"Resum: Aquest article estudia les descripcions de la llengua catalana fetes pels viatgers estrangers que van recórrer els territoris de parla catalana en l’últim terç del segle xix. També analitza les observacions i percepcions lingüístiques d’aquests sobre la llengua catalana i sobre l’ús que en fan els habitants d’aquests territoris. En relació amb el segon objectiu, ens interessa saber si reconeixien que la llengua que parlaven els valencians és la mateixa que la dels catalans, mallorquins i altres veïns de la catalanofonia; quina posició ocupa la llengua catalana entre la resta de llengües romàniques; si el català té el mateix estatus que el castellà o el francès o bé el consideraven un dialecte. En molts casos no parlen de la llengua amb tant de detall perquè l’objectiu dels seus viatges era un altre, però sovint de les seves diferents afirmacions podem deduir els seus posicionaments per a respondre aquestes preguntes. En una època, finals del vuit-cents, on la filologia romànica era una disciplina de recent creació i no estava plenament acceptat que el català és una llengua romànica independent.Paraules clau: llengua catalana, historiografia lingüística, literatura de viatges, estatus i nom de la llengua catalana, usos lingüísticsAbstract: This paper examines the descriptions of the Catalan language by foreign travellers who travelled through the Catalan-speaking territories in the last third of the 19th century. It also analyses their observations and linguistic perceptions of the Catalan language, as well as the language spoken by the inhabitants of these territories. Regarding the second objective, we are particularly interested in knowing if they recognise that the language spoken by Valencians is the same as that of the Catalans, Majorcans, and other neighbours of the Catalan-speaking world; what position occupy the Catalan language among the rest of the Romance languages; if they consider that Catalan has the same status as Spanish and French or if they considered it was a dialect. In many cases they do not talk about the language in such detail because the purpose of their travels was different, but often from their different descriptions and statements we can deduce their positions and opinions to answer these questions. In the late 19th century, when Romance philology was a recently created discipline and it was not fully accepted that Catalan is an independent Romance language.Keywords: Catalan language, linguistic historiography, travel literature, status and name of the Catalan language, language uses","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"11 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Conócete a ti mismo: una máxima délfica al servicio de la ética y la política desde el renacimiento","authors":"Marco Antonio Coronel Ramos","doi":"10.7203/scripta.22.27818","DOIUrl":"https://doi.org/10.7203/scripta.22.27818","url":null,"abstract":"Resum: La máxima délfica conócete a tí mismo ha permeado las teorías éticas y políticas desde la antigüedad. Esto es especialmente evidente en la Europa renacentista desde el siglo XV. Este trabajo, tras explicar sucintamente el significado del motto en el mundo clásico, analiza cómo se cristianiza en autores como Basilio Magno, Hugo de san Víctor o Bernardo de Claraval. Este proceso desemboca en una antropología sustentada en la idea de que conocerse a uno mismo implica saber situarse en las realidades presente y escatológica. Estos son los mimbres que utilizaron Giannozzo Manetti, Giovanni Pico della Mirandola o Marsilio Ficino para reivindicar la dignidad humana desde la noción de conciencia. Todos estos son los antecedentes que llevaron a Juan Luis Vives o Erasmo de Róterdam a afirmar que la sabiduría auténtica debía conjugar el conocimiento de uno mismo y el de Dios. Entonces, dándose un giro lingüístico al principio délfico, el conocerse a uno mismo se identificó con la propiedad en el uso del lenguaje, brotando de ello la ética y la política modernas.Palabras clave: Ética y política renacentista, Juan Luis Vives, Erasmo de Róterdam, Humanismo, pensamiento cristianoAbstract: The Delphic maxim “know thyself” has permeated ethical and political theories since antiquity. From the 15th century onwards, this is particularly evident in Renaissance Europe. This paper analyses the Christianisation of the maxim in authors such as Basil the Great, Hugh of St Victor, and Bernard of Clairvaux, after briefly explaining its meaning in the classical world. This process leads to an anthropology based on the idea that to know oneself is to know how to situate oneself in present and eschatological realities. These are the foundations used by Giannozzo Manetti, Giovanni Pico della Mirandola, and Marsilio Ficino to justify human dignity based on the notion of conscience. All these are the antecedents that led Juan Luis Vives or Erasmus of Rotterdam to affirm that authentic wisdom should combine knowledge of oneself and knowledge of God. Then, modern ethics and politics were born by giving a linguistic twist to the Delphic principle by identifying self-knowledge with correctness in the use of language.Keywords: Renaissance Ethics and Politics, Juan Luis Vives, Erasmus of Rotterdam, Humanism, Christian Thought","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"32 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"«Amb dits de rosa l’aurora»: versions catalanes d’Homer","authors":"Isabel Turull Crexells","doi":"10.7203/scripta.22.27845","DOIUrl":"https://doi.org/10.7203/scripta.22.27845","url":null,"abstract":"Resum: El tema del XIII Congrés Internacional de l’AISC, «Històries d’un mar en comú. Alimentació, vida i mort a les rutes de la Mediterrània oriental», ens proporciona una ocasió per a passar revista a les traduccions de la Ilíada i l’Odissea. En el nostre paper ens fixem en les diverses traduccions al català d’aquests poemes que són la base de la nostra cultura europea i que mostren per una banda la vida i la mort davant l’alta ciutat de Troia i per l’altra el viatge d’Ulisses de retorn a la seva illa d’Ítaca. Les traduccions analitzades són les que considerem clàssiques, començant per les dues grans Odissees ribianes, però també les més modernes, com les dues Ilíades de 2019, una en prosa de Montserrat Ros per a Adesiara i una en vers per a la Bernat Metge Universal de Pau Sabaté. Per a la nostra anàlisi tenim en compte les decisions dels traductors respecte als colors, respecte a la mar amb tots els seus qualificatius i respecte als símils, especialment els símils llargs i per tant més complexos.Parole chiave: Traducció, Homer, epítets homèrics, símils   .Abstract: The theme of the XIII International Congress of the AISC, «Stories of a common sea. Food, life and death on the routes of the eastern Mediterranean», provides us with an opportunity to review the translations of the Iliad and the Odyssey. In our paper we examine the various translations into Catalan of these poems which are the basis of our European culture and which show on the one hand life and death before the high city of Troy, and on the other the journey of Odysseus’ return to his island of Ithaca. The translations analyzed are the ones we consider classics, starting with the two great Ribian Odysseys, but also the most modern ones, such as the two Iliads of 2019, one in prose by Montserrat Ros for Adesiara and one in verse for Bernat Metge Universal by Pau Sabaté. We take into account the translators’ decisions regarding colors, regarding the sea with all its qualifiers and regarding similes, especially the longest and more complex ones.Keywords: Translation, Homer, Homeric epithets, similes","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"8 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Heus! Etiam mensas consumimus. Reescriptures de Carme Riera, Miquel de Palol i Tina Vallès","authors":"Francesco Ardolino","doi":"10.7203/scripta.22.27834","DOIUrl":"https://doi.org/10.7203/scripta.22.27834","url":null,"abstract":"Resum: L’objectiu d’aquesta contribució és de traçar una aproximació a tres obres literàries catalanes a partir del nexe comú de la reescriptura d’escenes lligades a la semàntica del menjar. No es pretén fer cap intent de categorització, sinó  disposar-les en seqüència segons el grau de relació, de menor a major, que aquests hipertextos tenen en comparació amb els seus hipotextos. Es començarà per l’ullet que Carme Riera fa a El Guepard de Tomasi di Lampedusa i, passant per les remissions de Miquel de Palol al Satyricon de Petroni, s’arribarà al remake explícit que Tina Vallès proposa davant del Palomar d’Italo Calvino. La hipòtesi en què es basa l’article és que aquestes reescriptures responen a una fórmula específica d’hipercitacionisme que, en l’àmbit de la Postmodernitat, s’aplica a partir del la idea segons la qual, davant la impossibilitat de destruir el passat, només ens queda la possibilitat de revisitar-lo –i potser, revisar-lo– de forma irònica.  Paraules clau: reescriptura, postmodernitat, ironia, Carme Riera, Miquel de Palol, Tina VallèsAbstract: The aim of this contribution is to trace an approach to three Catalan literary works from the common nexus of the réécriture of semantics in food scenes. It is not intended to make any attempt at categorization, but these hypertexts will be arranged in sequence according to the degree of relationship, from minor to major, that they have in comparison with their hypotexts. It will begin with the quote that Carme Riera makes to The Guepard, by Tomasi di Lampedusa, and, passing through Miquel de Palol’s references to Satyricon, by Petronius, we will arrive at the explicit remake of Italo Calvino’s Palomar by Tina Vallès. The hypothesis of this article is that these rewritings respond to a specific form of hypercitation, which, in the Postmoderm literature, is applied to the idea that, given the impossibility of destroying the past, there remains the possibility of revisiting it –or revising it– in an ironic way.Keywords: rewriting, postmodernity, irony, Carme Riera, Miquel de Palol, Tina Vallès","PeriodicalId":507012,"journal":{"name":"SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna","volume":"9 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139187568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}