Science in Context最新文献_第5页

The Application of Tobias Matthay’s Teachings to the Playing of York Bowen’s Twelve Studies: A Practitioner’s Perspective 托拜厄斯·马瑟的教学在约克·鲍文《十二习作》演奏中的应用:实践者的视角

IF 0.3 4区哲学

Science in Context Pub Date : 2022-01-31 DOI: 10.46580/cx98922

Oliver She

{"title":"The Application of Tobias Matthay’s Teachings to the Playing of York Bowen’s Twelve Studies: A Practitioner’s Perspective","authors":"Oliver She","doi":"10.46580/cx98922","DOIUrl":"https://doi.org/10.46580/cx98922","url":null,"abstract":"Across the body of piano repertoire that falls under the ‘etude’ genre, few were written with a specific body of piano pedagogical literature in mind. One such example is English composer York Bowen’s Twelve Studies (1916), one of the lesser known cycle of etudes in the piano repertoire. The titles Bowen appended to these studies as well as the technical aspects explored in them point to a connection with the pedagogical teachings of English piano pedagogue Tobias Matthay. This article will examine these studies through the lens of my personal experience preparing this repertoire for performance, and will disseminate insights gained through this preparation process regarding how specific concepts Matthay espoused in his teachings tie in with the explicit and implicit technical focus of these studies, and may be applied in practice. Following a brief introduction to Bowen, the studies, and Matthay, the main section of this article explores eleven of the twelve studies that contain direct and/or indirect references to Matthay’s concepts, before concluding with some general reflections. The purpose of this article is to offer some pedagogical insight on this repertoire, and possible guidance for performers and teachers who may wish to study these works, in spite of these insights coming from a personal perspective. Additionally, since these studies are presently not very well known in pianistic circles and literature is scarce, it is hoped that this article will help nurture further scholarly investigation into this repertoire.","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"13 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78323300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reconsidering the Role of Instrumental Technique in Creative Process: The ‘Canadian School of Double Bass’ Applied to Jazz Performance 重新思考器乐技术在创作过程中的作用:“加拿大低音提琴学派”在爵士演奏中的应用

IF 0.3 4区哲学

Science in Context Pub Date : 2022-01-31 DOI: 10.46580/cx57324

Samuel Dobson

{"title":"Reconsidering the Role of Instrumental Technique in Creative Process: The ‘Canadian School of Double Bass’ Applied to Jazz Performance","authors":"Samuel Dobson","doi":"10.46580/cx57324","DOIUrl":"https://doi.org/10.46580/cx57324","url":null,"abstract":"Contemporary research exploring embodiment in music has suggested that creative musical thought is directly linked to a performer’s learnt physical techniques. Within this discourse, it is understood that an improvising musician’s embodied physical techniques play a primary role in informing their creative processes. This view suggests that subsequent changes or developments to a jazz musician’s physical technique may fundamentally influence the ways in which musical ideas are conceived while improvising. This article begins by unpacking a cross-section of literature in support of this claim, before presenting the results of a practice-led autoethnographic experiment exploring the relationship between instrumental technique and creative practice. In this experiment, I transition to a new way of playing the double bass, informed by Joel Quarrington’s The Canadian School of Double Bass, and observe transformations in hand frame, use of vertical shifts, use of register, feelings of tension and overall dexterity, all of which appear to influence my creative decision making. The results highlight how this reformed technical approach affected the physical accessibility of certain intervallic options, and appear to have fundamentally impacted my conception and construction of melodic content on a cognitive level.","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"50 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91082269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jon Stratton, Jon Dale and Tony Mitchell, eds. An Anthology of Australian Albums: Critical Engagements 乔恩·斯特拉顿、乔恩·戴尔和托尼·米切尔主编。澳大利亚专辑选集:批判性参与

IF 0.3 4区哲学

Science in Context Pub Date : 2022-01-31 DOI: 10.46580/cx26553

Benjamin Hillier

{"title":"Jon Stratton, Jon Dale and Tony Mitchell, eds. An Anthology of Australian Albums: Critical Engagements","authors":"Benjamin Hillier","doi":"10.46580/cx26553","DOIUrl":"https://doi.org/10.46580/cx26553","url":null,"abstract":"An Anthology of Australian Albums: Critical Engagements is a welcome addition to the growing body of work that examines Australian popular music from a critical and scholarly perspective. It was conceptualised by eminent Australian musicologist Tony Mitchell as an academic companion to the often excellent work of non-academic journalists examining Australian popular music albums. As such, this book provides a critical perspective on Australian albums across a range of genres, from black metal to hip-hop, singer-songwriters, and the ever-present pub-rock bands that dominate the landscape of Australian popular music. This perspective leads the volume to consider some of these more common topics from new angles, omitting many of the great works of the canon of Australian rock royalty from the 1970s (AC/DC, The Angels, et al.) in favour of significant yet overlooked or marginalised artists. It is also decidedly contemporary in its choice of albums to analyse, with ten of the fifteen chapters focused on albums released in the twenty-first century, thus providing a valuable insight into recent developments in Australian popular music. Finally, the volume’s focus on individual works and albums makes it a useful complement to other scholarly volumes, such as Sounds of Then, Sounds of Now: Popular Music in Australia…","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"47 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82781891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Megan Kaes Long. Hearing Homophony 梅根·凯斯·朗。听到同音异义

IF 0.3 4区哲学

Science in Context Pub Date : 2022-01-31 DOI: 10.46580/cx98123

T. Daly

引用次数: 0

John Whiteoak. 'Take me to Spain': Australian Imaginings of Spain Through Music and Dance 约翰Whiteoak。“带我去西班牙”:澳大利亚人通过音乐和舞蹈想象西班牙

IF 0.3 4区哲学

Science in Context Pub Date : 2022-01-31 DOI: 10.46580/cx82573

E. Kertesz

引用次数: 0

Julian Dodd. Being True to Works of Music 朱利安·多德。忠实于音乐作品

IF 0.3 4区哲学

Science in Context Pub Date : 2022-01-31 DOI: 10.46580/cx93010

Sevastiana Nourou

引用次数: 0

Evidence of undercounting: Collecting data on mental illness in Germany (c. 1825-1925). 少计的证据:收集德国精神疾病的数据(约1825-1925年)。

IF 0.3 4区哲学

Science in Context Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000078

Sophie Ledebur

引用次数: 1

The world of deviance in the classroom: Psychological experiments on schoolchildren in Weimar Germany. 课堂上的偏差世界:魏玛德国学童的心理实验。

IF 0.3 4区哲学

Science in Context Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000066

Laurens Schlicht

引用次数: 0

True to form: Media and data technologies of self-inscription. 原形:自铭的媒介与数据技术。

IF 0.3 4区哲学

Science in Context Pub Date : 2021-12-01 DOI: 10.1017/S026988972300008X

Christine von Oertzen

引用次数: 1

Interview and interior: Procedures of narrative surveys around 1900. 采访与内部:1900年前后的叙事调查程序。

IF 0.3 4区哲学

Science in Context Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000054

Anke Te Heesen

{"title":"Interview and interior: Procedures of narrative surveys around 1900.","authors":"Anke Te Heesen","doi":"10.1017/S0269889723000054","DOIUrl":"https://doi.org/10.1017/S0269889723000054","url":null,"abstract":"<p><p>In the spring of 1893, the Austrian writer and critic Hermann Bahr began interviewing various people on antisemitism, a subject of heated discussion in the European feuilleton around 1900. \"Once again, I am travelling the world sounding out people's opinions and listening to what they have to say,\" he wrote in his introduction to a series of articles on that issue that appeared in the feuilleton of the Deutsche Zeitung between March and September 1893. A year later, the Berlin publishing house S. Fischer turned Bahr's articles into a book. Bahr conducted a total of thirty-eight interviews with prominent personages, such as August Bebel, Theodor Mommsen, Ernst Haeckel, Henrik Ibsen and Jules Simon. Bahr did not focus on the arguments in favour or against antisemitism. Instead, he set out explicitly to investigate the sentiments, perceptions and opinions on this topic within the cultured classes. Yet, as I will show in this article, Bahr tried to capture not only the \"sentiments\" [Empfindungen] aired by his interviewees, but also the settings and interiors in which the interviews took place. I argue that these descriptions of physical space served Bahr as authentication, as a three-dimensional certificate for the \"facts of opinion\" [Meinungstatsachen] he recorded.</p>","PeriodicalId":49562,"journal":{"name":"Science in Context","volume":"34 4","pages":"423-438"},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10564354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0