I-Perception最新文献_第4页

Using perception as a strategy: Camouflage, surprise, and the moment of shock related to perception. 将感知作为一种策略：伪装、惊奇和与感知相关的震惊时刻。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-24 eCollection Date: 2026-01-01 DOI: 10.1177/20416695261425471

Claus-Christian Carbon, Boris Dreyer, Marcus Speck

{"title":"Using perception as a strategy: Camouflage, surprise, and the moment of shock related to perception.","authors":"Claus-Christian Carbon, Boris Dreyer, Marcus Speck","doi":"10.1177/20416695261425471","DOIUrl":"10.1177/20416695261425471","url":null,"abstract":"Camouflage is often conceived as the art of hiding, but a more striking perceptual power lies in the moment of revelation. Drawing on historical evidence from Roman patrol vessels on the Danube, we, as an interdisciplinary team of historians, chemists, and perceptual psychologists, argue that concealment was strategically coupled with surprise to produce psychological shock. These vessels were painted to blend with their surroundings, yet their sudden detection triggered a perceptual \"pop-out,\" amplified by dramatic features such as oversized eyes and ornamental bows. This specific quality, which is most obvious in a frontal attack mode, allowed a quick transition from invisibility to an imposing, fear-inducing presence that created a tactical advantage that disrupted enemy attention, motor preparation, and predictive coding. Roman shipbuilders seemingly exploited perceptual principles such as figure-ground reversal, attentional capture, and even Müller-Lyer-like illusions to manipulate enemy perception. Thus, camouflage was not merely defensive concealment but an active strategy of temporal control, staging perception itself as a weapon. Studying these dynamics highlights how surprise can destabilize observers and decisively shift the balance of confrontation.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 1","pages":"20416695261425471"},"PeriodicalIF":1.1,"publicationDate":"2026-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12932871/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147311197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Visual attention allocation between social and navigational cues during wayfinding: An eye-tracking study in virtual reality. 寻路过程中社会和导航线索之间的视觉注意力分配：虚拟现实中的眼动追踪研究。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-23 eCollection Date: 2026-01-01 DOI: 10.1177/20416695251414080

Gökçe Orlu Özen, Çağrı Imamoğlu, Elif Surer, Burçak Altay

{"title":"Visual attention allocation between social and navigational cues during wayfinding: An eye-tracking study in virtual reality.","authors":"Gökçe Orlu Özen, Çağrı Imamoğlu, Elif Surer, Burçak Altay","doi":"10.1177/20416695251414080","DOIUrl":"10.1177/20416695251414080","url":null,"abstract":"This study investigates how the presence of people in a built environment influences visual attention and navigational performance. Using immersive virtual reality and eye-tracking, participants navigated an airport terminal featuring either dynamic human avatars (social setting) or no avatars (non-social setting). Fixation durations on signage and human figures were measured to assess attentional allocation, and navigation performance was evaluated through task duration, error count, and spatial knowledge tasks. Participants in the social setting fixated significantly less on signage and more on humans, indicating attentional competition. Human and signage fixation durations were strongly negatively correlated. While overall navigation performance did not differ between conditions, attention to signage significantly predicted lower error counts. Mediation analysis showed that human presence indirectly increased navigation errors by reducing attention to signage. Spatial learning, measured by pointing accuracy and landmark placement, was less clearly affected, though social presence was associated with better landmark placement accuracy. The results highlight how social stimuli capture attention and reduce the processing of task-relevant cues like signage. The findings underscore the perceptual demands of navigating socially complex environments and suggest that maintaining visual attractiveness of signage is critical in crowded public settings.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 1","pages":"20416695251414080"},"PeriodicalIF":1.1,"publicationDate":"2026-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12929869/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147311221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Relationship between aesthetic preference and 'complexity' mediated crossmodal correspondence of shape and tone sequence. 审美偏好与“复杂性”介导的形状和音调序列的跨模对应关系。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-20 eCollection Date: 2026-01-01 DOI: 10.1177/20416695261420290

Kohei Osugi, Jumpei Hayashi, Takeo Kato, Hideyoshi Yanagisawa

引用次数: 0

The effects of color temperature and illuminance on the color-dependent Fraser-Wilcox illusion. 色温和照度对依赖颜色的弗雷泽-威尔科克斯错觉的影响。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-19 eCollection Date: 2026-01-01 DOI: 10.1177/20416695251412759

Megumi Nishikawa, Akiyoshi Kitaoka

{"title":"The effects of color temperature and illuminance on the color-dependent Fraser-Wilcox illusion.","authors":"Megumi Nishikawa, Akiyoshi Kitaoka","doi":"10.1177/20416695251412759","DOIUrl":"10.1177/20416695251412759","url":null,"abstract":"The color-dependent Fraser-Wilcox illusion is an illusion in which still images appear to move, and it has been reported that the direction of the illusory motion reverses depending on the illuminance level. Furthermore, preliminary observations suggest that the color temperature of the illumination also affects this reversal phenomenon of the illusion. In the present study, in addition to illuminance, we investigated how the color temperature affects the illusory motion using two types of the color-dependent Fraser-Wilcox illusions: the red-purple type and the red-blue type. The direction and intensity of the illusory motion were rated at illuminance levels of 10, 20, 40, 80, 160, 320, 640, and 1280 lx under color temperature conditions of 3000 K and 6700 K. The results showed that the illusory motion in one direction predominated under high color temperature conditions, while the illusory motion in the opposite direction predominated under low color temperature conditions. Consistent with the previous study, we also observed that the motion occurred in the former direction under brighter conditions and in the latter direction under darker conditions. Although the red-purple type was on average more dominant than the red-blue type in the former direction of motion, both types showed the same switching of illusory motion direction under high and low illumination conditions.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 1","pages":"20416695251412759"},"PeriodicalIF":1.1,"publicationDate":"2026-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12925004/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147277425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Being K. Malevich: A hands-on approach to compositional preference. 成为K. Malevich：对作曲偏好的动手方法。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-16 eCollection Date: 2026-01-01 DOI: 10.1177/20416695261421103

Doris I Braun, Mara Hofmann, Katja Doerschner

{"title":"Being K. Malevich: A hands-on approach to compositional preference.","authors":"Doris I Braun, Mara Hofmann, Katja Doerschner","doi":"10.1177/20416695261421103","DOIUrl":"10.1177/20416695261421103","url":null,"abstract":"Perceived visual balance is one of the critical factors that determine whether an artwork is regarded as aesthetically pleasing or not. This kind of balance seems to depend on the perceptual weight given to the major elements of a composition that can differ in size, position, shape, orientation, and colors within the pictorial field. We probe the relationship between perceived stability, dynamics, balance and aesthetic ratings of ten original artworks from the Suprematist art movement and 20 participant-arranged compositions with the elements taken from the artworks. For each artwork, 22 art-naïve participants arranged first all shape elements on the corresponding \"canvas\" of the paper version separately according to two tasks: create a stable and create a dynamic composition. After this, they transferred the final compositions to the computer and rated their digital versions of the stable and dynamic arrangements as well as the original Suprematists' artworks according to the degree of perceived balance, stability, and dynamic appearance and personal preference. Qualitatively, in \"stable\" compositions shape elements were arranged more symmetrically and often stacked on the lower part of the \"canvas,\" whereas in \"dynamic\" compositions elements were often rotated with respect to the pictorial field and distributed unevenly or asymmetrically over larger areas. The relationship between perceived stability, dynamics, and liking varied with the complexity of the artwork and geometrical indices of balance did not correlate strongly with perceptual ratings and liking. Our analysis revealed differences in individual preference for either stable or dynamic arrangements.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 1","pages":"20416695261421103"},"PeriodicalIF":1.1,"publicationDate":"2026-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12909777/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146221654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

When does movement help touch? Interstimulus separation and task difficulty in vibrotactile frequency discrimination. 什么时候运动有助于触摸？振动触觉频率识别的刺激间分离与任务难度。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-11 eCollection Date: 2026-01-01 DOI: 10.1177/20416695261416355

Mounia Ziat, Jose James, Junjie Hua, Thaer Burgan, Muna Mohamed, Roope Raisamo

引用次数: 0

Me and my shadow: Elongated sunset shadows disrupt size constancy. 我和我的影子：拉长的夕阳阴影破坏了大小的稳定性。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-09 eCollection Date: 2026-01-01 DOI: 10.1177/20416695261418499

Sae Kaneko, Stuart Anstis

引用次数: 0

Understanding the image cues driving the switch from brightness to lightness responses in the Adelson checker-block illusion. 理解阿德尔森方格错觉中驱动从亮度到亮度反应转换的图像线索。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-02-04 eCollection Date: 2026-01-01 DOI: 10.1177/20416695251410895

P George Lovell, Kenneth C Scott-Brown, Ioan E Smart

{"title":"Understanding the image cues driving the switch from brightness to lightness responses in the Adelson checker-block illusion.","authors":"P George Lovell, Kenneth C Scott-Brown, Ioan E Smart","doi":"10.1177/20416695251410895","DOIUrl":"10.1177/20416695251410895","url":null,"abstract":"Adelson's checker-block illusion is an engaging demonstration of the difference between lightness and brightness. The illusory nature of the stimulus derives from participants' experience of the discrepancy between perceived lightness of two test patches (A, B) despite their physical luminance being identical. The identical nature of the test patches becomes apparent when cues informing the viewer of the scene's illumination and 3D structure are removed. Here we explore which cues drive the transition from 'brightness' pixel-based responses to 'lightness' material-based responses. Participants (n = 123) viewed versions of the stimulus with various components deleted (top, left and right-sides, shadows, outline-edges) under four between-subjects scenarios: with lighting direction varied (from left or right) and with the scene orientation varied (upside-down or correctly oriented). Participants indicated the perceived difference between A and B by responding on a Likert scale. Generalised linear mixed effects models were used to estimate the strength of each cue in driving the change of responses from brightness towards lightness. The lightness responses were strongest for upright images illuminated from the top-left, with panels adjacent to the test patches present. The stimuli, responses and model fits are shared as a dataset that can be tested against existing models of lightness perception.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 1","pages":"20416695251410895"},"PeriodicalIF":1.1,"publicationDate":"2026-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12876641/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146143779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

'Play the fragrance': Designing musical soundscapes to match fragrances based on olfactory-auditory crossmodal correspondences. “演奏香味”：根据嗅觉-听觉的跨模态对应，设计音乐音景来匹配香味。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-01-29 eCollection Date: 2026-01-01 DOI: 10.1177/20416695251409265

Charles Spence, Nicola Di Stefano, Felipe Reinoso-Carvalho, Bruno Mesz, Asterios Zacharakis

{"title":"'Play the fragrance': Designing musical soundscapes to match fragrances based on olfactory-auditory crossmodal correspondences.","authors":"Charles Spence, Nicola Di Stefano, Felipe Reinoso-Carvalho, Bruno Mesz, Asterios Zacharakis","doi":"10.1177/20416695251409265","DOIUrl":"10.1177/20416695251409265","url":null,"abstract":"In recent years, numerous studies demonstrating the crossmodal correspondences between individual olfactory stimuli and both auditory and visual stimuli have been published. However, most commercial perfumes are more complex (both chemically and perceptually) than individual olfactory stimuli, incorporating designated top, middle, and base notes. What is more, it is unlikely that it will be possible to discriminate effectively at a population level between hedonic responses to, and rated intensity of, most commercial perfumes (given that they are deliberately created to be pleasant and to provide an intense and long-lasting scent). Perfumes, unlike other classes of olfactory stimuli, also tend to be strongly gendered (masculine, feminine, or occasionally unisex). As such, the matching of music to fine fragrance faces different challenges than when matching music to the aromas and flavours of food and drink (a much more common application domain for crossmodal correspondences research currently). In this review, we examine the emerging literature on crossmodal correspondences to assess whether empirical findings can provide any actionable insights when it comes to assisting those wishing to design music and soundscapes that, in any meaningful sense, translate a perfume into its auditory equivalent.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 1","pages":"20416695251409265"},"PeriodicalIF":1.1,"publicationDate":"2026-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12855772/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146107868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rotating dual-layered checkerboard illusion. 旋转双层棋盘错觉。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-01-19 eCollection Date: 2026-01-01 DOI: 10.1177/20416695251409283

Kentaro Usui, Masaya Ishikawa, Shuichiro Taya, Akiyoshi Kitaoka

引用次数: 0