I-Perception最新文献

Assessing the role(s) of human touch in immersive entertainment. 评估人情味在沉浸式娱乐中的作用。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-04-27 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261437638

Yang Gao, Charles Spence

{"title":"Assessing the role(s) of human touch in immersive entertainment.","authors":"Yang Gao, Charles Spence","doi":"10.1177/20416695261437638","DOIUrl":"https://doi.org/10.1177/20416695261437638","url":null,"abstract":"Physical touch plays an important role in various forms of immersive entertainment, influencing emotional engagement, presence, and narrative immersion. In this narrative historical review, we explore the significance of direct interpersonal (social) touch in entertainment contexts. This includes theme parks, immersive theater, participatory performance art, and digitally mediated touch (e.g., haptic feedback in virtual reality [VR], gaming, and film). By analyzing examples such as Disneyland character interactions, Sleep No More, and audience participation in The Rocky Horror Picture Show, we examine how physical touch enhances immersion by helping to break the fourth wall and by fostering audience agency. Additionally, we compare direct human touch with digitally mediated touch (e.g., haptic feedback in VR) and discuss their respective advantages and limitations. While digital touch offers flexibility and scalability, it often lacks the warmth (both literally and metaphorically), texture, and emotional nuance of actual human interaction and can struggle to reproduce the social meaning and attribution that shape affective touch. The review also highlights a number of the key challenges and boundary conditions in implementing physical touch in the context of entertainment, such as cultural variations in norms and comfort around interpersonal touch, privacy/consent concerns, hygiene concerns, and technical constraints. Future research directions include the integration of physical touch with emerging technologies, personalization of touch-based experiences, and the role of multisensory interactions in enhancing immersive storytelling. Understanding the mechanisms and impact of physical touch in entertainment can inform the design of future multisensory experiences, increasing audience engagement and emotional connectivity while minimizing harm and exclusion.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 2","pages":"20416695261437638"},"PeriodicalIF":1.1,"publicationDate":"2026-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13133472/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147822068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rightward shift of self-face representation. 自我面孔表征的右移。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-04-24 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261444892

Kazuyoshi Chikamura, Wakaba Yoshida, Shuma Tsurumi, Jun Kawahara

{"title":"Rightward shift of self-face representation.","authors":"Kazuyoshi Chikamura, Wakaba Yoshida, Shuma Tsurumi, Jun Kawahara","doi":"10.1177/20416695261444892","DOIUrl":"https://doi.org/10.1177/20416695261444892","url":null,"abstract":"Self-face representation refers to an internal image of one's own face that does not necessarily match its physical properties. A previous study showed that remembered facial features located centrally or on the right side, such as the nose and right eye, tend to shift rightward. However, this rightward bias may result from using the right index finger to report locations. The present study examined whether the bias would occur when participants used the left index finger, following Mora et al.'s procedure in which participants, with their eyes closed, pointed to locations on a transparent acrylic board as if the designated facial features were projected in parallel in front of the board. Twenty-eight participants pointed to designated facial features using either their right or left index finger. The reported locations were recorded digitally and compared with the actual feature locations. When using the right finger, a rightward bias appeared for all central and right-side facial features. When using the left finger, all left-side facial features shifted leftward, indicating a leftward bias. Importantly, the rightward bias remained for all right-side facial features. These results suggest that the bias reflects both a general tendency toward rightward shifting and an artifact related to the side of the reporting finger.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 2","pages":"20416695261444892"},"PeriodicalIF":1.1,"publicationDate":"2026-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13125781/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147822098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The influence of striped clothing on visual body perception: A study on pattern spacing design. 条纹服装对视觉体感的影响——图案间距设计研究。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-04-16 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261441454

Tzu-Yu Chen, Li-Hsun Peng

{"title":"The influence of striped clothing on visual body perception: A study on pattern spacing design.","authors":"Tzu-Yu Chen, Li-Hsun Peng","doi":"10.1177/20416695261441454","DOIUrl":"10.1177/20416695261441454","url":null,"abstract":"The slimming effect of striped clothing has long been a research topic in the field of visual perception. Some studies have supported the Helmholtz illusion, which suggests that clothing with horizontal lines makes a person appear thinner than clothing with vertical lines. However, other studies argued that these experiments lacked ecological validity, as it seemed unlikely that stimuli with vertical and horizontal stripes were present concurrently. Therefore, perceptual anchoring should be incorporated into the experimental procedure. While previous studies used only pencil stripes as the research object, this study employed both pencil and equidistant stripes, introducing five different stripe spacing types. This study conducted three comparisons regarding the perception of body image in striped clothing using a survey (n = 214): Experiment 1 identified the horizontal style that appears the slimmest; Experiment 2 identified the vertical style that appears the slimmest; Experiment 3 compared the effects of horizontal and vertical stripes across five garment styles on body image perception, including which style makes the body look slimmer, enhances the figure more effectively, and is more visually appealing. The results show that the horizontally pencil-striped dress (1 × 2 h in our nomenclature) is perceived as the slimmest. Second, while a pencil stripe pattern may make the body appear slimmer when oriented horizontally, an equidistant stripe pattern may do this when oriented vertically instead (1 × 1 v from back). Third, there are slight differences between the perceptions of males and females.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 2","pages":"20416695261441454"},"PeriodicalIF":1.1,"publicationDate":"2026-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13091968/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147730020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The influence of specular reflectance, albedo, and shape on perceived gloss: A case for three-dimensional maximum likelihood conjoint measurement (MLCM). 镜面反射率，反照率和形状对感知光泽度的影响：三维最大似然联合测量（MLCM）的一个案例。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-04-09 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261435363

Sabrina Hansmann-Roth

引用次数: 0

"Solid Hollows" and "Reverspectives": Similarities and differences. “坚实的空洞”和“回顾”：异同。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-04-08 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261434802

Brian Rogers, Patrick Hughes

引用次数: 0

Negative emotion alignment: The assimilation effect of facial emotion perception in a negative emotional crowd. 负性情绪对齐：负性情绪人群面部情绪知觉的同化效应。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-04-07 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261435451

Jiaotao Cai, Yanmei Wang

{"title":"Negative emotion alignment: The assimilation effect of facial emotion perception in a negative emotional crowd.","authors":"Jiaotao Cai, Yanmei Wang","doi":"10.1177/20416695261435451","DOIUrl":"https://doi.org/10.1177/20416695261435451","url":null,"abstract":"Emotion perception of the target face within an emotional crowd is influenced by the intensity of surrounding emotional faces. The present study investigated whether participants perceived the target face's emotional intensity as more aligned with the crowd's emotional intensity (i.e., assimilation effect of facial emotion perception in an emotional crowd). Participants estimated the emotional intensity of the target face within a crowd consisting of multiple emotional faces (angry/happy crowd in Experiment 1 and Experiment 3; angry/happy/fearful crowd in Experiment 2). Results across the first two experiments established a consistent assimilation effect: when embedded within a low-intensity angry or fearful crowd, negative target faces were perceived as less intense than their objective baseline. After accounting for potential confounds related to facial morphological features, Experiment 3 replicated these findings, confirming the stability of this perceptual bias. Notably, this assimilation effect was valence-specific, appearing consistently for negative emotions but failing to emerge for happy faces. Additionally, we found that individuals with a higher level of depression tended to underestimate the happy intensity of the happy face within a happy crowd. Across three experiments, the present study revealed that the negative face's emotional intensity perception within a negative crowd exhibited an assimilation effect.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 2","pages":"20416695261435451"},"PeriodicalIF":1.1,"publicationDate":"2026-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13058215/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147647080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kanizsa-like illusory figures shorten simple manual reaction time. 类似kanizsa的虚幻人物缩短了简单的手动反应时间。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-03-17 eCollection Date: 2026-03-01 DOI: 10.1177/20416695251411826

Tommaso Poscoliero, Massimo Girelli

引用次数: 0

Differentiating bipolar disorder from schizophrenia: The role of the induced Roelofs illusion. 区分双相情感障碍与精神分裂症：诱导的Roelofs幻觉的作用。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-03-16 eCollection Date: 2026-03-01 DOI: 10.1177/20416695251394612

Davide Esposito, Jessica Bertolasi, Andrea Escelsior, Maria Bianca Amadeo, Alberto Inuggi, Margherita Perucco, Ambra Alvano, Martina Marcenaro, Alessio Zizzi, Beatriz Pereira Da Silva, Gianluca Serafini, Mario Amore, Monica Gori

{"title":"Differentiating bipolar disorder from schizophrenia: The role of the induced Roelofs illusion.","authors":"Davide Esposito, Jessica Bertolasi, Andrea Escelsior, Maria Bianca Amadeo, Alberto Inuggi, Margherita Perucco, Ambra Alvano, Martina Marcenaro, Alessio Zizzi, Beatriz Pereira Da Silva, Gianluca Serafini, Mario Amore, Monica Gori","doi":"10.1177/20416695251394612","DOIUrl":"10.1177/20416695251394612","url":null,"abstract":"Visual illusions serve as a window into the altered perceptual experiences of individuals with psychiatric disorders. One such is the induced Roelofs effect, where the perceived position of a small stimulus is shifted toward the midline of a distractor frame surrounding the stimulus, as the shift is more pronounced in individuals with schizophrenia. The present work extends the induced Roelofs effect assessment to bipolar disorder. Healthy controls, patients with bipolar disorder, and patients with schizophrenia were shown a dot stimulus placed inside a frame whose horizontal position could vary, and they were asked to determine whether the dot position was to their left or to their right. The induced Roelofs effect was minimal in healthy controls, large in schizophrenia, and intermediate in bipolar disorder. No association between the effect size and psychotic symptomatology or cognitive abilities was found. Yet, a nonlinear, concave association was found between the total pharmacological load and the illusion size. The results suggest that the illusion is related to alterations in sensory processing, which are common to both bipolar disorder and schizophrenia, hence showing their potential utility in clinical evaluations, which currently tend to overlook the sensory domain.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 2","pages":"20416695251394612"},"PeriodicalIF":1.1,"publicationDate":"2026-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13009657/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147515746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Corrigendum to "Rapid biasing effect of prior auditory contexts on bistable tritone perception". “先前听觉背景对双稳定三全音感知的快速偏置效应”的勘误表。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-03-12 eCollection Date: 2026-03-01 DOI: 10.1177/20416695261432329

引用次数: 0

Context shapes evaluation of emotional valence, not emotional categorization: A fresh look at the Kuleshov effect. 情境塑造了情绪效价的评价，而不是情绪分类：库列绍夫效应的新视角。

IF 1.1 4区心理学

I-Perception Pub Date : 2026-03-09 eCollection Date: 2026-03-01 DOI: 10.1177/20416695251410119

Bence Szaszkó, Mark Andrej Loebus

{"title":"Context shapes evaluation of emotional valence, not emotional categorization: A fresh look at the Kuleshov effect.","authors":"Bence Szaszkó, Mark Andrej Loebus","doi":"10.1177/20416695251410119","DOIUrl":"https://doi.org/10.1177/20416695251410119","url":null,"abstract":"In filmmaking, a neutral face paired with an emotional context can convey a congruent emotion-a phenomenon known as the Kuleshov effect. However, past research has yielded mixed findings on the existence of the Kuleshov effect, possibly due to methodological variability; we therefore implemented a boundary-test paradigm that combined normed static context images with dynamic facial stimuli separated by an explicit context-rating step to examine how visual context shapes the evaluation and categorization of faces under such conditions. We hypothesized that positive context would elevate facial valence ratings (and vice versa), while evoking different-than-neutral emotions in a neutral face when categorized. Thirty-two participants first rated the valence of a context image on a 7-point Likert scale. They then viewed a video of a neutral face, evaluated its valence on the same scale, and explicitly categorized the expression by selecting one of five predefined emotion labels (neutral, angry, happy, sad, disgusted). Analyses using linear mixed-effects models confirmed that positive contexts led to higher facial valence ratings, while negative contexts led to lower ones; by contrast, multinomial regression revealed no effect of context on emotional categorization. Our findings suggest that while visual context can bias evaluative judgments of facial expressions, it does not necessarily alter their emotional categorization under conditions where cinematic continuity is absent, highlighting the boundaries of the Kuleshov effect in line with previous studies.","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"17 2","pages":"20416695251410119"},"PeriodicalIF":1.1,"publicationDate":"2026-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12972553/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147436558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0