{"title":"Screaming, Crying, Writing Up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices","authors":"Jenessa Williams","doi":"10.1080/03007766.2024.2320597","DOIUrl":"https://doi.org/10.1080/03007766.2024.2320597","url":null,"abstract":"In light of the increased commercial awareness of fangirl culture in the last decade, this article critically analyses three books written by prominent woman music and culture journalists: Fangirls...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"171 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140034767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sad Girls on TikTok: Musical and Multimodal Participatory Practices as Affective Negotiations of Ordinary Feelings and Knowledges in Online Music Cultures","authors":"Veronika Muchitsch","doi":"10.1080/03007766.2024.2320589","DOIUrl":"https://doi.org/10.1080/03007766.2024.2320589","url":null,"abstract":"This article examines musical participatory practices on TikTok as mediations of ordinary feelings and knowledges. It conducts a multimodal analysis of user-generated videos that recirculated the s...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"62 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140034772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rap Music and the Youth in Malawi: Reppin’ the Flames","authors":"Murendehle M. Juwayeyi","doi":"10.1080/03007766.2024.2311453","DOIUrl":"https://doi.org/10.1080/03007766.2024.2311453","url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2024)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"59 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139756030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scott Walker and the Song of the One-All-Alone","authors":"John Littlejohn","doi":"10.1080/03007766.2024.2310769","DOIUrl":"https://doi.org/10.1080/03007766.2024.2310769","url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2024)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"9 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139756013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Force of Environmental Lyrics in Pop Songs: The Case of Gorillaz’s Plastic Beach","authors":"Håvard Haugland Bamle","doi":"10.1080/03007766.2023.2297351","DOIUrl":"https://doi.org/10.1080/03007766.2023.2297351","url":null,"abstract":"This article examines how compositional and performative strategies impact the potency of environmental song lyrics on Gorillaz’s album Plastic Beach. The quality of songfulness is implicated as a ...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"38 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139062568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Lo-Fi Lens: Interpretations of Memphis Rap Tape Rips in the Online Mediascape","authors":"Joseph Coughlan-Allen","doi":"10.1080/03007766.2023.2282883","DOIUrl":"https://doi.org/10.1080/03007766.2023.2282883","url":null,"abstract":"This article interrogates the association between 1990s Memphis rap and the concept of lo-fi in journalistic discourse between 2012 and 2022. It employs Appadurai’s concept of mediascape in demonst...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"16 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138561210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform","authors":"Sophie Freeman, Martin Gibbs, Bjørn Nansen","doi":"10.1080/03007766.2023.2286569","DOIUrl":"https://doi.org/10.1080/03007766.2023.2286569","url":null,"abstract":"Spotify offers users powerful algorithmic recommendations and hybrid “algo-torial” curation at scale. In this paper we argue that juxtaposed within this data-driven platform, is the power of human ...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"2012 30","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138518479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity","authors":"Matthew Robert Ferguson, Thanyavee Thanyodom","doi":"10.1080/03007766.2023.2286816","DOIUrl":"https://doi.org/10.1080/03007766.2023.2286816","url":null,"abstract":"K-pop products generally avoid cultural particularity, but they speak to specific neoliberal aspirations of middle-class urban audiences in Asia, even if such dreams are a distant reality in workin...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"2015 17","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138518480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Crooner: Singing from the Heart from Sinatra to Nas","authors":"James Dyer","doi":"10.1080/03007766.2023.2282259","DOIUrl":"https://doi.org/10.1080/03007766.2023.2282259","url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2023)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"2004 22","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138518477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stage, Street, Garden, or Parlour: The Ubiquitous Popular Songs of Late Georgian England","authors":"Georgina Bartlett","doi":"10.1080/03007766.2023.2275836","DOIUrl":"https://doi.org/10.1080/03007766.2023.2275836","url":null,"abstract":"","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"24 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134992857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}