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韩国流行音乐与泰国粉丝的创造性参与:当文化混杂成为文化真实性

IF 1.3 3区 艺术学 0 MUSIC
POPULAR MUSIC AND SOCIETY Pub Date : 2023-11-29 DOI:10.1080/03007766.2023.2286816
Matthew Robert Ferguson, Thanyavee Thanyodom
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引用次数: 0

摘要

韩国流行音乐产品通常避免文化特殊性，但它们表达了亚洲中产阶级城市观众的特定新自由主义愿望，即使这种梦想在工作中是一个遥远的现实……
本文章由计算机程序翻译，如有差异，请以英文原文为准。
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K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity
K-pop products generally avoid cultural particularity, but they speak to specific neoliberal aspirations of middle-class urban audiences in Asia, even if such dreams are a distant reality in workin...
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来源期刊
POPULAR MUSIC AND SOCIETY
POPULAR MUSIC AND SOCIETY MUSIC-
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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