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Raving upon Thames: An Untold Story of Sixties London 《狂言泰晤士河:60年代伦敦不为人知的故事
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-04-13 DOI: 10.1080/03007766.2022.2062097
James Martens
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引用次数: 0
Aretha 瑞莎
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-03-03 DOI: 10.1080/03007766.2022.2049148
B. Cooper
{"title":"Aretha","authors":"B. Cooper","doi":"10.1080/03007766.2022.2049148","DOIUrl":"https://doi.org/10.1080/03007766.2022.2049148","url":null,"abstract":"","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43200104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Talkin’ Bout a Revolution(ary): The Music and Politics of Tracy Chapman 谈革命（ary）：特雷西·查普曼的音乐与政治
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-02-24 DOI: 10.1080/03007766.2022.2045162
Rasheedah A. Jenkins
{"title":"Talkin’ Bout a Revolution(ary): The Music and Politics of Tracy Chapman","authors":"Rasheedah A. Jenkins","doi":"10.1080/03007766.2022.2045162","DOIUrl":"https://doi.org/10.1080/03007766.2022.2045162","url":null,"abstract":"ABSTRACT The field of folklore in general, but specifically, Africana folklore studies can be enriched by greater analyses of Black female contributions. In this article, I position folk music as the primary interest and chosen location to acknowledge Black women’s participation from beyond the margins. My inquiry reveals folk music as a lens into the myriad ways Black women have translated vernacular traditions to deconstruct the master narrative and interrogate societal norms. Specifically, this article examines how Tracy Chapman appropriated the folk esthetic as a strategic discursive space for politically conscious creative expression.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"341 - 357"},"PeriodicalIF":0.5,"publicationDate":"2022-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45277663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Is Popular Music? What Is an Album? A Review of Two Recordings 什么是流行音乐？什么是专辑？两次录音回顾
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-02-02 DOI: 10.1080/03007766.2022.2034336
D. Biron
{"title":"What Is Popular Music? What Is an Album? A Review of Two Recordings","authors":"D. Biron","doi":"10.1080/03007766.2022.2034336","DOIUrl":"https://doi.org/10.1080/03007766.2022.2034336","url":null,"abstract":"","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"527 - 529"},"PeriodicalIF":0.5,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49433196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Re)claiming the Public Sphere: Greek Cypriot Dialect Hip-Hop and the Right to Say It in One’s Own Language (再)占领公共领域:希族塞人方言嘻哈与以自己的语言表达的权利
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-01-27 DOI: 10.1080/03007766.2021.2004353
Maria Kouvarou
{"title":"(Re)claiming the Public Sphere: Greek Cypriot Dialect Hip-Hop and the Right to Say It in One’s Own Language","authors":"Maria Kouvarou","doi":"10.1080/03007766.2021.2004353","DOIUrl":"https://doi.org/10.1080/03007766.2021.2004353","url":null,"abstract":"ABSTRACT This article discusses hip-hop with lyrics in the Greek Cypriot Dialect as an underground voice of implicit dissent that becomes gradually noticeable in the Republic of Cyprus. By providing an overview of the complex linguistic situation of the country, it argues that the insistence of the hip-hop artists to “say it” in the linguistic idiom of their everyday communication can be seen as a (re)claiming of the public sphere. Habermas’ public sphere, and communication theories, along with ideas from language ideologies, provide the conceptual lenses by which hip-hop in the Greek Cypriot Dialect is looked at here.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"221 - 238"},"PeriodicalIF":0.5,"publicationDate":"2022-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45195633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming 流媒体悖论:解开音乐流媒体的混合守门机制
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-01-19 DOI: 10.1080/03007766.2022.2026923
Arnt Maasø, H. Spilker
{"title":"The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming","authors":"Arnt Maasø, H. Spilker","doi":"10.1080/03007766.2022.2026923","DOIUrl":"https://doi.org/10.1080/03007766.2022.2026923","url":null,"abstract":"ABSTRACT Why does music listening in streaming services seem tied to a superstar economy despite the plenitude of digital music? This article explores what we label the streaming paradox: the way in which plenitude at the outset produces narrowness as the outcome. Based on dissection of the interfaces of streaming services, interviews with stakeholders, and analyses of user data, the article introduces six key gatekeeping mechanisms (and concepts) at work in the platforms. These mechanisms are combined effects of algorithmic coding, interface design, and human curation and choices and serve as explanations for the streaming paradox.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"300 - 316"},"PeriodicalIF":0.5,"publicationDate":"2022-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44799320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians) 流媒体时代的加拿大独立音乐:来自上层(批判政治经济学)和下层(音乐家人种学)的声音
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2022-01-03 DOI: 10.1080/03007766.2021.2010028
A. deWaard, Brian Fauteux, Brianne Selman
{"title":"Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)","authors":"A. deWaard, Brian Fauteux, Brianne Selman","doi":"10.1080/03007766.2021.2010028","DOIUrl":"https://doi.org/10.1080/03007766.2021.2010028","url":null,"abstract":"ABSTRACT This article illustrates the precarious position of Canadian independent musicians in the streaming era. In the first section, we articulate the sound of the Canadian music industry from above, providing a macro-level political economy, looking at multinational conglomerates, streaming technology, financialization, consolidation, and inequality. In sections two and three, we listen to the sound from below using ethnographic methods, relaying the experiences of independent musicians within an increasingly precarious industry. Based on feedback from the musicians we interviewed, we conclude by providing a series of recommendations and ideas to foster a more equitable, community-based music culture.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"251 - 278"},"PeriodicalIF":0.5,"publicationDate":"2022-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47925472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Ways of Hearing: Reflections on Music in 26 Pieces 听觉之道:对26首乐曲的反思
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2021-12-29 DOI: 10.1080/03007766.2022.2021609
Thomas M. Kitts
{"title":"Ways of Hearing: Reflections on Music in 26 Pieces","authors":"Thomas M. Kitts","doi":"10.1080/03007766.2022.2021609","DOIUrl":"https://doi.org/10.1080/03007766.2022.2021609","url":null,"abstract":"recording company executives, and fellow Memphis music scholars. Both prickly and profound, the author’s observations are grounded in years of rubbing elbows with black and white Memphians. Truth resonates in his writing. It is the rough-and-tumble truth of the old Beale Street barkeeps rather than the polished, glamorous truth of Chamber of Commerce con men. This is not just a paean to the magical music of Memphis. It is a salute to the hard labor, sweat, luck (good and bad), and personal convictions that allowed black and white men to produce truly memorable music. Out of political mayhem, racial strife, broken banking agreements, and untimely deaths a group of integrated performers and record label executives produced a treasury of unforgettable tunes. From “Last Night” to “Green Onions,” from “Memphis Blues” to “Please Accept My Love,” and from “Blues Power” to “In the Midnight Hour,” Memphis provided the world with a brilliant new soundscape. The river city gained international “Respect” – and wisely urged each listener to “Respect Yourself.”","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"360 - 362"},"PeriodicalIF":0.5,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49155140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Born to Run: The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen 为奔跑而生:布鲁斯·斯普林斯汀回忆录从书本到舞台和银幕的跨媒体进化
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2021-12-10 DOI: 10.1080/03007766.2021.2010308
L. Watson
{"title":"Born to Run: The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen","authors":"L. Watson","doi":"10.1080/03007766.2021.2010308","DOIUrl":"https://doi.org/10.1080/03007766.2021.2010308","url":null,"abstract":"ABSTRACT This article explores how the genre of rock memoir took a new cultural and commercial turn with the publication of Springsteen’s book Born to Run (2016). It traces how the book became the foundation for a transmedia project that unfolded across several platforms (including the Broadway stage and Netflix) over the course of two years (2016–2018). This transmedia project worked to construct the twenty-first-century Springsteen as an artist and commentator whose work lies at the intersections of rock, popular literature, scripted theater, and the screen.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"279 - 299"},"PeriodicalIF":0.5,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46122453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Dis)locating Democratization: Music Technologies in Practice （Dis）定位民主化：音乐技术在实践中的应用
IF 0.5 3区 艺术学
POPULAR MUSIC AND SOCIETY Pub Date : 2021-11-22 DOI: 10.1080/03007766.2021.1984023
Paul Harkins, Nick Prior
{"title":"(Dis)locating Democratization: Music Technologies in Practice","authors":"Paul Harkins, Nick Prior","doi":"10.1080/03007766.2021.1984023","DOIUrl":"https://doi.org/10.1080/03007766.2021.1984023","url":null,"abstract":"ABSTRACT This article examines the concept of democratization and explains why it has been applied in unhelpful ways to the study of music. We focus on three examples to illustrate the real-world complexities involved in the adoption of new technologies that are often seen as democratic by dint of their widespread use. We argue for a close-reading of the participatory practices of socially-located actors with music-making devices – one that asks detailed questions about who is participating, how, and under what socio-economic conditions. We finish with a call to move beyond the term democratization to an application that is specific to the field of popular music.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"84 - 103"},"PeriodicalIF":0.5,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45054121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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