（Dis）定位民主化：音乐技术在实践中的应用

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2021-11-22 DOI:10.1080/03007766.2021.1984023

Paul Harkins, Nick Prior

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引用次数: 0

摘要

本文探讨了民主化的概念，并解释了为什么它被以无益的方式应用于音乐研究。我们将重点放在三个例子上，以说明采用新技术所涉及的现实世界的复杂性，这些新技术通常因其广泛使用而被视为民主。我们主张仔细阅读具有音乐制作设备的社会位置的演员的参与性实践-提出有关谁参与，如何参与以及在何种社会经济条件下参与的详细问题。最后，我们呼吁超越“民主化”一词，将其应用于流行音乐领域。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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(Dis)locating Democratization: Music Technologies in Practice

ABSTRACT This article examines the concept of democratization and explains why it has been applied in unhelpful ways to the study of music. We focus on three examples to illustrate the real-world complexities involved in the adoption of new technologies that are often seen as democratic by dint of their widespread use. We argue for a close-reading of the participatory practices of socially-located actors with music-making devices – one that asks detailed questions about who is participating, how, and under what socio-economic conditions. We finish with a call to move beyond the term democratization to an application that is specific to the field of popular music.

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.