为奔跑而生:布鲁斯·斯普林斯汀回忆录从书本到舞台和银幕的跨媒体进化

IF 1.3 3区 艺术学 0 MUSIC
L. Watson
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引用次数: 0

摘要

摘要本文探讨了随着斯普林斯汀的《天生奔跑》(2016)一书的出版,摇滚回忆录这一类型如何在文化和商业上发生了新的转变。它追溯了这本书是如何成为跨媒体项目的基础的,该项目在两年的时间里(2016-2018)在多个平台(包括百老汇舞台和Netflix)展开。这个跨媒体项目致力于构建21世纪的斯普林斯汀,他是一位艺术家和评论家,他的作品位于摇滚、流行文学、脚本剧院和银幕的交叉点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Born to Run: The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen
ABSTRACT This article explores how the genre of rock memoir took a new cultural and commercial turn with the publication of Springsteen’s book Born to Run (2016). It traces how the book became the foundation for a transmedia project that unfolded across several platforms (including the Broadway stage and Netflix) over the course of two years (2016–2018). This transmedia project worked to construct the twenty-first-century Springsteen as an artist and commentator whose work lies at the intersections of rock, popular literature, scripted theater, and the screen.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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