Talkin’ Bout a Revolution(ary): The Music and Politics of Tracy Chapman

IF 1.3 3区 艺术学 0 MUSIC
Rasheedah A. Jenkins
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引用次数: 0

Abstract

ABSTRACT The field of folklore in general, but specifically, Africana folklore studies can be enriched by greater analyses of Black female contributions. In this article, I position folk music as the primary interest and chosen location to acknowledge Black women’s participation from beyond the margins. My inquiry reveals folk music as a lens into the myriad ways Black women have translated vernacular traditions to deconstruct the master narrative and interrogate societal norms. Specifically, this article examines how Tracy Chapman appropriated the folk esthetic as a strategic discursive space for politically conscious creative expression.
谈革命(ary):特雷西·查普曼的音乐与政治
一般民俗学领域,特别是非洲民俗学研究可以通过更多地分析黑人女性的贡献来丰富。在这篇文章中,我将民间音乐定位为主要的兴趣和选择的位置,以承认黑人妇女从边缘之外的参与。我的调查揭示了民间音乐作为一个镜头,可以看到黑人女性以无数种方式翻译本土传统,解构主流叙事,质疑社会规范。具体而言,本文考察了特蕾西·查普曼如何将民间审美作为一种战略性话语空间,用于政治自觉的创造性表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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