K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2023-11-29 DOI:10.1080/03007766.2023.2286816

Matthew Robert Ferguson, Thanyavee Thanyodom

引用次数: 0

Abstract

K-pop products generally avoid cultural particularity, but they speak to specific neoliberal aspirations of middle-class urban audiences in Asia, even if such dreams are a distant reality in workin...

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韩国流行音乐与泰国粉丝的创造性参与:当文化混杂成为文化真实性

韩国流行音乐产品通常避免文化特殊性，但它们表达了亚洲中产阶级城市观众的特定新自由主义愿望，即使这种梦想在工作中是一个遥远的现实……

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.