{"title":"Re-Membering Music Worlds: Exhibiting the Rebel Women of Manchester’s Suffragette City","authors":"Susan O’Shea, Alison Surtees","doi":"10.1080/03007766.2024.2327746","DOIUrl":"https://doi.org/10.1080/03007766.2024.2327746","url":null,"abstract":"This paper addresses a lack of scholarly focus on intersections of memory, gender, and the popular music archive. To challenge the underrepresentation of women, reparative actions must be collabora...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140581110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"R. Serge Denisoff Award","authors":"","doi":"10.1080/03007766.2024.2333132","DOIUrl":"https://doi.org/10.1080/03007766.2024.2333132","url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2024)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140581091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I Felt Like a Normal Human Being”: Professional DJs’ Experiences of the COVID-19 Lockdowns","authors":"Lee Marshall, Martha Whitfield","doi":"10.1080/03007766.2024.2334136","DOIUrl":"https://doi.org/10.1080/03007766.2024.2334136","url":null,"abstract":"The social restrictions prompted by COVID-19 disproportionately impacted creative industries that rely upon live performance as a main source of revenue, including the (electronic) music industry, ...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"9 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140581083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beatlemania in America: Fan Culture from Below","authors":"Martin Cloonan","doi":"10.1080/03007766.2024.2332044","DOIUrl":"https://doi.org/10.1080/03007766.2024.2332044","url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2024)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"47 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140581090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I’ll Also With My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran","authors":"Behrang Nikaeen","doi":"10.1080/03007766.2024.2327019","DOIUrl":"https://doi.org/10.1080/03007766.2024.2327019","url":null,"abstract":"This article explores the emergence of Tataloo and his fans, the Tatality subculture. I ask how the strong and incontestable relationship was constructed between them through social media, particul...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"31 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140297767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Gender and Popular Music Knowledge","authors":"Mimi Haddon, Bethany Klein","doi":"10.1080/03007766.2024.2320552","DOIUrl":"https://doi.org/10.1080/03007766.2024.2320552","url":null,"abstract":"This special issue of Popular Music and Society on gender and popular music knowledge considers feminized ways of listening to and knowing about popular music that have occupied the margins of medi...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"2011 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140146965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Small Venues: Precarity, Vibrancy and Live Music","authors":"Christine Rose Cooling","doi":"10.1080/03007766.2024.2327866","DOIUrl":"https://doi.org/10.1080/03007766.2024.2327866","url":null,"abstract":"Published in Popular Music and Society (Ahead of Print, 2024)","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"17 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140146963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Segue-me à Capela: Inclusion and Resilience Strategies in Traditional Portuguese Music","authors":"Luísa Fernanda Ochoa Márquez","doi":"10.1080/03007766.2024.2320586","DOIUrl":"https://doi.org/10.1080/03007766.2024.2320586","url":null,"abstract":"Although traditional polyphonic singing has been practiced assiduously by many groups of women in Portugal, the cultural policies implemented during the New State (1933–1974) did not give it visibi...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"15 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140046628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Out on the Floor: Exploring the London Lesbian Club Scene of the 1980s and 1990s","authors":"Katherine Griffiths","doi":"10.1080/03007766.2024.2320578","DOIUrl":"https://doi.org/10.1080/03007766.2024.2320578","url":null,"abstract":"This article sets out to counter dominant depictions of DJs and clubbing that privilege white male DJs and their scenes, and that erase nightclubbing’s Black queer origins. Using queer oral history...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"137 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140046720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Make It Funky for Me: Black British Women’s Explorations of Britishness, Womanhood, and Artistry Through 2000s Music","authors":"Monique Charles","doi":"10.1080/03007766.2024.2320584","DOIUrl":"https://doi.org/10.1080/03007766.2024.2320584","url":null,"abstract":"2000s Britain was an interesting and expansive time musically for Black Britain (Bradley 2013), as underground music gained traction in mainstream spaces. This article examines the context in which...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"48 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140075971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}