Segue-me à Capela: Inclusion and Resilience Strategies in Traditional Portuguese Music

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2024-03-06 DOI:10.1080/03007766.2024.2320586

Luísa Fernanda Ochoa Márquez

引用次数: 0

Abstract

Although traditional polyphonic singing has been practiced assiduously by many groups of women in Portugal, the cultural policies implemented during the New State (1933–1974) did not give it visibi...

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Segue-me à Capela：葡萄牙传统音乐中的包容与复原策略

尽管葡萄牙的许多妇女团体一直坚持传统的复调歌唱，但新国家时期（1933-1974 年）实施的文化政策并没有使其得到明显的发展。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.