International Journal of Arts Management最新文献_第7页

MODERN SANATTA TEMSİL KRİZİ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2019-02-15 DOI: 10.31566/ARTS.2.005

Fatih Balci

引用次数: 2

KOLEKSİYONLARI YEREL, BÖLGESEL YA DA DÜNYA GENELİNE DAYALI SERAMİK MÜZESİ ÖRNEKLERİ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2019-02-15 DOI: 10.31566/arts.2.002

Halide Okumuş Şen

{"title":"KOLEKSİYONLARI YEREL, BÖLGESEL YA DA DÜNYA GENELİNE DAYALI SERAMİK MÜZESİ ÖRNEKLERİ","authors":"Halide Okumuş Şen","doi":"10.31566/arts.2.002","DOIUrl":"https://doi.org/10.31566/arts.2.002","url":null,"abstract":"Muzeler toplumlarin belleginin korundugu, paylasildigi ve gelecek kusaklara aktarildigi mekanlardir. Seramik ise gecmisten gunumuze izlerin takibinde en onemli bilgi kaynaklarindan biridir. Gunumuzde, seramik dahil her alandan arkeolojik buluntularla, geleneksel ya da cagdas eserlerin birlikte sergilendigi muzeler disinda, koleksiyonu sadece seramikten olusan muzeler de bulunmaktadir. Bu muzeler, koleksiyonlari yerel, bolgesel ya da dunya geleneksel seramigine dayali olsa da cagdas seramiklere ozellikle yer vermektedirler. Calismada; koleksiyonlari yerel, bolgesel ya da genel seramiklerden olusan seramik muzelerine ornek olmalari bakimindan; Seramik Muzesi Keramion, Raeren Seramik Muzesi, Uluslararasi Faenza Seramik Muzesi ve Dusseldorff Hetjens Seramik Muzesi tanitilmistir. Dunya seramik tarihinin yansitildigi muzelerde Anadolu kokenli binlerce yillik arkeolojik buluntularin yaninda geleneksel Iznik, Kutahya, Canakkale seramiklerimizin de sergilendigi gorulmektedir. Calismanin amaci; seramik gecmisimize sahip cikmak adina, yurtdisi orneklerde oldugu gibi, geleneksel seramiklerimiz yaninda, ulusal ve uluslararasi sanatcilarin cagdas eserlerinin de sergilendigi seramik muzelerimizi kurmamiz konusunda farkindalik olusturmaktir. Anilan muzeler ve sergilenen eserler yerinde incelenmistir. Kullanilan gorsellerle muzelerin mekanlari ve koleksiyonlari yansitilmaya calisilmistir. Konu hakkindaki bilgiler ilgili kitap, makale, katalog ve internet kaynaklari ile desteklenmistir.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2019-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76155365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

GIORGIONE, TIZIANO, MANET: ÜÇ SANATÇI, ÜÇ VENÜS GIORGIONE, TIZIANO,马奈:ÜÇSANATÇI,ÜÇÜS的

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2019-02-15 DOI: 10.31566/arts.2.003

Erdal Kara

{"title":"GIORGIONE, TIZIANO, MANET: ÜÇ SANATÇI, ÜÇ VENÜS","authors":"Erdal Kara","doi":"10.31566/arts.2.003","DOIUrl":"https://doi.org/10.31566/arts.2.003","url":null,"abstract":"Uzanan nu, sanat tarihinde pek cok defa betimlenmis, klasiklesmis bir konudur. Bu turun, basyapit niteligindeki uc ornegi, Giorgione’nin Uyuynan Venus’u, Tiziano’nun Urbino Venusu ve Edouard Manet’nin Olympia’sidir. Bu uc resmin en onemli ortak noktasi ve ayni konudaki diger resimlerden ayrilan ozelligi birbirlerinden turetilmis olmalaridir. Ronesans’in Venedikli ustalarindan biri olan Giorgione’nin Uyuyan Venus resmi, dogal kadin guzelligini yuceltmis, ask tanricasi Venus’u idealize etmistir. Giorgione’nin yakin dostu Tiziano, Uyuyan Venus’un bicimsel ozellikleriyle, Urbino Venusu olarak adlandirilan resmini olusturmustur. Bicimsel olarak idealize edilmis olan Venus, icerik olarak insani duygular yansitmaktadir. Uzanmis nu figuru izleyici ile dogrudan temas kurduran Tiziano, bu resimde ask ve sadakate dair bir alegori yaratmistir. 19. yuzyilin onemli Fransiz ressami Edouard Manet, Urbino Venusu’nu yeniden yorumladigi bir uzanan nu resmetmistir. Manet, Olympia adini verdigi bu resimde, ask tanricasini, bir hayat kadini olarak betimlemistir. Gercekci ve dogal bir bicimsel yaklasimla olusturulmus olan resim, kiskitici ozellikleriyle dikkat cekmektedir. Ayni konunun ele alindigi bu uc resim, sanatta bicim ve ifadenin degisimiyle icerigin de degistigini gosteren ornek durumundadir. Bu calismada, her uc resim, bicim ve icerik iliskisi acisindan incelenerek, resimlerin verdigi mesajlar irdelenmis, tum ortak unsurlara ragmen, eserlerin icerdigi anlam farkliliklarina nasil ulasildigi ortaya konulmustur.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2019-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81641555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

GELENEKSELDEN GÜNÜMÜZ TEKNOLOJİSİNE YER YAYGILARINDA KULLANILAN BASKI/BOYAMA TEKNİKLERİNE GENEL BİR BAKIŞ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2019-02-07 DOI: 10.31566/ARTS.2.004

Özge Usluca Erim, F. Gezi̇ci̇oğlu, M. Erim

{"title":"GELENEKSELDEN GÜNÜMÜZ TEKNOLOJİSİNE YER YAYGILARINDA KULLANILAN BASKI/BOYAMA TEKNİKLERİNE GENEL BİR BAKIŞ","authors":"Özge Usluca Erim, F. Gezi̇ci̇oğlu, M. Erim","doi":"10.31566/ARTS.2.004","DOIUrl":"https://doi.org/10.31566/ARTS.2.004","url":null,"abstract":"I nsanligin ilk boyama tecrubeleri ile baslayan baski sanatinin ilk ornekleri, insan vucutlarina yapilan resimler ve dovmelerdir. Gelisen toplumlar/bireyler gibi zamanla yasam icin kullanilan tekstillerde de; estetik kaygi gelismis, sanatsal nitelikler gorulmeye baslanmistir. Geleneksel sanatlar bakimindan zengin ve koklu bir gecmise sahip Anadolu’da ozgun cesitli ornekleriyle baskicilik onemli bir yerde bulunmaktadir. Halk sanati olan yazmacilik, 16.-18. Yuzyillar arasinda Istanbul, Tokat, Kastamonu, Mardin, Hatay, Gaziantep ve Izmir’de gelismis ve en iyi orneklerini vermistir, ayni zamanda ticari bir degeri de bulunmaktadir. Ahsap baskilarla motiflendirilen kumaslar ilk zamanlarda basortusu ve yazmalarda kullanilmistir. Gun gectikce yastik kilifi, yorgan, bohca, masa ortusu, mendil yer yaygisi gibi kullanim esyalarinda da gorulmus, ceyiz sandiklarina girmis ve hatta bir donem saray esyalari arasinda da yerini almistir. Geleneksel el sanatlarinda kullanilan teknikler, ozgun motifler, renkler, kaliplar, yerlestirme duzenleri yoresel ve bolgesel olarak kullanim farkliliklarini ortaya cikarmaktadir. Bu unsurlarla zenginlesen el sanatlarinin, estetik ve plastik degerler acisindan yorumlandiginda ozgun bir yapida oldugu soylenebilir. Gelisen toplum ve degisen teknoloji, sanatin uygulama ve sergileme yontemlerini surekli degistirmekte ve gunumuze uyarlamaktadir. Dinamik bir yapi olusturan bu degisim, farkli yapi ve yuzeylerin olusumuna olanak saglamaktadir. Bu calismada, gelenekselden beslenerek, gelisen ve degisen teknolojik sartlar cercevesinde kullanim alanlarinin farklilastigi ve cesitli baski/boyama tekniklerinin kullanildigi yer yaygilari incelenmistir","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87866611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Power of the Picture, Poem, Prayer, and Person: Mythic Consciousness and Russian Sensibilities from the Icon and Pushkin, to Malevich and Mayakovsky 《图画、诗歌、祈祷和人物的力量:从圣像和普希金到马列维奇和马雅可夫斯基的神话意识和俄国情感》

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2019-02-01 DOI: 10.5923/J.ARTS.20190901.03

Mark Lipton

{"title":"The Power of the Picture, Poem, Prayer, and Person: Mythic Consciousness and Russian Sensibilities from the Icon and Pushkin, to Malevich and Mayakovsky","authors":"Mark Lipton","doi":"10.5923/J.ARTS.20190901.03","DOIUrl":"https://doi.org/10.5923/J.ARTS.20190901.03","url":null,"abstract":"Within Stalin's regime, elements of mythical idealism run parallel, though somewhat invisibly, to those of dialectical materialism in the modes of cultural production. It is especially difficult to pinpoint these elements, for they lie in a world opposed to the scientific and thus must be regarded in part as illusory. Yet this illusory spirit constantly marks Russia's history and therefore I chart a course into such domain to question the relationship between Russian spirituality and Russian creative expression in the period of the utopian dream. Susanne Langer in Feeling and Form describes aamp;amp;amp;amp;quot;mythic consciousnessaamp;amp;amp;amp;quot; as the means of understanding the world in primitive phases of social development. From a Marxist-Stalinist perspective, as a shift from the primitive toward the cultured, idealism represented a continuation of the primitive. And as the shift toward Marxist ideology during the periods of great revolution was a movement away from the primitive, it marked a shift towards the perfection of discursive forms. Yet, through all this strife and shifting, a common element runs through all Russian/Soviet Literature and the Arts; regardless of era or art form, that difficult concept to define known as the Mysterious Russian Soul is what marks the greatness of Russia's contribution to Arts and the Humanities.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80631602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

GEÇMİŞİN VE METAMORFOZUN İZİNDE BİR SANATÇI: JAN FABRE

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2018-10-31 DOI: 10.31566/arts.2018345689

Düriye Kozlu Ismailoğlu, F. Korkmaz

{"title":"GEÇMİŞİN VE METAMORFOZUN İZİNDE BİR SANATÇI: JAN FABRE","authors":"Düriye Kozlu Ismailoğlu, F. Korkmaz","doi":"10.31566/arts.2018345689","DOIUrl":"https://doi.org/10.31566/arts.2018345689","url":null,"abstract":"Sanat, bilimsel ve kulturel yapiyi etkilerken cesitli kaynaklara basvurur ya da bunlardan esinlenir. Sanatin basvuru yaptigi ve bircok sanatcinin yapisini arastirarak dunyevi ve metafizik cozumlemeler yapmak icin ugras verdigi baslica kaynaklardan birisi de dogadir. Metamorfoz da bu anlamda sanatin dogadan yola cikarak yararlandigi alanlardandir. Gunumuz sanatinda uretimleri ile icinde bulundugu zamani etkileyen ve metamorfozu kullanan onemli isimlerden Jan Fabre, cizimler ve heykeller ile baslayan sanat surecine farkli disiplinleri bir araya getiren calismalari ve tiyatro ile devam eder. Fabre’in sanat anlayisi iki ana eksen uzerinden ve bunlara tutunan baglamlar cercevesinde okunabilir. Gecmis ve metamorfoz uzerine kurulan bu eksenlere yasam, olum, guzellik, doga, akil, his, hafiza, bellek, yasamin sikintilari, fiziksel dayaniklilik gibi kavramlar eslik eder. Sanatci, calismalarinda gecmisin izlerine, ustalarin eserlerine gondermelerde bulunurken ayni zamanda hem kavramsal olarak hem de yapitlar uzerinde metamorfozu kullanir. Bu makalede yontem olarak alanyazin taramasi, sanatcinin calismalari hakkindaki gorusleri ve uretimlerinin yorumlanmasi kullanilacaktir.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90059859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MODADA KÜBİZM ETKİLERİ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2018-10-31 DOI: 10.31566/arts.2018345690

Başak BOĞDAY SAYĞILI

引用次数: 1

CARAVAGGİO NUN CONTARELLİ ŞAPEL RESİMLERİNİN MİMARİ MEKANLA İLİŞKİSİ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2018-10-31 DOI: 10.31566/ARTS.2018345688

Erdal Kara

引用次数: 1

ÇAĞDAŞ SANATTA ALTERNATİF MALZEME OLARAK TEKSTİL VE ZANAATTEN SANATA DÖNÜŞÜMÜ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2018-07-31 DOI: 10.31566/ARTS.2018242273

Serpil Kapar

{"title":"ÇAĞDAŞ SANATTA ALTERNATİF MALZEME OLARAK TEKSTİL VE ZANAATTEN SANATA DÖNÜŞÜMÜ","authors":"Serpil Kapar","doi":"10.31566/ARTS.2018242273","DOIUrl":"https://doi.org/10.31566/ARTS.2018242273","url":null,"abstract":"Today, fibrous materials, industrial or manmade, made from textile and its raw material which have met basic human needs for thousands of years, provide many artists with creative production opportunities in an artistic sense. Thanks to different cultures' reflections in the world, textile appeal to artists' search for a wide range of techniques and methods. With weaving, knitting, and felting or practices whereby natural and artificial fibers are collectively used, textile production tradition exists as a discipline that draw global cultures together. Works which include fiber arts are being curiously viewed in many artistic activities such as art galleries, biennials, and art fairs. Because textile manufacturing styles are closely associated with “woman”, it has taken a very long time for it to be valued in the artistic milieu. But in recent years, the number of artists who have started to use textile as a tool has increased, especially in Europe. The purpose of this paper is to indicate that artist suffering from “plastic” concern can render artistic production with different techniques and materials. \u0000 Keywords: Identification, Fiber, Textile Art, Handicraft, Art.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78900584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

RESİM SANATINDA USTA ÇIRAK İLİŞKİSİ VE SANAT EĞİTİMİNDEKİ YERİ

IF 0.8 4区管理学

International Journal of Arts Management Pub Date : 2018-07-01 DOI: 10.31566/arts.2018242271

İsmail Teti̇kçi̇

引用次数: 0