The Power of the Picture, Poem, Prayer, and Person: Mythic Consciousness and Russian Sensibilities from the Icon and Pushkin, to Malevich and Mayakovsky

IF 0.6 4区 管理学 0 HUMANITIES, MULTIDISCIPLINARY
Mark Lipton
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引用次数: 0

Abstract

Within Stalin's regime, elements of mythical idealism run parallel, though somewhat invisibly, to those of dialectical materialism in the modes of cultural production. It is especially difficult to pinpoint these elements, for they lie in a world opposed to the scientific and thus must be regarded in part as illusory. Yet this illusory spirit constantly marks Russia's history and therefore I chart a course into such domain to question the relationship between Russian spirituality and Russian creative expression in the period of the utopian dream. Susanne Langer in Feeling and Form describes aamp;amp;amp;amp;quot;mythic consciousnessaamp;amp;amp;amp;quot; as the means of understanding the world in primitive phases of social development. From a Marxist-Stalinist perspective, as a shift from the primitive toward the cultured, idealism represented a continuation of the primitive. And as the shift toward Marxist ideology during the periods of great revolution was a movement away from the primitive, it marked a shift towards the perfection of discursive forms. Yet, through all this strife and shifting, a common element runs through all Russian/Soviet Literature and the Arts; regardless of era or art form, that difficult concept to define known as the Mysterious Russian Soul is what marks the greatness of Russia's contribution to Arts and the Humanities.
《图画、诗歌、祈祷和人物的力量:从圣像和普希金到马列维奇和马雅可夫斯基的神话意识和俄国情感》
在斯大林政权内部,神话唯心主义的元素与文化生产模式中的辩证唯物主义并行,尽管有些无形。要确定这些因素是特别困难的,因为它们存在于一个与科学相反的世界,因此一定程度上被认为是虚幻的。然而,这种虚幻的精神始终标志着俄罗斯的历史,因此,我在这个领域开辟了一条道路,质疑俄罗斯精神与乌托邦梦想时期俄罗斯创造性表达之间的关系。苏珊娜·兰格在《感觉与形式》中描述了“神话意识”。作为在社会发展的原始阶段理解世界的手段。从马克思-斯大林主义的角度来看,作为从原始到有文化的转变,理想主义代表了原始的延续。大革命时期向马克思主义意识形态的转变是一场远离原始的运动,它标志着向话语形式的完美转变。然而,在所有这些冲突和转变中,一个共同的因素贯穿了所有俄罗斯/苏联文学和艺术;无论时代或艺术形式如何,这个难以定义的概念被称为神秘的俄罗斯灵魂,这标志着俄罗斯对艺术和人文学科的伟大贡献。
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来源期刊
CiteScore
1.40
自引率
12.50%
发文量
0
期刊介绍: Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.
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