ÇAĞDAŞ SANATTA ALTERNATİF MALZEME OLARAK TEKSTİL VE ZANAATTEN SANATA DÖNÜŞÜMÜ

IF 0.6 4区管理学 0 HUMANITIES, MULTIDISCIPLINARY

International Journal of Arts Management Pub Date : 2018-07-31 DOI:10.31566/ARTS.2018242273

Serpil Kapar

{"title":"ÇAĞDAŞ SANATTA ALTERNATİF MALZEME OLARAK TEKSTİL VE ZANAATTEN SANATA DÖNÜŞÜMÜ","authors":"Serpil Kapar","doi":"10.31566/ARTS.2018242273","DOIUrl":null,"url":null,"abstract":"Today, fibrous materials, industrial or manmade, made from textile and its raw material which have met basic human needs for thousands of years, provide many artists with creative production opportunities in an artistic sense. Thanks to different cultures' reflections in the world, textile appeal to artists' search for a wide range of techniques and methods. With weaving, knitting, and felting or practices whereby natural and artificial fibers are collectively used, textile production tradition exists as a discipline that draw global cultures together. Works which include fiber arts are being curiously viewed in many artistic activities such as art galleries, biennials, and art fairs. Because textile manufacturing styles are closely associated with “woman”, it has taken a very long time for it to be valued in the artistic milieu. But in recent years, the number of artists who have started to use textile as a tool has increased, especially in Europe. The purpose of this paper is to indicate that artist suffering from “plastic” concern can render artistic production with different techniques and materials. \n Keywords: Identification, Fiber, Textile Art, Handicraft, Art.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Arts Management","FirstCategoryId":"91","ListUrlMain":"https://doi.org/10.31566/ARTS.2018242273","RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 2

Abstract

Today, fibrous materials, industrial or manmade, made from textile and its raw material which have met basic human needs for thousands of years, provide many artists with creative production opportunities in an artistic sense. Thanks to different cultures' reflections in the world, textile appeal to artists' search for a wide range of techniques and methods. With weaving, knitting, and felting or practices whereby natural and artificial fibers are collectively used, textile production tradition exists as a discipline that draw global cultures together. Works which include fiber arts are being curiously viewed in many artistic activities such as art galleries, biennials, and art fairs. Because textile manufacturing styles are closely associated with “woman”, it has taken a very long time for it to be valued in the artistic milieu. But in recent years, the number of artists who have started to use textile as a tool has increased, especially in Europe. The purpose of this paper is to indicate that artist suffering from “plastic” concern can render artistic production with different techniques and materials. Keywords: Identification, Fiber, Textile Art, Handicraft, Art.

查看原文本刊更多论文

今天，由纺织品及其原料制成的工业或人造纤维材料已经满足了数千年来人类的基本需求，为许多艺术家提供了艺术意义上的创造性生产机会。由于世界上不同文化的反映，纺织品吸引了艺术家们对广泛的技术和方法的追求。通过编织、编织和毡制或天然和人造纤维共同使用的实践，纺织生产传统作为一门学科而存在，将全球文化联系在一起。包括纤维艺术在内的作品在许多艺术活动中被好奇地观看，如艺术画廊、双年展和艺术博览会。由于纺织品的制作风格与“女人”息息相关，经过了很长一段时间才被艺术界所重视。但近年来，开始使用纺织品作为工具的艺术家数量有所增加，尤其是在欧洲。这篇文章的目的是要说明，遭受“塑料”关注的艺术家可以用不同的技术和材料来进行艺术生产。关键词:鉴定，纤维，纺织艺术，手工艺，艺术。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

International Journal of Arts Management Multiple-

CiteScore

1.40

自引率

12.50%

发文量

期刊介绍： Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.