RESİM SANATINDA USTA ÇIRAK İLİŞKİSİ VE SANAT EĞİTİMİNDEKİ YERİ

IF 0.6 4区管理学 0 HUMANITIES, MULTIDISCIPLINARY

International Journal of Arts Management Pub Date : 2018-07-01 DOI:10.31566/arts.2018242271

İsmail Teti̇kçi̇

引用次数: 0

Abstract

Resim sanati, ogrenme asamasinda bir ustadan ogrenme, ustaya bakma ya da deneyimleme ile farkli yontemlerle; ancak hep benzer bir sistemle devam etmistir. Rubens, Ronesans ustalarindan; Van Dyck, Rubens’den; Jacques Louis David Antikete’den; 19. yuzyildan sonra sanatcilar, birbirlerinden ya da gecmisten benzer veya zit yontemler kullanarak yogun bir bicimde etkilesim icerisinde olmuslardir. Bati anlayisina donuk Turk Resim Sanati uzerinde ise realizm, empresyonizm, kubizm gibi akimlarin ve bu anlayislardaki hocalarin onemli etkileri bulunmaktadir. Bu calismada, Resim sanati tarihindeki belirgin atolye ve sanatci ornekleriyle, sanatcilarin ustalardan ya da cagdaslarindan nasil ve hangi sekilde etkilendigi, bu etkinin sanat ve sanat ogrenimlerine yansimalari uzerinde durulmustur. Bu hedef dogrultusunda da Turk Resim Sanatindaki benzer veya ayri yontemler ele alinmaya calisilmistir. Boyle bir degerlendirme ile gecmisten gunumuze sanat egitimi ya da ogrenimi uzerinde durularak gunumuz sanat egitimi ve yontemlerine isik tutmasi hedeflenmektedir

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来源期刊

International Journal of Arts Management Multiple-

CiteScore

1.40

自引率

12.50%

发文量

期刊介绍： Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.