JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES最新文献_第2页

Like a Cypress among Pliant Shrubs. Kabbalah and Reformed Orthodoxy in the Philologia Sacra of Jacob Rhenferd (1654–1712) 像上新世灌木中的柏树。卡巴拉与雅各布·伦费尔的《哲学圣歌》中的改良正统派（1654-1712）

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2023-07-20 DOI: 10.1086/721448

M. Cattaneo

引用次数: 0

Isaac Casaubon’s Observationes and His Lost Treatise De Critica 艾萨克·卡苏朋的《观察》与他遗失的《批判论》

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/721831

Paul Botley

{"title":"Isaac Casaubon’s Observationes and His Lost Treatise De Critica","authors":"Paul Botley","doi":"10.1086/721831","DOIUrl":"https://doi.org/10.1086/721831","url":null,"abstract":"Isaac Casaubon’s treatise De critica was apparently completed, but it was never published, and no manuscript of the work has come to light. Since it appears to have been a substantial work on textual criticism by one of the most eminent and capable scholars of the period, its loss is tantalising. This article uses new manuscript evidence to throw light on its content and purpose. Five pieces of manuscript evidence are presented here. Three of these are documents which Casaubon himself composed while preparing the work: two leaves outlining the contents of the work, and two sets of notes intended for the first book. The final part of the article will look at the role of Johannes Woverius of Hamburg (1574–1612) in the later fortunes of this work and publish a suppressed passage from a letter of Casaubon showing that Woverius had seen a copy of the treatise. Many of the editions used by Casaubon when making his notes are identified below, as are a number of printed books annotated in Casaubon’s hand. This new evidence illustrates the evolution of Casaubon’s early scholarship in the 1580s and 1590s. It allows a first description of his Observationes, an unpublished work which lay beneath, and evolved into, De critica. An outline of De critica enables an assessment of the place of Casaubon’s lost work in the critical literature of the late Renaissance, and a new account of its relationship to an extant work, Woverius’s treatise De polymathia.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"85 1","pages":"113 - 143"},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48201612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Joseph Eckhel (1737–1798) in Florence and the Making of the Systema Eckhelianum: A New Foundational Text for Ancient Numismatics 约瑟夫·埃克尔(1737-1798)在佛罗伦萨和埃克尔体系的形成:古代钱币学的新基础文本

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/720361

Bernhard Woytek

引用次数: 0

A Florentine Looks at Florence: Piero Cennini on the Baptistery and the Feast of St John 佛罗伦萨人看佛罗伦萨:皮耶罗·切尼尼论洗礼堂和圣约翰节

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/721466

A. Grafton, William Theiss

{"title":"A Florentine Looks at Florence: Piero Cennini on the Baptistery and the Feast of St John","authors":"A. Grafton, William Theiss","doi":"10.1086/721466","DOIUrl":"https://doi.org/10.1086/721466","url":null,"abstract":"In 1475, the Florentine humanist Piero Cennini sent a friend a letter in Latin, in which he described in detail both the Florentine baptistery and the yearly celebration of the feast of St John in late June. This article presents a full text and English translation of the document, with an introduction and notes. Cennini, a scribe and scholar, belonged to a distinguished family of Florentine goldsmiths, with whose members he collaborated on an edition of the commentaries of Servius on Virgil. His description of the baptistery was informed by his knowledge of and pride in his family’s craft, as well as by the teachings of Leon Battista Alberti, which he had mastered. Cennini’s hybrid of craft and humanism enables him to fill his account of the celebration of St John with vivid detail, but his choice of Latin also makes it too artificial to convey the enchantment that the plays and processions, like the baptistery itself, inspired in other observers—a feature that helps to explain the author’s frustration with his remarkably vivid text. Drawing on contemporary texts and paintings, this article finally places Cennini’s vision on the spectrum between the magic of Florentine religion and its disenchantment.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"85 1","pages":"25 - 69"},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47399120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Horoscopes of the Anonymous Commentary on Ptolemy’s ‘Tetrabiblos’ 托勒密《四经》匿名评注中的占星术

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/721845

Raúl Caballero-Sánchez

引用次数: 0

Burying Mountjoy and Penelope Rich: King James, the Heralds and a Counter-statement from the Poet Samuel Daniel 埋葬Mountjoy和Penelope Rich：詹姆斯国王、赫拉德家族和诗人塞缪尔·丹尼尔的反驳

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/720360

J. Pitcher

{"title":"Burying Mountjoy and Penelope Rich: King James, the Heralds and a Counter-statement from the Poet Samuel Daniel","authors":"J. Pitcher","doi":"10.1086/720360","DOIUrl":"https://doi.org/10.1086/720360","url":null,"abstract":"Bourdieu’s concept of ‘symbolic capital’ has been used to study various kinds of elites. This article shows how it can help us understand the status and privileges of early modern English courtiers—and how these could be won and lost. The discussion focuses on the funeral, burial and commemoration of the most successful of contemporary generals, Charles Blount, 1st Earl of Devonshire, 8th Baron Mountjoy (1563–1606), and sets these in the context of the Jacobean court’s concern with symbolic capital. It demonstrates that the ceremonies normally accorded someone of Mountjoy’s rank and military success were not observed properly. He was penalised because he had married his long-standing lover, Lady Penelope Rich (1563–1607), the ‘Stella’ of Sir Philip Sidney’s sonnets. King James I showed the couple great favour until their marriage, which he declared unlawful and annulled. The heralds accepted his ruling, after disagreeing among themselves. The article shows that though the funeral was held in Westminster Abbey, Mountjoy was not buried there but in another London church, formerly known as Greyfriars, where a monument was erected to him. Lady Rich was personally and symbolically excluded from the funeral. Also discussed is the privately printed poem that Mountjoy’s client Samuel Daniel (1562–1619) wrote for the funeral, which defends Mountjoy and alludes, in a half-hidden way, to Penelope’s exclusion. The article concludes by considering how the symbolic capital of the whole court sank in this period. Most of the archival evidence considered has not been published before, some of it illustrated in figures, the rest in appendices (an armorial description of Mountjoy’s arms at his funeral, bills from the Westminster Abbey funeral and a translated extract from a contemporary history in Latin).","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"85 1","pages":"71 - 112"},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49160930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Late Antiquities in Early Modernity: Rome’s ‘Last Pagans’ in Early Modern Classical Scholarship 早期现代性中的晚期古物：罗马早期古典学术中的“最后的异教徒”

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/720357

Frederic Clark

{"title":"Late Antiquities in Early Modernity: Rome’s ‘Last Pagans’ in Early Modern Classical Scholarship","authors":"Frederic Clark","doi":"10.1086/720357","DOIUrl":"https://doi.org/10.1086/720357","url":null,"abstract":"Scholarship of the last half century has transformed approaches to paganism and Christianity in the late Roman world. Much as the paradigm of late antiquity has replaced traditional narratives of ‘decline and fall’, expounded systematically in the eighteenth century by Edward Gibbon, so recent scholarship has also challenged older narratives of pagan / Christian conflict, particularly heroic narratives of the resistance mounted by Rome’s ‘last pagans’. This article locates a crucial—although often neglected—prehistory and parallel to these debates in the world of early modern humanist scholarship. It examines how fourth-century Roman pagan authors—especially Quintus Aurelius Symmachus and Ammianus Marcellinus—were read by printers, editors and philologists in the sixteenth and seventeenth centuries. In a world before Gibbonian decline and fall, humanist scholars navigated both religious conflicts and literary canon wars to articulate a robust vision of late antiquity avant la lettre, although for reasons very different from those which have motivated twentieth- and twenty-first-century revisionists. Even as some of their colleagues dismissed late pagan texts on the grounds of deficient Latinity or deficient Christianity (or both), the early modern scholars who embraced this expansive vision of the ancient canon ended up highlighting the ambiguities of late antique religion—especially the grey area between the ‘pagan’ and the ‘Christian’.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"85 1","pages":"213 - 248"},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43710493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Captive History of Sculpture: Abducting Italian Fountains in the Early Modern Spanish Mediterranean 雕塑的迷人历史：在现代西班牙地中海早期掠夺意大利喷泉

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/720967

Fernando Loffredo

{"title":"A Captive History of Sculpture: Abducting Italian Fountains in the Early Modern Spanish Mediterranean","authors":"Fernando Loffredo","doi":"10.1086/720967","DOIUrl":"https://doi.org/10.1086/720967","url":null,"abstract":"This article explores the transformative power of art circulation by analysing surprising narratives of abducted fountains across the early modern Mediterranean area under the political influence of the Spanish Empire. The object of this study will be the stories of Italian fountains stolen by Spanish viceroys or rescued during naval skirmishes between the Holy League and the Ottoman Empire. These narratives reveal a widespread desire for fountains throughout the Mediterranean, which generated a sequence of geographical relocations and cultural translations. My aim is to conceptualise the desire for Italian fountains as an engine for continental circulation, taking into consideration several cases of stolen, abducted, or captive works of sculpture whose stories navigate the dubious boundaries of historical truth and resemble more popular episodes of thefts of relics or the kidnapping and trafficking of enslaved people. Sometimes demonstrable facts, sometimes charming legends linked to the suggestive power of water, these episodes disclose the life of monumental art in motion and subvert the widespread reading of fountains as site-specific objects.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"85 1","pages":"165 - 212"},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42105766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Isaac Barrow, Ali Ufki and the Epitome Fidei et Religionis Turcicae: A Seventeenth-Century Summary of Islam in the European Republic of Letters 艾萨克·巴罗，阿里·乌夫基和信仰与宗教的缩影:17世纪欧洲文学共和国的伊斯兰教摘要

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/720744

T. Vozar

引用次数: 0

A Castle Hanging by a Thread: Antichrist, His Miracles and the Topsy-Turvy World 悬在一线的城堡:敌基督，他的奇迹和颠倒的世界

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2022-01-01 DOI: 10.1086/721830

S. Ivanov

引用次数: 0