佛罗伦萨人看佛罗伦萨:皮耶罗·切尼尼论洗礼堂和圣约翰节

IF 0.1 2区 艺术学 0 ART
A. Grafton, William Theiss
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引用次数: 0

摘要

1475年,佛罗伦萨人文主义者Piero Cennini给一位朋友发了一封拉丁语的信,他在信中详细描述了佛罗伦萨的洗礼场和每年6月底举行的圣约翰节庆祝活动。本文介绍了该文件的全文和英文翻译,并附有引言和注释。Cennini是一名抄写员和学者,属于佛罗伦萨一个杰出的金匠家族,他与金匠家族的成员合作出版了塞尔维乌斯对维吉尔的评论。他对洗礼场的描述源于他对家族工艺的了解和自豪感,以及他所掌握的莱昂·巴蒂斯塔·阿尔贝蒂的教义。Cennini将工艺和人文主义相结合,使他能够用生动的细节来描述圣约翰庆典,但他对拉丁语的选择也使其过于做作,无法传达戏剧和游行,就像洗礼场本身,在其他观察者身上所激发的魅力——这一特点有助于解释作者对其极其生动的文本的沮丧。本文借鉴当代文本和绘画,最终将岑尼的视野放在佛罗伦萨宗教的魔力和祛魅之间的光谱上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Florentine Looks at Florence: Piero Cennini on the Baptistery and the Feast of St John
In 1475, the Florentine humanist Piero Cennini sent a friend a letter in Latin, in which he described in detail both the Florentine baptistery and the yearly celebration of the feast of St John in late June. This article presents a full text and English translation of the document, with an introduction and notes. Cennini, a scribe and scholar, belonged to a distinguished family of Florentine goldsmiths, with whose members he collaborated on an edition of the commentaries of Servius on Virgil. His description of the baptistery was informed by his knowledge of and pride in his family’s craft, as well as by the teachings of Leon Battista Alberti, which he had mastered. Cennini’s hybrid of craft and humanism enables him to fill his account of the celebration of St John with vivid detail, but his choice of Latin also makes it too artificial to convey the enchantment that the plays and processions, like the baptistery itself, inspired in other observers—a feature that helps to explain the author’s frustration with his remarkably vivid text. Drawing on contemporary texts and paintings, this article finally places Cennini’s vision on the spectrum between the magic of Florentine religion and its disenchantment.
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