悬在一线的城堡:敌基督,他的奇迹和颠倒的世界

IF 0.1 2区 艺术学 0 ART
S. Ivanov
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引用次数: 0

摘要

这篇文章考虑了在15世纪手稿中发现的反基督奇迹的后期补充,如惠康图书馆、MS 49和反基督Bildertext。其中一个奇迹——一座悬在一线的城堡——与德国无意义诗歌传统相似。14世纪手稿中的诗歌《Sôist diz von lügenen》描绘了一个颠倒的世界,罗马和拉特兰也悬在一起。随后,同样的主题出现在泰奥多尔·德·贝泽(Théodore de Bèze,1580)的徽章中。文本和图像的紧张互动是这个主题的一个特征,这似乎是德国当地的发明。从一个高大上的故事借用成末世传说,尽管看起来很不寻常,但它强调了大众想象和启示录叙事的颠倒世界的紧密性,反基督者扮演了明显的戏仿角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Castle Hanging by a Thread: Antichrist, His Miracles and the Topsy-Turvy World
This article considers late additions to the miracles of Antichrist as found in fifteenth-century manuscripts such as Wellcome Library, MS 49 and the Antichrist-Bildertext. One of these miracles—a castle hanging by a thread—has a parallel in the German nonsense poetry tradition. The poem ‘Sô ist diz von lügenen’ from a fourteenth-century manuscript depicts a topsy-turvy world where Rome and the Lateran also hang by a thread. Subsequently the same motif occurs in the Emblemata of Théodore de Bèze (1580). A tense interaction of text and image is a characteristic feature of this motif, which seems to be a local German invention. The borrowing from a tall tale into an eschatological legend, unusual as it seems, underscores the closeness of the topsy-turvy world of the popular imagination and the apocalyptical narrative with the Antichrist playing a demonstrably parodical part.
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