CRITICAL QUARTERLY最新文献_第5页

From Messianic Subjectivity to Immaculate Objectivity: An Etymology 从弥赛亚的主体性到完美的客观性：一个词源学

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2025-04-22 DOI: 10.1111/criq.12821

Nick Groom

{"title":"From Messianic Subjectivity to Immaculate Objectivity: An Etymology","authors":"Nick Groom","doi":"10.1111/criq.12821","DOIUrl":"https://doi.org/10.1111/criq.12821","url":null,"abstract":"Words are porous, but these ripples and tickles in language are what make it humane.In the Western world, humans have for centuries claimed to be objective: the adjectival use of the word is first recorded in English in the year 1490 as relating to an object, and derived from Middle French and post-classical Latin.2 This is a predictable tautology, but it does remind us of our messy world of objects and things that have recently excited philosophers of a speculative-realist/object-oriented-ontological bent, thus allowing them to advocate a plethora of non-anthropocentric perspectives that acknowledge the non-human dimensions of the world and consequently de-centre us from it. (I use the word us deliberately, but that argument is for ‘Another time, another time’.3) So, this early link to objects seems, on the face of it, to be credible enough. But mediaeval objects are not the same as modern objects. Both scholastic philosophy (derived from Aristotelian ratiocination), as well as mediaeval theology, referred to the properties of things objectively – ‘as they are perceived or conceived by the mind’ – in contrast to the properties of things subjectively, being things ‘as they are in themselves’: in other words, inherent. Over the course of the next two centuries these positions reversed as European philosophers identified apperception, or the mind’s ‘consciousness of itself’, as the first stage of philosophical inquiry, and, following this, the subject became the person who was engaged in perceiving or thinking, as opposed to the object of that perception or thought.4 This overlap and exchange of meanings recurs through the history of objectivity and subjectivity and was hardly settled by the time the word accrued its current meanings.In the middle of the seventeenth century, subjective could still, as it had in the Middle Ages, refer to the intrinsic qualities of a thing (things ‘as they are in themselves’) as opposed to the objective or relative qualities (things ‘as they are perceived or conceived by the mind’). Hence the prominent ecclesiastic (and later Bishop) Jeremy Taylor’s remark in 1647 discussing whether it was St Peter’s confession or his person upon which Christ would build his church: ‘This confession was the objective foundation of Faith, and Christ and his Apostles the subjective, Christ principally, and S. Peter instrumentally’.5 Taylor’s definitions are rooted in scholasticism: the subjective being the essential truth (‘Christ and his Apostles’, things ‘as they are in themselves’), whereas the objective is the experience of things in the mind (the instrument of confession), which is their human truth. It is not difficult, then, to misread Taylor by applying present-day meanings of objective to his writings.So it is the objective</i","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 2","pages":"74-90"},"PeriodicalIF":0.2,"publicationDate":"2025-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12821","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145272993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Objectivity and the Historian: Beyond the Fried Egg Test 客观性与历史学家：超越煎蛋测试

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2025-04-18 DOI: 10.1111/criq.12824

David Stack

{"title":"Objectivity and the Historian: Beyond the Fried Egg Test","authors":"David Stack","doi":"10.1111/criq.12824","DOIUrl":"https://doi.org/10.1111/criq.12824","url":null,"abstract":"Is objectivity bad for a historian? I am asking for a friend. Whereas once objectivity might have been considered the historian's superpower—an enviable ability to rise above the fray and see all sides of the mountain (more on this mountain later)—it now seems that it might be a malady. The postmodernists, of course, have long diagnosed objectivity as a self-serving delusion or sleight of hand with which we bolster ourselves and seduce our readers.1 But could it be worse than that? In an age where employees are urged to ‘Speak Your Truth’, and the Harvard Business Review advises us to bring ‘our whole, authentic self to work’, is the suppression of self that objectivity might be thought to entail the reason why so many of my colleagues seem unhappy?2 Are we engaged in a collective act of ascetic self-harm in which our individual perspectives are sacrificed in pursuit of a chimaera?The trouble, if trouble it is, is usually traced to Leopold von Ranke, the so-called ‘father’ of modern historical scholarship.3 The ambition he set in the preface to his History of the Latin and Teutonic Peoples (1824), to empirically establish ‘as things really were’ (‘wie es eigentlich gewesen’), through a wide-ranging examination of primary source materials, has provided the profession with its enduring rationale. On one hand, it was a claim of demurring modesty: Ranke was not interested in ‘judging the past’, and he eschewed the 18th-century ambition—epitomised in Voltaire—of learning ‘lessons’ from history.4 On the other, it was a vaulting ambition, which demanded historians ‘extinguish’ their own personality in order to ‘immerse themselves in the epoch and assess it in a manner appropriate for that time’.5It is tempting to say that the objective of being objective haunted historians thereafter, but it is more accurate to say that an aspiration for, and a sense of justification in, the notion of objectivity was imbibed and internalised but less frequently theorised by the profession. It was no doubt comforting to think of one's trade as an empirical science (the translation of Ranke's Wissenschaft did a lot of heavy lifting in the Anglophone world), and most historians assumed that they were, or ought to be, objective, but it would be a mistake to assume that historians ever held to a clear, consistent view of what that actually meant.6 The major theme of Peter Novick's That Noble Dream: The “Objectivity Question” and the American Historical Profession (1988) was the fragility of the profession's foundational conviction.7 The ‘noble dream’ in his title derived from a 1935 Charles Beard jeremiad that concluded: ‘The formula of Ranke and its extension as Historicism do not and have never formed the official creed of the [American Historical] Association’.8 Four years earlier, in 1931, Carl L. Becker had summed up what he saw as the ine","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 2","pages":"63-73"},"PeriodicalIF":0.2,"publicationDate":"2025-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12824","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145272761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Objectivity in the Age of Story 故事时代的客观性

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2025-03-11 DOI: 10.1111/criq.12820

Jenny McCartney

引用次数: 0

Failing Better: Inauthenticity, Collusion and the Politics of Truth 《做得更好：不真实、共谋和真相政治》

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2025-03-10 DOI: 10.1111/criq.12819

Kathy Smith

引用次数: 0

Sri Lanka 斯里兰卡

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2024-12-01 DOI: 10.1111/criq.12802

Angelique Richardson

{"title":"Sri Lanka","authors":"Angelique Richardson","doi":"10.1111/criq.12802","DOIUrl":"https://doi.org/10.1111/criq.12802","url":null,"abstract":"In the river that runs beneath Kallady Bridge, Batticaloa, on the eastern coast of Sri Lanka, there are singing fish. They are known as Oorie Coolooroo Cradoo, which is Tamil for ‘crying shells’. Their song is said to have stopped during the civil war between the Tamils and the Sinhalese that broke out in 1983 and endured for 26 long years. Now, it is diminished by the effects of overfishing, pollution and climate breakdown. But for centuries, this underwater song caught the attention of fishermen and passersby who listened.Minoli Salgado's collection of stories, Twelve Cries from Home: In Search of Sri Lanka's Disappeared, funded by the Leverhulme Trust, is shocking, powerful and courageous. It is work that follows a war. The first record of civilian testimonies on the civil war from across this beautiful island, it documents extraordinary violence from the perspective of ordinary people who are both victims and survivors. They have seen torture, bombing, shelling and extrajudicial killings. Colonialism has long dictated the lives of Sri Lankans, with its aftermath still brutally felt. Tens of thousands of young people were killed, lost or ‘disappeared’. Gendered violence was part of the war, and women were brutally raped. Bearing witness to atrocity, it is not possible for Salgado to give answers.As the survivors seek to tell their stories, to piece together what parts of the past they can, their agency is restored. Dahanayake (she gives her family name only) lost her youngest brother, Bandula, to abductors while waiting at Matara bus station. She searched for him for 10 years. He was ‘the beating heart’ of the family, ‘a scamp’, ‘a mentor’, who was, most movingly, ‘above difference’. Salgado provides a record of what happens when political divisions become entrenched, differences intensified, and the possibilities of peace eroded. For some of the survivors, justice is a need to strike at those who have harmed them, but forms of forgiveness are emerging. For many, it is a time to move and to heal. Sujatha keeps focused on her husband's love and a courtship that began with a bicycle bell. In some cases, through a deep humanism, time builds bonds between a perpetrator and a survivor's family. Asking Dahanayake if she has a message for those outside Sri Lanka, Salgado realises her story is about the most basic of human rights, the right to security, the right to life.Following the preferential treatment of Tamils under colonial rule, the Sinhala Only Act of 1956 marginalised the Tamil community in all areas of civic life from employment to higher education. Universal adult franchise had been extended, in theory, to all Sri Lankans in 1931 under the Donoughmore Constitution. While this was an unprecedented development under colonial rule in Asia, Africa and the Caribbean, with the commissioners appointed by the socialist Sidney Webb, Secretary of State for the Colonies in the Lib-Lab coalition government of 1927, ther","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 2","pages":"107-114"},"PeriodicalIF":0.2,"publicationDate":"2024-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12802","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145271767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Avant-Garde Difficulty and the Shape of Claudia Rankine's Poetic Career 先锋困境与克劳迪娅·兰金诗歌生涯的形成

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2024-11-27 DOI: 10.1111/criq.12799

Eric Weiskott

引用次数: 0

Gothic and Racism – A Review 哥特与种族主义——评论

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2024-10-24 DOI: 10.1111/criq.12803

Rebecca Duncan

{"title":"Gothic and Racism – A Review","authors":"Rebecca Duncan","doi":"10.1111/criq.12803","DOIUrl":"https://doi.org/10.1111/criq.12803","url":null,"abstract":"The publication of a revised and enlarged edition of Cristina Artenie's Gothic and Racism1 (2023) is timely. Over the last decade or so, gothic has emerged as a key mode in which contemporary cultural production is interrogating racial violence. A small sample of work demonstrating this development might include, for example, Helen Oyeyemi's White is for Witching (2009), Jordan Peele's Get Out (2017), Jesmyn Ward's Sing, Unburied, Sing (2017) or Remi Weeke's His House (2020). Corresponding to the appearance of these and related fictions, new directions have emerged in Gothic Studies, with scholars foregrounding the resistant politics of minoritized gothic traditions and exploring justice-centred frameworks such as decolonial thinking.2 Appearing in this contemporary context, Gothic and Racism also joins with critical trajectories established since the late-20th century. These consider how gothic images have long been leveraged in the production of popular racial imaginaries; how gothic provided a racialised language that both provoked and allayed imperial anxieties; and how, in the hands of postcolonial writers, gothic can function as a discourse for critiquing colonial regimes or for giving haunting voice to histories of trauma and cultural erasure.3Taken together, all these various critical engagements provide a sense of gothic's long and intimate involvement with the materially efficacious fiction of race, and with the systems and practices of racism that, on a global scale, have organised socio-ecological realities in its violent image.4 It is surprising, then, that few full-length and wide-ranging studies of gothic and racism exist, and still more so given that gothic first appears in an ‘Enlightened’ and industrialising Britain culturally and materially powered by histories of enslavement and colonisation.5 A collection broadly titled Gothic and Racism would be well-placed to address how, from its inception, gothic registers, elides, colludes with or critiques a world produced by racialised systems of power, and, encouragingly in this respect, Artenie's volume is fuller in historical and regional scope than most existing analogous studies.6 The book covers the period from the 19th to the 21st centuries and includes chapters on Britain, Russia, Canada, the Caribbean, India and the United States. It also adopts a productively generous definition of gothic forms, moving between readings of highly canonised texts such as Dracula (which appears twice as a focus), to analyses that shed light on gothic aspects in fictions – Sholem Abramovitch's The Mare, Richard Wright's Native Son – less often categorised in this way.A comprehensive reading of the volume might therefore lead the reader to formulate their own impression of the extent and complexity of gothic's relationship with racism. However, th","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 2","pages":"115-120"},"PeriodicalIF":0.2,"publicationDate":"2024-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12803","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145272685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Defined As 定义为

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2024-10-23 DOI: 10.1111/criq.12800

Peter Womack

{"title":"Defined As","authors":"Peter Womack","doi":"10.1111/criq.12800","DOIUrl":"https://doi.org/10.1111/criq.12800","url":null,"abstract":"In March 2024, the then UK Communities Secretary, Michael Gove, unveiled a new official definition of ‘extremism’. It turned out to be something of a damp squib, but the attendant announcements and guidance notes suggested that he meant it to be important. The exercise was informed, then, by the assumption that defining a word may be a consequential political act in itself. Is that so? Is there a politics of lexicography?The definition is politically slanted, but it presents itself as the straight answer to a straight question: what is extremism? It does not even admit to having an author; the definition of the word appears as an impersonal fact. This effect of objectivity has obvious ideological advantages. In Orwell's 1984, sinister philologists rewrite the dictionary so as to make the English language incapable of expressing liberal ideas. If you can determine what words mean, you can control thought.Of course that is one of Orwell's boldly Swiftian simplifications. Real-life lexicographers do not wield such power, and a definition is not a once-for-all edict; it is common for a single word to be defined variously, depending on what the definition is for. So ‘salt’, say, will have one definition in a dictionary for foreign learners of English, and a different one in a glossary for students of chemistry. Definitions which are adapted to particular contexts in this way can hardly claim general authority. But among these contexts, there is at least one in which definitions really are designed to be arbitrarily authoritative—namely, the specification of terms that normally forms part of the text of a law. A legislator's definition is not the same thing as a lexicographer's, because the legislator actually is in the business of exercising power.So far from explaining what is meant by ‘infrastructure’, this merely repeats the word itself, apparently in the belief that it is self-explanatory. Despite what they say, the authors of this section are not really interested in meaning. Rather, the function of their definition is to delineate a class of objects which one can be prosecuted for disrupting. The class has no general validity: it exists only for the purposes of this law, and according to a later clause it can be altered by statutory instrument—that is to say, ‘key national infrastructure’ denotes what the Secretary of State may at any time say it does. The expression is semantically empty in the same way as ‘category A prison’ or ‘grade 2 listed building’: the definition is not an exposition of what the words mean, it is the label on a box.The opposite kind of definition is elegantly exemplified, as it happens, by another account of ‘extremism’, produced in 2016 as part of the judgment in a libel case.4 The Chief Imam at an Islamic centre, Shakeel Begg, had been described as an extremist on a BBC current affairs television programme and was seeking damages; the BBC's defence was that what had been","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 1","pages":"101-110"},"PeriodicalIF":0.2,"publicationDate":"2024-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12800","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144148617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Keywords: Decolonise 关键词:Decolonise

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2024-10-14 DOI: 10.1111/criq.12798

Seth Mehl

{"title":"Keywords: Decolonise","authors":"Seth Mehl","doi":"10.1111/criq.12798","DOIUrl":"https://doi.org/10.1111/criq.12798","url":null,"abstract":"Decolonising has become central to contentious discourses connecting historical (in)equalities and (in)justice to the present day. Recent debates have revolved around proactive inclusion and forcible exclusion, and the concrete and abstract elements of decolonising, and it is these competing semantic elements, alongside recent rapid semantic change, that render decolonising a keyword. In this journal, decolonising the curriculum was described as ‘perhaps the most important slogan in British academic letters in recent years’.1 Usage of decolonise has recently extended well beyond narrow, established specialist or technical debates, such as the decline of empires or decolonising the curriculum. Even as those debates have hit mainstream news, decolonising itself has spread to other domains and expanded semantically into equalities discourses unrelated to colonial histories.Decolonise is formed from de- and colonise, which in turn derives from colony. Colony itself has a rich history, borrowed into Early Modern English from Middle French colonie. Colony has referred to a wide range of specific human settlements established by emigrants, whether under political and economic control by the emigrants' country of origin or not (C16). In extended use, it could refer to a sub-group moving away from a larger population to pursue a disparate lifestyle, as in artists' colony or nudist colony (from C17); or, in contrast, forcibly removed, as in leper colony or penal colony (from C19). In broader usage, it could refer to a sub-group living within a larger population, but distinguished from that population by, for example, status or occupation (from C16), or nationality, race or religion (from C19). Colony thus refers from earliest usage to in-group and out-group status.Colonise has currency from C17, first referring simply to the settlement in a new territory by a group of people; then (from early C18) to settlement by a group alongside deliberate political, military, and economic appropriation, occupation and/or exploitation by that group's country of origin; and finally (from late C18) to such deliberate exploitation without any population settlement at all.Decolonise was rare before late C20. Early examples from C19 have one of three senses: (1) to ‘undermine’ colonial occupation; (2) to free from the political and military occupation of a colonial power; (3) to free from the social and cultural influence of a colonial power. It seems that the first sense can represent only the stance of the coloniser, implying legitimacy to the colonial enterprise. The second and third senses can reflect the stance of the colonised and the work for liberation, and it is these two senses that reappear in mid-C20. Colonise develops a variation of this third sense in late C20, meaning to soc","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 1","pages":"111-116"},"PeriodicalIF":0.2,"publicationDate":"2024-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12798","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144148424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Clinch 赢得的

IF 0.2 4区文学

CRITICAL QUARTERLY Pub Date : 2024-10-10 DOI: 10.1111/criq.12801

Anna Devereux

{"title":"The Clinch","authors":"Anna Devereux","doi":"10.1111/criq.12801","DOIUrl":"https://doi.org/10.1111/criq.12801","url":null,"abstract":"It was Jane Austen who clinched it. When Martin Amis died last year, an essay he had written for The New Yorker in 1995 titled ‘Jane's World’ resurfaced on Twitter.1 In this essay, Amis recounts how he and Salman Rushdie found themselves trapped in the cinema confronted with Richard Curtis's Four Weddings and a Funeral, a film they both loathed; Amis wrote it off as ‘Jane Austen, in a vile new outfit’. I have always hated this film: how Andie MacDowell's career survived this bafflingly empty performance long enough for her to gain my favour with her charming turn in Magic Mike XXL I will never understand. To discover that Amis felt the same way (about Four Weddings—he never voiced publicly his views on the Magic Mike franchise) warmed me to him. I read on to find that we felt the same way about many things, the most crucial being Jane Austen. Here was Amis, unashamedly calling himself a ‘pious and vigilant Janeite’, his tirade against the film quickly morphing into a celebration of Austen's Pride and Prejudice.2 Amis praises that, 200 years after Austen's death, her most celebrated novel ‘goes on suckering you’; it is obvious that Elizabeth and Darcy must end up together by the nature of the genre, Amis admits, but even so, Austen inspires a ‘panic of unsatisfied expectation’ in readers who know the plot back to front. Amis's London Fields (1989) suckers its readers too: It is a story that from the outset tells you where it will end and yet torments you with panicked imaginations of what might take place.3Labelled as a ‘Who'll do it’ rather than a ‘whodunnit’, the novel follows American writer Samson Young (Sam), on a stay in London to cure his writer's block. Sam, through an unlikely friendship with professional cheat and darts extraordinaire Keith Talent and wretchedly good Guy Clinch, uncovers a plot by the irresistible Nicola Six to bring about her own murder. Nicola, an erotic cartoon of a femme fatale who employs sexual prowess to tempt fate, has garnered much attention in the critical discourse surrounding Amis, many citing her as prime evidence for their arguments that his writing about women is misogynistic. In a 2001 episode of BBC Radio 4's Bookclub,4 the discussion heads straight for Nicola. One reader raises Amis's claim that reading Gloria Steinem made him a feminist, asking the author if he would have written Nicola differently had he read Steinem first. ‘I did,’ corrects Amis, meaning that Nicola was informed by his engagement with feminism. Amis insists that Nicola ‘wonderfully satirises male illusions’. For Amis, Nicola holds all the power, within both the text and his own writing practice: ‘I felt very much that Nicola Six was writing this novel with me and I would sometimes, as the narrator does, appeal to her,’ just as Sam laments in the novel's final pages, ‘She outwrote me. Her story worked. And mine didn't.’","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"67 1","pages":"117-121"},"PeriodicalIF":0.2,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12801","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144148325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0