{"title":"Art histories of corporate imperialism and racial capitalism","authors":"Edwin Coomasaru","doi":"10.1093/oxartj/kcab033","DOIUrl":"https://doi.org/10.1093/oxartj/kcab033","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcab036","DOIUrl":"https://doi.org/10.1093/oxartj/kcab036","url":null,"abstract":"<span><strong>Katherine Fein</strong> is a PhD candidate in the Department of Art History and Archaeology at Columbia University. She specializes in the visual and material culture of North America and the Atlantic world, and she is currently at work on a dissertation about nudity, race, and ecology in nineteenth-century art.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Corrigendum to: Voicing the Sociality of Sound from a Deaf Perspective: Christine Sun Kim's Plenitude of Silence","authors":"Elizabeth Tan","doi":"10.1093/oxartj/kcab007","DOIUrl":"https://doi.org/10.1093/oxartj/kcab007","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45933001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcab022","DOIUrl":"https://doi.org/10.1093/oxartj/kcab022","url":null,"abstract":"<span><strong>Thomas Balfe</strong> received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, <span style=\"font-style:italic;\">c.</span>1550 – <span style=\"font-style:italic;\">c.</span>1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"227 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hirschhorn’s Dilemma, or How Not to Ride Two Horses at Once","authors":"Lisa Lee","doi":"10.1093/oxartj/kcaa022","DOIUrl":"https://doi.org/10.1093/oxartj/kcaa022","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49362638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}