OXFORD ART JOURNAL最新文献

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Between Empathy and Antagonism: Subjective Imagination in the Situationist Drakabygget 在共情与对抗之间:情境主义者德拉比格特的主观想象
3区 艺术学
OXFORD ART JOURNAL Pub Date : 2023-03-01 DOI: 10.1093/oxartj/kcac028
Wylie Schwartz
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引用次数: 0
Photographic Power 摄影的力量
3区 艺术学
OXFORD ART JOURNAL Pub Date : 2023-03-01 DOI: 10.1093/oxartj/kcad005
Diva Gujral
{"title":"Photographic Power","authors":"Diva Gujral","doi":"10.1093/oxartj/kcad005","DOIUrl":"https://doi.org/10.1093/oxartj/kcad005","url":null,"abstract":"In Raw Histories, her 2001 compendium of essays on photography, anthropologist Elizabeth Edwards writes of the layers of historical significance and meaning that colonial photographs bear. She elaborates: During the hours, days and months spent in many places, working with photographs … I have talked to people looking for ‘history’. This history has been both the actuality of evidential inscription, and their own particular ‘realities’. They are looking for their own history or someone else’s history, for the history of their discipline, or confronting the nature of their colonial past, both the colonised and the colonisers; people looking for their ancestors, people making, re-making or even imagining histories.1 Edwards succinctly gestures towards the many stakeholders of the colonial photographs: museum professionals, historians and anthropologists, but equally the descendants of the subjects of these images who find traces of themselves in imperial archives. The passage refers to efforts to prize alternative histories away from dominant narratives of colonial vision and its encyclopedic logic. It also refers to ongoing efforts to bestow personhood, lineage, and afterlife to the sitters of imperial images, the majority of whom were photographed in the context of great asymmetries of power. These alternative practices of reading photographs against the grain as a way of resuscitating Indigenous-centred narratives do not as often make it to the page. In the immense wealth of scholarship that colonial photography has generated, from studies that centre the performance of savagery to the development of exoticist codes, to the efforts of colonial officers to produce encyclopedic albums, literature concerning Indigenous revisions and interventions in the material as a means of challenging colonial epistemologies is less prominent.2 This begs the question: has the dominant literature in this area facilitated enough of a shift in methodologies to prioritise the non-colonial, entangled histories of these photographs? How can archival and art historical method be transformed to accommodate narratives of the photographed?","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135289217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oro en el río: Placer Mining, Abundance, and Sustainability in Early Modern Art and Thought Oro en el río:早期现代艺术和思想中的砂矿开采、丰富和可持续性
3区 艺术学
OXFORD ART JOURNAL Pub Date : 2023-03-01 DOI: 10.1093/oxartj/kcad002
Sunghoon Lee
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引用次数: 0
Notes on Contributors 投稿人说明
3区 艺术学
OXFORD ART JOURNAL Pub Date : 2023-03-01 DOI: 10.1093/oxartj/kcad009
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcad009","DOIUrl":"https://doi.org/10.1093/oxartj/kcad009","url":null,"abstract":"Journal Article Notes on Contributors Get access Oxford Art Journal, kcad009, https://doi.org/10.1093/oxartj/kcad009 Published: 14 March 2023 Article history Received: 14 February 2023 Corrected and typeset: 14 March 2023 Published: 14 March 2023","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135074932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Box of Alabaster 一盒雪花石膏
3区 艺术学
OXFORD ART JOURNAL Pub Date : 2023-02-25 DOI: 10.1093/oxartj/kcad006
Julian Luxford
{"title":"A Box of Alabaster","authors":"Julian Luxford","doi":"10.1093/oxartj/kcad006","DOIUrl":"https://doi.org/10.1093/oxartj/kcad006","url":null,"abstract":"Journal Article A Box of Alabaster Get access Jessica Brantley, Stephen Perkinson and Elizabeth C Teviotdale (eds), Reassessing Alabaster Sculpture in Medieval England (Berlin and Boston, MA: De Gruyter, 2020), 109 colour and b&w illns, xi + 296 pp., ISBN 978-1-5015-1812-6, hardback £102.50 Julian Luxford Julian Luxford Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 46, Issue 1, March 2023, Pages 145–149, https://doi.org/10.1093/oxartj/kcad006 Published: 25 February 2023 Article history Received: 28 January 2023 Editorial decision: 03 February 2023 Accepted: 05 February 2023 Corrected and typeset: 25 February 2023 Published: 25 February 2023","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136081691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Automatism and Autonomy in Postwar Rome: Alberto Burri and His Circle 战后罗马的自动主义和自治:阿尔贝托·布里和他的圈子
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2022-12-12 DOI: 10.1093/oxartj/kcac023
Katie Larson
{"title":"Automatism and Autonomy in Postwar Rome: Alberto Burri and His Circle","authors":"Katie Larson","doi":"10.1093/oxartj/kcac023","DOIUrl":"https://doi.org/10.1093/oxartj/kcac023","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43716596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Worker as Monster: Images of Class and Radicalism in Operaismo and Autonomia 怪物般的工人:歌剧与自治中的阶级与激进主义形象
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2022-10-11 DOI: 10.1093/oxartj/kcac012
Jacopo Galimberti
{"title":"The Worker as Monster: Images of Class and Radicalism in Operaismo and Autonomia","authors":"Jacopo Galimberti","doi":"10.1093/oxartj/kcac012","DOIUrl":"https://doi.org/10.1093/oxartj/kcac012","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44402410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crafting ‘Craft’ in Japan 在日本制作“工艺”
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2022-10-10 DOI: 10.1093/oxartj/kcac014
T. Screech
{"title":"Crafting ‘Craft’ in Japan","authors":"T. Screech","doi":"10.1093/oxartj/kcac014","DOIUrl":"https://doi.org/10.1093/oxartj/kcac014","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45460608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Salvage Brutalism: Class, Culture and Dispossession in the Victoria and Albert Museum’s Fragment of Robin Hood Gardens 抢救野蛮主义:维多利亚和阿尔伯特博物馆罗宾汉花园碎片中的阶级、文化和处置
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2022-10-10 DOI: 10.1093/oxartj/kcac007
Nicholas Thoburn
{"title":"Salvage Brutalism: Class, Culture and Dispossession in the Victoria and Albert Museum’s Fragment of Robin Hood Gardens","authors":"Nicholas Thoburn","doi":"10.1093/oxartj/kcac007","DOIUrl":"https://doi.org/10.1093/oxartj/kcac007","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45663167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contemporary Art and Class: Reassessing an Analytical Category 当代艺术与阶级:重新评估一个分析范畴
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2022-10-08 DOI: 10.1093/oxartj/kcac013
M. Bull, Jacopo Galimberti
{"title":"Contemporary Art and Class: Reassessing an Analytical Category","authors":"M. Bull, Jacopo Galimberti","doi":"10.1093/oxartj/kcac013","DOIUrl":"https://doi.org/10.1093/oxartj/kcac013","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41469484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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