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On Being Crafty: Mrinalini Mukherjee’s Sleight of Hand and the Politics of Fibre Art (1977–94) 论狡猾:穆克吉的手法与纤维艺术的政治(1977-94)

IF 0.1 3区艺术学

OXFORD ART JOURNAL Pub Date : 2020-03-01 DOI: 10.1093/oxartj/kcz027

Emilia Terracciano

引用次数: 1

Envisioning Blindness in Eighteenth-Century Paris 想象18世纪巴黎的失明

IF 0.1 3区艺术学

OXFORD ART JOURNAL Pub Date : 2020-03-01 DOI: 10.1093/OXARTJ/KCAA003

E. Barker

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引用次数: 0

Kinderheim, Heim, Stammheim: On Gender, Generation, and the ‘Terrorist Woman’ in Gerhard Richter’s October 18, 1977 Kinderheim，Heim，Stammheim：论性别、世代和Gerhard Richter 1977年10月18日的“恐怖女人”

IF 0.1 3区艺术学

OXFORD ART JOURNAL Pub Date : 2020-03-01 DOI: 10.1093/oxartj/kcz024

Henrietta Stanford

引用次数: 0

Corroborators in Arms: The Early Works of Melvin Edwards and Ron Miyashiro 武器中的确证者：梅尔文·爱德华兹和罗恩·宫城郎的早期作品

IF 0.1 3区艺术学

OXFORD ART JOURNAL Pub Date : 2020-03-01 DOI: 10.1093/oxartj/kcz026

Joan Kee

引用次数: 2

Connecting Threads: The Enduring Legacy of Craft in Liubov Popova’s Textile Practice 连接线：柳博夫·波波娃纺织实践中的工艺遗产