Notes on Contributors

IF 0.1 3区艺术学 0 ART

OXFORD ART JOURNAL Pub Date : 2021-12-11 DOI:10.1093/oxartj/kcab022

引用次数: 0

Abstract

Thomas Balfe received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, c.1550 – c.1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.

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投稿人说明

Thomas Balfe, 2014年毕业于伦敦大学考陶德艺术学院，获博士学位。他是一位艺术史学家，专攻架上绘画和平面艺术，创作于1550年至1750年。他的研究领域为动物、狩猎、寓言、食物、人兽倒置意象，以及早期现代艺术写作中的生活化词汇。他最近完成了爱丁堡大学爱丁堡艺术学院的教学奖学金(艺术史)，并于2020年回到考陶德教授其硕士课程。他与人合编的一本关于“活的”(ad vivum)一词及其与生前或死后图像的关系的书于2019年出版。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OXFORD ART JOURNAL ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.