投稿人说明

IF 0.1 3区艺术学 0 ART

OXFORD ART JOURNAL Pub Date : 2021-12-11 DOI:10.1093/oxartj/kcab022

{"title":"投稿人说明","authors":"","doi":"10.1093/oxartj/kcab022","DOIUrl":null,"url":null,"abstract":"Thomas Balfe received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, c.1550 – c.1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Notes on Contributors\",\"authors\":\"\",\"doi\":\"10.1093/oxartj/kcab022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Thomas Balfe received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, c.1550 – c.1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.\",\"PeriodicalId\":44264,\"journal\":{\"name\":\"OXFORD ART JOURNAL\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-12-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OXFORD ART JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxartj/kcab022\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxartj/kcab022","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

Thomas Balfe, 2014年毕业于伦敦大学考陶德艺术学院，获博士学位。他是一位艺术史学家，专攻架上绘画和平面艺术，创作于1550年至1750年。他的研究领域为动物、狩猎、寓言、食物、人兽倒置意象，以及早期现代艺术写作中的生活化词汇。他最近完成了爱丁堡大学爱丁堡艺术学院的教学奖学金(艺术史)，并于2020年回到考陶德教授其硕士课程。他与人合编的一本关于“活的”(ad vivum)一词及其与生前或死后图像的关系的书于2019年出版。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Notes on Contributors

Thomas Balfe received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, c.1550 – c.1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

OXFORD ART JOURNAL ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.