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Art History at the Water’s Edge 水边的艺术史
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-08-04 DOI: 10.1093/oxartj/kcaa024
Theodor P. Gordon
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引用次数: 0
Thoroughly Modern Models 完全现代化的模型
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-08-04 DOI: 10.1093/oxartj/kcaa028
Samuel Raybone
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引用次数: 0
Notes on Contributors 投稿人说明
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-07-29 DOI: 10.1093/oxartj/kcab005
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcab005","DOIUrl":"https://doi.org/10.1093/oxartj/kcab005","url":null,"abstract":"<span><strong>Ruth Bretherick</strong> is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled <span style=\"font-style:italic;\">Pace, Rhythm, Repetition: Walking in Art Since the 1960s</span>, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in <span style=\"font-style:italic;\">MIRAJ (Moving Image Review &amp; Arts Journal), Tate Papers</span>, and <span style=\"font-style:italic;\">The Sculpture Journal</span>. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"75 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sounds of Silence: Conducting Technology and Nature 声音 沉默：传导技术与自然
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/OXARTJ/KCAA014
Emilia Terracciano
{"title":"Sounds of Silence: Conducting Technology and Nature","authors":"Emilia Terracciano","doi":"10.1093/OXARTJ/KCAA014","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA014","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"261-279"},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46656414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Introduction: Voice as Form 介绍:语音即形式
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/OXARTJ/KCAA010
Pamela Corey, Wenny Teo
{"title":"Introduction: Voice as Form","authors":"Pamela Corey, Wenny Teo","doi":"10.1093/OXARTJ/KCAA010","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA010","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"165-170"},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44336385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/oxartj/kcaa018
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcaa018","DOIUrl":"https://doi.org/10.1093/oxartj/kcaa018","url":null,"abstract":"<span><strong>Lawrence Chua</strong> is a historian of the global modern built environment with a focus on Asian architecture and urban culture. He is an assistant professor at the School of Architecture, Syracuse University and a Scholar in Residence at the Getty Research Institute for 2020–2021. He has been a Marie S. Curie FCFP fellow at the Freiburg Institute for Advanced Studies at the Albert-Ludwigs-Universität, Freiburg, and a fellow at the International Institute of Asian Studies in Leiden. He is the author of <span style=\"font-style:italic;\">Bangkok Utopia: Modern Architecture and Buddhist felicities</span> (Honolulu: University of Hawai’i Press, 2021). His writing has also appeared in the <span style=\"font-style:italic;\">Journal of the Society of Architectural Historians, Journal of Architecture</span>, and the <span style=\"font-style:italic;\">Journal of Urban History.</span></span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"169 6","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138508696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Possessing the Voice: Ventriloquism and Agency in Apichatpong Weerasethakul’s Cemetery of Splendour (2015) 拥有声音:阿比察邦·韦拉斯哈古辉煌墓地的口技和能动性(2015)
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/OXARTJ/KCAA007
Clare Veal
{"title":"Possessing the Voice: Ventriloquism and Agency in Apichatpong Weerasethakul’s Cemetery of Splendour (2015)","authors":"Clare Veal","doi":"10.1093/OXARTJ/KCAA007","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA007","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"281-300"},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46535635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Global’ Discourse and the Transcultural Field of Contemporary Art in China “全球”话语与中国当代艺术的跨文化场
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/OXARTJ/KCAA012
J. Davidson
{"title":"‘Global’ Discourse and the Transcultural Field of Contemporary Art in China","authors":"J. Davidson","doi":"10.1093/OXARTJ/KCAA012","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA012","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"324-328"},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46791468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
between the voice between the words between the work between us 在声音之间在文字之间在我们之间的工作之间
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/OXARTJ/KCAA013
Susan Pui San Lok
{"title":"between the voice between the words between the work between us","authors":"Susan Pui San Lok","doi":"10.1093/OXARTJ/KCAA013","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA013","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"195-219"},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42650163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shot by the Artist 艺术家拍摄
IF 0.1 3区 艺术学
OXFORD ART JOURNAL Pub Date : 2021-05-03 DOI: 10.1093/OXARTJ/KCAA009
T. Nguyen
{"title":"Shot by the Artist","authors":"T. Nguyen","doi":"10.1093/OXARTJ/KCAA009","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA009","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"301-316"},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44181905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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