投稿人说明

IF 0.1 3区 艺术学 0 ART
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引用次数: 0

摘要

Ruth Bretherick是爱丁堡水果市场画廊的研究和公众参与策展人,在那里她曾为Mark Wallinger, Jac Leirner, Lee Lozano, Janet Cardiff和George burres Miller等人的展览和项目提供服务。2017年,她在爱丁堡大学完成了艺术史博士学位,论文题为《步伐、节奏、重复:20世纪60年代以来的艺术行走》,由塔玛拉·特鲁德博士和格林·戴维斯博士指导。她曾在MIRAJ (Moving Image Review &;艺术杂志),泰特论文和雕塑杂志。她曾在爱丁堡大学、艺术家房间研究合作组织、苏格兰国家美术馆等机构工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Notes on Contributors
Ruth Bretherick is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled Pace, Rhythm, Repetition: Walking in Art Since the 1960s, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in MIRAJ (Moving Image Review & Arts Journal), Tate Papers, and The Sculpture Journal. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
26
期刊介绍: The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.
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