Tripodos最新文献_第3页

Beyond Abyssal Thinking: The Deep Decolonization of the Studies on War and Violence in Contemporary Mozambique 超越深渊思维：当代莫桑比克战争与暴力研究的深度非殖民化

IF 0.8

Tripodos Pub Date : 2022-01-27 DOI: 10.51698/tripodos.2021.51p13-32

M. Meneses

引用次数: 2

When the Forest Does Not Sing Anymore. Cuerpoterritorio Approach of Amazonian Indigenous Women to the Concepts of Conflict and Violence 当森林不再歌唱。亚马孙土著妇女对冲突和暴力概念的处理方法

IF 0.8

Tripodos Pub Date : 2022-01-27 DOI: 10.51698/tripodos.2021.51p69-83

D. Garcés

{"title":"When the Forest Does Not Sing Anymore. Cuerpoterritorio Approach of Amazonian Indigenous Women to the Concepts of Conflict and Violence","authors":"D. Garcés","doi":"10.51698/tripodos.2021.51p69-83","DOIUrl":"https://doi.org/10.51698/tripodos.2021.51p69-83","url":null,"abstract":"Based on an ethnographic study, this paper investigates the process of indigenous women in Colombia who are members of the organisation OPIAC and underpins the narratives and situated knowledge they propose in order to understand what conflict and violence mean from their personal and community experiences. The research identifies how cuerpo-territorio is an epistemological starting point that emerges from reinterpreting their worldviews and helps explain the ontological relationship between body, territory, identity, and spirituality. Unpacking this premise, the cuerpo-territorio approach to peace and conflict implies a more reflective and holistic understanding, including other dimensions and ethos. Dispossession of ancestral lands, exploitation of territory, forced displacement and violence against women constitute personal and collective harms that create imbalance and disharmony. Finally, the analysis states that by adopting intersectional and decolonial approaches in critical peace studies, we can shed light on what is silenced by dominant approaches and challenge the limits of institutional and anthropocentric conceptions. Likewise, this “inclusion” must nevertheless be accompanied by material conditions since, despite the signing of the Havana Peace Agreement, indigenous peoples remain under the crossfire of armed actors in their ancestral territories.","PeriodicalId":44263,"journal":{"name":"Tripodos","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46339807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Surveillance, Security, and Neo-noir Film: Spike Lee’s ‘Inside Man’ As a 9/11 Counter-narrative 监控、安全和新黑色电影：斯派克·李的《男人内幕》作为9/11的反叙事

IF 0.8

Tripodos Pub Date : 2022-01-27 DOI: 10.51698/tripodos.2021.51p109-128

Antoni Castells-Talens

引用次数: 0

About a Will to Power: Post-cold War Conflicts and the Politics of Knowledge Production 关于权力意志:后冷战冲突与知识生产的政治

IF 0.8

Tripodos Pub Date : 2022-01-27 DOI: 10.51698/tripodos.2021.51p33-47

Zubairu Wai

{"title":"About a Will to Power: Post-cold War Conflicts and the Politics of Knowledge Production","authors":"Zubairu Wai","doi":"10.51698/tripodos.2021.51p33-47","DOIUrl":"https://doi.org/10.51698/tripodos.2021.51p33-47","url":null,"abstract":"This paper proposes a critical interrogation of the dominant interpretations of the post-cold war conflicts in order to demonstrate their political nature and how they internalised the causes of conflicts. By internalisation, I refer to the move to locate the causes of conflicts in internal sources. It argues that the region of emergence of the dominant interpretations of conflicts—the so-called new wars— and the internalisation of their causes is the attempt by the West to ideologically suppress or discredit third world anticolonial solidarity and worldmaking. To make this argument, the paper pays specific attention to the broader historical contexts and structural conditions within which internalisation emerged, which it argues are significant for understanding not only the political nature of the dominant interpretations of conflicts, but also the material forces and social processes that informed their production and circulation. In other words, that the framing of the post-cold war conflicts and the internalisation of their causes were never innocent or impartial acts of knowledge production, but political, ideological, and temporal acts linked to power, interests, and specific agenda.","PeriodicalId":44263,"journal":{"name":"Tripodos","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41726636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Technology, Audio-visual Adaptation and Cultural Re-education of Opera 歌剧技术、视听改编与文化再教育

IF 0.8

Tripodos Pub Date : 2022-01-27 DOI: 10.51698/tripodos.2021.51p131-142

Jaume Radigales, I. Villanueva-Benito

{"title":"Technology, Audio-visual Adaptation and Cultural Re-education of Opera","authors":"Jaume Radigales, I. Villanueva-Benito","doi":"10.51698/tripodos.2021.51p131-142","DOIUrl":"https://doi.org/10.51698/tripodos.2021.51p131-142","url":null,"abstract":"Considering the various uses that cinema has made of opera, this paper focusses on the new exhibitive and distributive mediums of musical theatre on the big screen today. This ranges from live broadcasts to the use of the screen in contemporary opera stagings. The paper raises several challenges, but particularly analyses the common market shared between opera and the audio-visual industry, from the perspective of the opera business in theatres. After defining the technological and commercial features that transform these broadcasts into sustainable film products, the focus is on ascertaining the audio-visual properties that establish opera simulcasts as a new media event in sociological terms. \u0000Once the technological perspective has been explored, the paper goes on to an aesthetic analysis of the audio-visual formats offered by combining opera and cinema. This analysis also offers an explanation of some of the sociological behaviours adopted by people attending films in theatres. Determining the characteristic narrative quality of opera enjoyed by audiences can facilitate a new exploration in the film industry of the future relations between these traditional art forms.","PeriodicalId":44263,"journal":{"name":"Tripodos","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43460825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

‘Difference Is the One Thing That We Have in Common’ “差异是我们唯一的共同点”

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Tripodos Pub Date : 2021-07-04 DOI: 10.51698/tripodos.2021.50p37-56

Chiara Modugno, T. Krijnen

{"title":"‘Difference Is the One Thing That We Have in Common’","authors":"Chiara Modugno, T. Krijnen","doi":"10.51698/tripodos.2021.50p37-56","DOIUrl":"https://doi.org/10.51698/tripodos.2021.50p37-56","url":null,"abstract":"Television production is championing diversity in representation with record numbers compared to previous years. Netflix’s Sense8 is definitely amongst the highest scoring shows as concerns intersectional representation. Such remarkable representation was worth the 2016 GLAAD Outstanding Drama Series award, a prize granted to the most diverse television shows. However, this applause is geared solely to numerical representations while current academic discussion focuses more on the concept of fair representations. Not only is being represented of importance, but how one is represented. The present paper employs photovoice and photo elicitation to investigate how Sense8 fans articulate what constitutes a fair representation of queer gender identities within the show. The present research addresses two gaps in the literature. First, a methodological one: the employment of creative visual methodologies to transcend the limitations of the most common methods used for audience research —interviews and focus groups. Secondly, this study follows the contemporary conversation around fair representation by addressing what is now a gap in the existing literature on queer television: what is fair representation from an audience perspective? The results of this study show how audiences’ perspectives on fair representation differ from those formulated in public and academic debates.","PeriodicalId":44263,"journal":{"name":"Tripodos","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2021-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49272280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

‘New Normal’ and Gendered Violence in Nigerian Film Space 尼日利亚电影空间的“新常态”与性别暴力

IF 0.8

Tripodos Pub Date : 2021-07-04 DOI: 10.51698/tripodos.2021.50p75-89

B. Ekpe, Joseph Akpabio

{"title":"‘New Normal’ and Gendered Violence in Nigerian Film Space","authors":"B. Ekpe, Joseph Akpabio","doi":"10.51698/tripodos.2021.50p75-89","DOIUrl":"https://doi.org/10.51698/tripodos.2021.50p75-89","url":null,"abstract":"Arguably, film is the most magical form of storytelling. It is that genre that is most similar to our dreams; a place where a lot of possibilities abound. In the case of Nigerian films, there is little or no holding back as creativity and imagination are often interlaced with biased and unbiased social constructs. This study considers ‘New Normal’ as the current thematic preoccupation of Nigerian films to trivialise women’s rights and promote abuses. This phenomenon is contextualised as intrusive narratives which are now present as a discomforting trope underscored by subtle and at times brash episodes in Nigerian films. Based on the theoretical framework of symbolic annihilation and objectification, salient mentions of existing (or comparative) thoughts on gender, violence and filmic presence are examined. These contentions are justified through content analysis with the adoption of coding schemes that frame the forms and results of violence in the films studied. It avers Nigerian film space as a gendered platform that inspires flights of fancy, violence, sexual depravity and mental grossness through its treatment of violence related subjects. It concludes that Nigerian films promote an inconspicuous attitude where the interest of the man often defines the destiny and functionality of the woman.","PeriodicalId":44263,"journal":{"name":"Tripodos","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2021-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48698503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

While ‘Gramming’ a Wedding in India: Media and the Reproduction of a ‘Bridal Femininity’ 印度婚礼的“语法化”：媒体与“新娘女性气质”的再现

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Tripodos Pub Date : 2021-07-04 DOI: 10.51698/tripodos.2021.50p147-167

Athira B K

引用次数: 1

Gender Blindness on Turkish Children’s Televisions 土耳其儿童电视中的性别盲目性

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Tripodos Pub Date : 2021-07-04 DOI: 10.51698/TRIPODOS.2021.50P57-73

Zeynep Gultekin-Akcay

{"title":"Gender Blindness on Turkish Children’s Televisions","authors":"Zeynep Gultekin-Akcay","doi":"10.51698/TRIPODOS.2021.50P57-73","DOIUrl":"https://doi.org/10.51698/TRIPODOS.2021.50P57-73","url":null,"abstract":"The representation of the dominant gender-based discourse on television inevitably affects children’s perceptions of masculinity and femininity. Gender blindness, the embodiment of gender hierarchy in which gender differences are exaggerated and attributed to natural differences between men and women, is inevitably used in the media, especially in children’s broadcasting. This study aims to reveal the gender blindness in children’s television on Turkey’s only thematic children’s television stations Minika GO and Minika Cocuk’, focusing on all local productions aired in 2020. Stuart Hall’s conceptualization of representation debates and text analysis expressed as constructing the meaning world of relationships and collective culture, guided the study. The representations are conveyed to the audience through the narration of the story in the animations, the plots of the story, the presentation of male and female characters, the use of space and images. In the cartoons, the frequency of female and male characters appearing on the screen, the physical appearance of the characters, their behavioral characteristics, and the spatial presentation in the stories were searched. As a result, it is possible to say that male and female characters are depicted unequally in all the themes studied in animations resulting in gender blindness.","PeriodicalId":44263,"journal":{"name":"Tripodos","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2021-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46744336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Stereotypes and Sexualization of Girls and Adolescent Girls in Chilean Advertising: A Case Study 智利广告中女孩与少女的刻板印象与性化:个案研究

IF 0.8

Tripodos Pub Date : 2021-07-04 DOI: 10.51698/TRIPODOS.2021.50P187-204

Ana Rayén Condeza Dall'Orso, Pablo Matus Lobos, Enrique Vergara Leighton

引用次数: 3