土耳其儿童电视中的性别盲目性

IF 0.5 Q4 COMMUNICATION
Zeynep Gultekin-Akcay
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引用次数: 2

摘要

以性别为基础的主流话语在电视上的表现不可避免地影响了儿童对男性和女性气质的看法。性别盲目性是性别等级的体现,性别差异被夸大,被归结为男女之间的自然差异。性别盲目性不可避免地出现在媒体中,尤其是儿童广播中。本研究旨在揭示土耳其仅有的两个主题儿童电视台Minika GO和Minika Cocuk '的儿童电视节目中的性别盲目性,重点关注2020年播出的所有本地节目。斯图尔特·霍尔的表征的概念化辩论和文本分析表达为构建关系和集体文化的意义世界,指导了研究。通过动画中故事的叙述、故事的情节、男女人物的呈现、空间和形象的运用等方式向观众传达这些表征。在漫画中,研究了男女角色出现在屏幕上的频率、角色的外表、行为特征以及故事中的空间呈现。因此,可以说,在动画研究的所有主题中,男性和女性角色的描绘都是不平等的,导致性别失明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender Blindness on Turkish Children’s Televisions
The representation of the dominant gender-based discourse on television inevitably affects children’s perceptions of masculinity and femininity. Gender blindness, the embodiment of gender hierarchy in which gender differences are exaggerated and attributed to natural differences between men and women, is inevitably used in the media, especially in children’s broadcasting. This study aims to reveal the gender blindness in children’s television on Turkey’s only thematic children’s television stations Minika GO and Minika Cocuk’, focusing on all local productions aired in 2020. Stuart Hall’s conceptualization of representation debates and text analysis expressed as constructing the meaning world of relationships and collective culture, guided the study. The representations are conveyed to the audience through the narration of the story in the animations, the plots of the story, the presentation of male and female characters, the use of space and images. In the cartoons, the frequency of female and male characters appearing on the screen, the physical appearance of the characters, their behavioral characteristics, and the spatial presentation in the stories were searched. As a result, it is possible to say that male and female characters are depicted unequally in all the themes studied in animations resulting in gender blindness.
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来源期刊
Tripodos
Tripodos COMMUNICATION-
CiteScore
2.20
自引率
0.00%
发文量
7
审稿时长
16 weeks
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