IMAGO. Revista de Emblemática y Cultura Visual最新文献

{"title":"Jardines en un libro de horas: aspiración por el paraíso perdido","authors":"Rosa Denise Fallena Montaño","doi":"10.7203/imago.13.17827","DOIUrl":"https://doi.org/10.7203/imago.13.17827","url":null,"abstract":"ABSTRACT: In this study I propose that the floral motifs in the margins of the Newberry Library Book of Hours ms. 52, beyond their function as mere ornamental luxury, have a profound theological meaning related specifically to the Virgin and the history of redemption, and formed a metatext of meanings that alluded to the healing properties of plants and flowers. During the Low Middle Ages, through sensory experiences in the practices of prayer, the idea of paradise as an imagined place of communion, peace and health was evoked and reinforced. \u0000KEYWORDSVirgin Mary; Books of Hours; Religious Art; Ornaments; Flowers. \u0000RESUMEN: En este estudio propongo que los motivos vegetales en los márgenes del libro de horas de la Biblioteca Newberry ms. 52, además de funcionar como ornamentos de lujo y tener un profundo significado teológico especialmente relacionado con la Virgen y con la historia de la redención, formaban un meta texto de significados que aludía a las propiedades curativas de las plantas y flores. Durante la Baja Edad Media, por medio de experiencias sensoriales en las prácticas de oración se evocaba y reforzaba la idea del paraíso como un lugar imaginado de comunión, paz y perfecta salud.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133193052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El programa de las virtudes en la iglesia de San Isidoro de Úbeda","authors":"José Miguel Gámez Salas","doi":"10.7203/imago.13.20780","DOIUrl":"https://doi.org/10.7203/imago.13.20780","url":null,"abstract":"ABSTRACT: This study undertakes an iconographic study of the program of virtues that appears in the nave of the transept of the church of San Isidoro de Úbeda; designed by Alonso Barba in the last third of the 16th century and executed by Sebastián de Solís around 1593. For a proper analysis of the object of this research, I have gathered various literary sources that have allowed me to identify them; they include the ethical-political thought of Antiquity, from Plato to Aristotle, to Seneca or Plutarch; the texts of western Christianity such as the Epistles of Saint Paul; the humanism of Juan Luis Vives and of Erasmus of Rotterdam. Likewise, in this article I indicate the iconographic origin of each of the virtues, some of which arose in Carolingian times, and later received the figurative contributions of French and Italian art. \u0000KEYWORDSMoral Allegory; Virtues; Iconography; Literary Sources; Church of San Isidoro; Úbeda. \u0000RESUMEN: Nuestro trabajo pretende abordar un estudio iconográfico sobre el programa de virtudes que figura en la nave del crucero de la iglesia de San Isidoro de Úbeda; diseñada por Alonso Barba en el último tercio del siglo XVI y culminada por Sebastián de Solís hacia 1593. Para un correcto análisis del objeto de nuestra investigación, hemos recogido diversas fuentes literarias que nos han permitido identificarlas; partiendo del pensamiento ético-político de la Antigüedad, desde Platón a Aristóteles, hasta Séneca o Plutarco; los textos del cristianismo occidental mediante las Epístolas de San Pablo; sin olvidar el humanismo de Juan Luis Vives o Erasmo de Rotterdam. Asimismo, en el presente artículo señalaremos el origen iconográfico de cada una de las virtudes, surgidas algunas de ellas en tiempos carolingios, para posteriormente recibir las aportaciones figurativas del arte francés e italiano.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"381 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124741897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cubierta","authors":"Equipo Editorial","doi":"10.7203/imago.13.23732","DOIUrl":"https://doi.org/10.7203/imago.13.23732","url":null,"abstract":"Cubierta","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116347199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La emblemática en la mitología didáctica: Alciato en Baltasar de Vitoria a través de Francisco Vélez de Arciniega","authors":"A. Martínez Sobrino","doi":"10.7203/imago.13.20451","DOIUrl":"https://doi.org/10.7203/imago.13.20451","url":null,"abstract":"ABSTRACT: Following the path outlined in «La emblemática subsidiaria de la mitología didáctica: Alciato en El Teatro de los Dioses de la Gentilidad», this study analyzes the role played by Francisco Vélez de Arciniega’s Historia de los animales mas recebidos en el uso de la medicina as a mediator between Alciato’s Emblemata and Baltasar de Vitoria’s El Teatro de los Dioses de la Gentilidad. \u0000 KEYWORDSAlciato; Baltasar de Vitoria; Francisco Vélez de Arciniega; Author; Auctor, Authorial; Authority; Auctoritas; Intertextuality; Influence; Translation; Version. \u0000 RESUMEN: Continuando con la senda trazada en «La emblemática subsidiaria de la mitología didáctica: Alciato en El Teatro de los Dioses de la Gentilidad», este trabajo estudia el papel que juegan Francisco Vélez de Arciniega y su La Historia de los animales mas recebidos en el uso de la medicina como mediadores entre los Emblemata de Alciato en El Teatro de los Dioses de la Gentilidad de Baltasar de Vitoria.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121009440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Metafísica de la humildad en las Empresas Morales de Juan de Borja","authors":"David María González Cea","doi":"10.7203/imago.13.21471","DOIUrl":"https://doi.org/10.7203/imago.13.21471","url":null,"abstract":"Abstract: The Hispanic emblematic tradition possesses a deep doctrine both moral and political. Its symbolics explanation of virtues rests on a metaphysical background. It is possible and advisable a metaphysical reading of Empresas Morales by Juan de Borja, as well as his other main works. In them, an implied Philosophy is portrayed through images and Latin mottos. This is specially reinforced in the exposition of the virtue of humility. \u0000KEYWORDSImprese; Empresas Morales; Juan de Borja; Doctrine; Metaphysical background; Humility. \u0000Resumen: La tradición emblemática hispánica posee una profunda doctrina moral y política. Su exposición simbólica de las virtudes descansa sobre un trasfondo metafísico. Es posible y conveniente una lectura metafísica de las Empresas Morales de Juan de Borja, como de otras obras sapienciales. En ellas, a través de imágenes y lemas latinos, se representa una filosofía sobreentendida. Esto se confirma de manera especial en la exposición de la virtud de la humildad.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123121758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El emblema musical de la vanitas en el tratado instrumental de Luis Venegas de Henestrosa (1557)","authors":"Montiel Seguí Balaguer","doi":"10.7203/imago.13.21911","DOIUrl":"https://doi.org/10.7203/imago.13.21911","url":null,"abstract":"ABSTRACT: In 1557 the Libro de cifra nueva para tecla, arpa y vihuela, written by the priest Luis Venegas de Henestrosa, was published in Alcalá de Henares by the press of Juan de Brocar. Dedicated to the bishop of Jaén, Diego Tavera, and paying homage to the late Cardinal Juan Pardo de Tavera, the treatise included in its initial pages an emblem with a message about the transience of life or vanitas. The rhetorical-musical iconographic program becomes a mysterious image, implicitly carrying the three faculties of time: the past, the present and the future. The emblematic corpus is configured by merging the different arts with a musical enigma that sings Coplas por la muerte de su padre, Recuerde el alma dormida, by Don Jorge Manrique, with images ready to be interpreted and with messages veiled in psalms and biblical references. Underlying it all is a moralizing intent. This is the first musical emblem of Spain with notation spellings that have been conserved, remarkable if we consider Andrea Alciato’s publication (1531) as the starting point of the so-called emblematic genre. \u0000KEYWORDSMusical Emblem; Luis Venegas de Henestrosa; Vanitas; Prudence. \u0000RESUMEN: En 1557 se publicaba en Alcalá de Henares, en la imprenta de Juan de Brocar, el Libro de cifra nueva para tecla, arpa y vihuela escrito por el profeso Luis Venegas de Henestrosa. Dedicado al obispo de Jaén Diego Tavera y rindiendo pleitesía al fallecido cardenal Juan Pardo de Tavera, el tratado incluía en sus iniciales páginas un emblema con un mensaje sobre la fugacidad de la vida o vanitas. El programa iconográfico retórico- musical se torna en estampa misteriosa llevando implícito las tres facultades del tiempo: el pasado, el presente y el porvenir. El corpus emblemático se configura fusionando las distintas artes con un enigma musical que entona las Coplas por la muerte de su padre, Recuerde el alma dormida, de don Jorge Manrique, con imágenes dispuestas a ser interpretadas y con mensajes velados en salmos y referencias bíblicas. Bajo todo un sentido moralizante nos encontramos ante el primer emblema musical de España con grafías de notación que conservamos, considerando la publicación de Andrea Alciato (1531) como punto de partida del denominado género emblemático.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130251245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los tipos iconográficos de la tradición cristiana, vol. 6. Los Demonios II. Bestiario, Música endiablada y Exorcismo.","authors":"Andrés Herraiz Llavador","doi":"10.7203/imago.13.21989","DOIUrl":"https://doi.org/10.7203/imago.13.21989","url":null,"abstract":"Recensión de libro:Los tipos iconográficos de la tradición cristiana, vol. 6. Los Demonios II. Bestiario, Música endiablada y Exorcismo.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116558113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Interpretaciones de los Padres de la Iglesia greco-oriental sobre la Domus Sapientiae y su influencia en el tipo iconográfico de la Anunciación del siglo XV","authors":"José María Salvador Salvador González","doi":"10.7203/imago.13.19324","DOIUrl":"https://doi.org/10.7203/imago.13.19324","url":null,"abstract":"ABSTRACT: This article1 seeks to interpret the representation of Mary’s house shaped like a palace in some images of the Annunciation from an iconographic point of view, in the light of Greek Patrology, I start by analyzing some texts used by many Greek-Eastern Fathers to interpret several expressions such as domus Sapientiae, palatium Regis, aula regia, domicilium Trinitatis, and other similar terms alluding to some sumptuous dwelling reserved for God or the king. Taking these textual findings into account, I then analyze seven 15thcentury Annunciations in which Mary’s house in Nazareth is represented as a palace or a magnificent building. From the comparative analysis between these texts and these images, I conclude that the house of Mary depicted like a palace in pictures of the Annunciation symbolizes the supernatural incarnation of God the Son in Mary’s womb, as well as Mary’s virginal divine motherhood. \u0000KEYWORDSDomus Sapientiae; Christ’s Incarnation; Mary’s Divine Motherhood; Annunciation; Greek Patrology; Marian Iconography. \u0000RESUMEN: Este artículo busca interpretar iconográficamente, a la luz de la Patrología Griega, la representación de la casa de María en forma de palacio en algunas imágenes de la Anunciación. Para ello partimos del análisis de textos mediante los cuales muchos Padres Greco-Orientales interpretan en sentido cristológico y mariológico expresiones como domus Sapientiae, palatium Regis, aula regia, domicilium Trinitatis, y otros términos similares alusivos a suntuosas moradas reservadas para Dios o para el rey. Teniendo en cuenta esos hallazgos textuales, analizamos luego siete Anunciaciones del siglo XV en los que la casa de María en Nazaret aparece representada como un palacio o un suntuoso edificio. Del análisis comparativo entre esos textos y esas imágenes, concluimos que la casa de María representada en forma de palacio en imágenes de la Anunciación simboliza la sobrenatural encarnación de Dios Hijo en el vientre de María, así como la virginal maternidad divina de María.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125612839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sortibvs Dominatur Prvdentia Temporis Aluvmna","authors":"Equipo Editorial","doi":"10.7203/imago.13.23660","DOIUrl":"https://doi.org/10.7203/imago.13.23660","url":null,"abstract":"Editorial:Sortibvs Dominatur Prvdentia Temporis Aluvmna","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128181559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Adversa Magis Lucet","authors":"Equipo Editorial","doi":"10.7203/imago.12.19162","DOIUrl":"https://doi.org/10.7203/imago.12.19162","url":null,"abstract":"Presentación del número 12 correspondiente a 2020. Adversa Magis Lucet [Cuanto más contraria más reluce]. Extracto de aportaciones del XII Congreso de la SEE. Indexación de Imago por SCOPUS.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134439617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}