IMAGO. Revista de Emblemática y Cultura Visual最新文献

{"title":"El tacto como acto cinematográfico: Lo sguardo di Michelangelo Antonioni / Touch as a Cinematographic Experience: Lo sguardo di Michelangelo Antonioni","authors":"Lola Martínez Ramírez","doi":"10.7203/imago.15.24898","DOIUrl":"https://doi.org/10.7203/imago.15.24898","url":null,"abstract":"ABSTRACT: Contrary to the affirmations of almost all of the previous studies on the Italian maestro Michelangelo Antonioni –full of adjectives on emptying, isolation, absence, alienation, among many others–, the presence of the body and touch is a true constant in the work of the Italian cinematographer. This article traces the persistent presence of the body in all of Antonioni’s filmography and formulates a reading of his entire corpus of work leading up to his latest film, Lo Sguardo di Michelangelo (2004), an interpretation that runs contrary to all previous research. With a focus on the latest work of the Italian filmmaker, this article studies touch in the history of cinematographic aesthetics and proposes the possibility of touch as a cinematographic experience. \u0000KEYWORDSTouch; Body; Cinema; Limit; Antonioni. \u0000RESUMEN: Contrariamente a las afirmaciones de casi la totalidad de las investigaciones sobre el maestro italiano Michelangelo Antonioni –colmadas de adjetivos sobre el vaciamiento, incomunicación, ausencia, alienación, entre muchos otros–, la presencia del cuerpo y del tocar es una verdadera constante en la obra del cineasta italiano. Esta investigación traza una línea de persistencia del cuerpo en la imagen que formula la lectura contraria de todo su corpus fílmico y derivan en su última obra: Lo Sguardo di Michelangelo (2004). A través de esta última obra del cineasta italiano, se estudiará el tacto en la historia de la estética cinematográfica y se propondrá la posibilidad del tacto como acto cinematográfico.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"5 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139616718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La pirámide en la emblemática: sic transit gloria mundi / The Pyramid in Emblematics: Sic Transit Gloria Mundi","authors":"Ainhoa De Miguel Irureta","doi":"10.7203/imago.15.26409","DOIUrl":"https://doi.org/10.7203/imago.15.26409","url":null,"abstract":"ABSTRACT: The image in emblematics serves to send various messages that further enrich its visual and literary story. In this context, the pyramid plays a fundamental role, as a transmitter of multiple meanings. Its image, both archetypal and also unknown or shrouded in a certain halo of mystery, is found in emblems in great abundance. This study details the different meanings attributed to the pyramid, by means of both a visual and literary review. The visual aspect includes a great wealth of images, while the literary analysis relies not only on the motto and texts that accompany the images, but also on references to passages from classical and biblical sources, Church Fathers, and scholars from different periods. In this way, the influence of pyramids on emblematics will be attested with a profusion of symbols, allegories, and metaphors. \u0000KEYWORDSEmblem; Pyramid; Archetype. \u0000RESUMEN: La imagen en la Emblemática sirve para transmitir diversos mensajes que enriquecen aún más su relato visual y literario. En este contexto, la pirámide juega un papel fundamental, como transmisora de múltiples significados. Su imagen, a la vez arquetípica y también desconocida o envuelta en cierto halo de misterio, se presenta en los emblemas de una manera profusa. En este estudio se muestran los distintos significados atribuidos a la pirámide, a través de un recorrido tanto visual, con gran riqueza de imágenes, como literario, apoyado éste no sólo en los lemas y textos que acompañan a las mismas, sino también en referencias a pasajes de fuentes clásicas, bíblicas, de Padres de la Iglesia y eruditos de diferentes épocas. De esta manera quedará atestiguada la influencia de la pirámide en la Emblemática con profusión de símbolos, alegorías y metáforas.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139616771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Imágenes. Encrucijadas interdisciplinares. María Elvira Mocholí Martínez, Rafael García Mahíques (eds.), Valencia, Universitat de València, 2023, 534 pp.","authors":"Victoria Bernad López","doi":"10.7203/imago.15.27936","DOIUrl":"https://doi.org/10.7203/imago.15.27936","url":null,"abstract":"Recensión del libro:Imágenes. Encrucijadas interdisciplinares. María Elvira Mocholí Martínez, Rafael García Mahíques (eds.), Valencia, Universitat de València, 2023, 534 pp.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139616968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La cuestión de la gracia en las Empresas Morales / The Question fo Grace in the Empresas Morales","authors":"David Mª González Cea","doi":"10.7203/imago.15.25256","DOIUrl":"https://doi.org/10.7203/imago.15.25256","url":null,"abstract":"ABSTRACT: This article investigates the doctrine of Grace which Juan de Borja explores and depicts in his imprese. This study analyzes Borja’s exploration of the different types and effects of Grace, as well as the language used to express the relationship between human freedom and the supernatural. In addition, this article considers some objections which could be considered about the topic and interprets the emblematics of Juan de Borja from the perspective of Thomistic principles and concepts. \u0000KEYWORDSEmpresas morales; Juan de Borja; Grace; Freedom; Emblematics. \u0000RESUMEN: En este artículo investigamos la doctrina de la gracia que expone y representa Juan de Borja en sus empresas. Estudiamos la exposición que hace de sus tipos y efectos, el lenguaje que utiliza para expresar la relación de lo sobrenatural con la libertad humana. Comentamos algunas objeciones que pueden presentarse al estudio de este tema en la emblemática borjana, e interpretamos a la luz de la doctrina tomista sus principios y conceptos más importantes.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"36 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139527084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Santiago Sebastián López (1931-1995). La interpretación del significado de las obras de arte, Rafael García Mahíques y Víctor Mínguez, Granada, 2022, 117 pp.","authors":"María Elvira Mocholí Martínez","doi":"10.7203/imago.15.27636","DOIUrl":"https://doi.org/10.7203/imago.15.27636","url":null,"abstract":"Recensión del libro:Santiago Sebastián López (1931-1995). La interpretación del significado de las obras de arte, Rafael García Mahíques y Víctor Mínguez, Granada, 2022, 117 pp.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" 843","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139617409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"What will your verse be? Un emblema contemporáneo / What will your verse be? A Contemporany Emblem","authors":"Rafael Zafra Molina","doi":"10.7203/imago.15.25650","DOIUrl":"https://doi.org/10.7203/imago.15.25650","url":null,"abstract":"ABSTRACT: This article aims to show how the emblematic technique initiated by Andrea Alciato in the 16th century is still valid in some way in current advertising. To this end, I first analyze in depth an example –emblem 153, Cum larvis non luctandum– of how the Milanese author manages, through the combination of an Erasmian adage, a Hellenistic epigram and a related image, to revitalize the topical message contained within them. The article continues on to show how a very similar method is used in the Your Verse campaign by the creative minds of the TBWAMedia Arts Lab and Apple to evoke all the prestige and evocative capacity contained in the film Dead Poets Society and its protagonist Robin Williams, on his already iconic iPad. \u0000KEYWORDSEmblem Theory; Alciato; Apple Inc.; TBWAMedia Arts Lab; Advertising; Commonplaces. \u0000RESUMEN: Este artículo pretende mostrar como la técnica emblemática iniciada por Andrea Alciato en el siglo XVI sigue vigente de algún modo en la publicidad actual. Para ello primero se analiza en profundidad un ejemplo –el emblema 153, Cum larvis non luctandum– de cómo el autor milanés consigue, mediante la combinación de un adagio de Erasmo, un epigrama helenístico y una imagen relacionada, revitalizar el mensaje tópico encerrado en ellos. A continuación, se muestra cómo un método muy similar es empleado en la campaña Your verse por los creativos de TBWAMedia Arts Lab y Apple para atraer todo el prestigio y capacidad de evocación encerrados en la película El club de los poetas muertos y su protagonista Robin Williams sobre su ya icónico iPad.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" February","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139617849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Humildad y purificación: continuidad y variación del tipo iconográfico del lavatorio de pies / Humility and Purification: Continuity and Variation of the Iconographic Type of Foot Washing","authors":"Victoria Bernad López","doi":"10.7203/imago.15.26489","DOIUrl":"https://doi.org/10.7203/imago.15.26489","url":null,"abstract":"ABSTRACT: Christ’s washing of the feet of the apostles is one of the iconographic types that make up the theme of The Last Supper. This event is first narrated in the Gospel of John, who relates it in detail, something that the synoptic Gospels do not do. The main objective of this article is to carry out a diachronic study of the continuity and variation of this typology. This essay provides research on this iconographic type from its origin and development in the East and further development in the West after the fall of Constantinople. To achieve this goal, I have utilized the iconographic-iconological method, paying close attention to the relationship between the written and visual sources. Studying these biblical and patristic texts allows us to reflect on the significance of washing understood as a process of purification, of the forgiveness of sins, and as a gesture of humility on the part of Christ. Finally, I deal with some aspects relating to the context related to the conceptual and imaginary scope of the iconographic type. I deal mainly with issues relating to the Councils and Synods that established the sacraments related to penance and confession, as well as those that formed the basis of the practice of washing within the liturgy. \u0000KEYWORDSLavatory; Modesty; Purification; Penance; Confession. \u0000RESUMEN: Uno de los tipos iconográficos que forman parte del tema de la Última Cena es el del lavatorio de pies de Cristo a los apóstoles, pasaje narrado únicamente en el Evangelio de Juan quien lo desarrolla de forma detallada a diferencia de los evangelios sinópticos. El objetivo principal de este artículo reside en realizar un estudio diacrónico de la continuidad y variación de esta tipología desde su nacimiento en Oriente y su posterior desarrollo en Occidente tras la caída de Constantinopla. Para alcanzar dicho objetivo, se ha utilizado el método iconográfico-iconológico atendiendo a la relación de las fuentes con las imágenes. El estudio de estos textos bíblicos y patrísticos, ha permitido realizar una reflexión acerca de la significación del lavatorio entendido como un proceso de purificación, de perdón de los pecados y como gesto de humildad por parte de Cristo. Finalmente, se han abordado algunos aspectos relativos al contexto donde se ha puesto en relación el tipo con su ámbito conceptual e imaginario tratando cuestiones relativas a los concilios y sínodos donde quedaron fijados los sacramentos relativos a la penitencia y confesión, así como aquellos  donde se asientan las bases de la práctica del lavatorio dentro de la liturgia.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" 1230","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139617299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cubierta","authors":"Equipo Editorial","doi":"10.7203/imago.15.28163","DOIUrl":"https://doi.org/10.7203/imago.15.28163","url":null,"abstract":"Cubierta","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"58 36","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139527682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los tipos iconográficos de la tradición cristiana, vol. 8, Antigua Alianza II. El Pueblo de Israel, Rafael García Mahíques (dir.), Madrid, Encuentro, 2023, 669 pp.","authors":"Carolina Jaén Torregrosa","doi":"10.7203/imago.15.27747","DOIUrl":"https://doi.org/10.7203/imago.15.27747","url":null,"abstract":"Recensión del libro:Los tipos iconográficos de la tradición cristiana, vol. 8, Antigua Alianza II. El Pueblo de Israel, Rafael García Mahíques (dir.), Madrid, Encuentro, 2023, 669 pp.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"1 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139616814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tomás Heredia Livermore (1819-1893) y la Hacienda Nadales en Málaga. Hermetismo y Antigüedad / Tomás Heredia Livermore (1819-1893) and the Nadales Hacienda in Málaga. Hermeticism and Antiquity","authors":"Julio Morales Folguera","doi":"10.7203/imago.15.26080","DOIUrl":"https://doi.org/10.7203/imago.15.26080","url":null,"abstract":"ABSTRACT: The Nadales Hacienda, which for two centuries bore the name San José, is one of the most important recreational haciendas created in the area around the city of Malaga in the 19th century. The industrialist and freemason Tomás Heredia (1819-1893) commissioned the Italian architect Antonio Cipolla (1822-1874) with the project of designing a palace that included a cabinet decorated with pompeian paintings. Heredia also charged the British gardener Stephen Geoffrey with the design of a landscaped garden with emblematic elements. \u0000KEYWORDSPompeian Painting; Emblematics; Landscape Garden; Tomás Heredia; Antonio Cipolla. \u0000RESUMEN: La Hacienda Nadales, que durante dos siglos llevó el nombre de San José, es una de las más importantes haciendas de recreo creadas en el entorno de ciudad de Málaga en el siglo XIX. El industrial y masón Tomás Heredia (1819-1893) encargó al arquitecto italiano Antonio Cipolla (1822-1874) el proyecto de un palacio donde hay un gabinete decorado con pinturas pompeyanas, y el diseño de un jardín paisajista con elementos emblemáticos al jardinero inglés Stephen Geoffrey.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"60 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139527223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}