IMAGO. Revista de Emblemática y Cultura Visual最新文献

{"title":"Tres décadas y trece congresos de la SEE: interculturalidad e interdisciplinariedad de los estudios emblemáticos (y II) / Three Decades and Thirteen Congresses of the See: Interculturality and Interdisciplinarity of Emblematic Studies (& II)","authors":"Javier Azanza López","doi":"10.7203/imago.15.27480","DOIUrl":"https://doi.org/10.7203/imago.15.27480","url":null,"abstract":"ABSTRACT: The origins of the Spanish Society of Emblematics (SEE) go back to the 1st International Emblematic Symposium, organized in Teruel in 1991 by Santiago Sebastián, a pioneer of iconological-iconographic studies in Spain. Since then, the SEE has ensured the consolidation, development and dissemination of emblematic research in Spain through various activities, including its international conferences. Three decades and thirteen congresses later, the half thousand studies presented in them constitute a representative example of Hispanic emblematic production, susceptible of an analysis from different perspectives. This article does so from the perspective of its border-crossing nature embodied in its interculturality and interdisciplinarity, two of the identifying signs of emblematic research and two of the main challenges of the Humanities for the 21st Century. \u0000KEYWORDSEmblematic and Visual Studies; Santiago Sebastián López; Spanish Society of Emblematics (SEE); International Congresses of the SEE; Cross-Border Studies; Interculturality and Interdisciplinarity. \u0000RESUMEN: Los orígenes de la Sociedad Española de Emblemática (SEE) se remontan al I Simposio Internacional de Emblemática, organizado en Teruel en 1991 por Santiago Sebastián, pionero de los estudios iconológico-iconográficos  en España. Desde entonces, la SEE ha velado por la consolidación, desarrollo y difusión de la investigación emblemática en nuestro país a través de diversas actividades, entre las que destacan sus congresos internacionales. Tres décadas y trece congresos después, el más de medio millar de trabajos reunidos en ellos constituye una muestra representativa de la producción emblemática hispánica, susceptible de un análisis desde diferentes perspectivas. Este artículo lo hace desde su naturaleza transfronteriza plasmada en su interculturalidad e interdisciplinariedad, dos de las señas identitarias de los estudios emblemáticos y dos de los grandes retos de las Humanidades para el siglo XXI.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" 919","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139617597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"De la poesía a la pintura en dos casos / From Poetry to Painting in two cases","authors":"María Dolores Sánchez Pérez","doi":"10.7203/imago.15.24908","DOIUrl":"https://doi.org/10.7203/imago.15.24908","url":null,"abstract":"ABSTRACT: This article considers painting inspired by poetry through the study of two authors: Anselm Kiefer and Robert Motherwell. The relationship between painting and poetry is presented through the differentiation of media, established as a metaphorical tension. It is painting born from the aesthetic experience of reading that causes a spark that gives rise to the creative seed. It is poetry that is transformed and converted into a new knowledge and it is launched to follow the movement in a continuous swing. I present different ways of approaching the works of these two painters by means of words in this study. Such an approach allows us to be overwhelmed by the emotion of the text as a creative beginning that gives rise to autonomous works, distanced from illustration. For the development of this study, we must try to experience these works first through emotion, before painting and before poetry, because this type of painting is best accessed by being in the position of spectator-participants. \u0000KEYWORDSPainting; Poetry; Metaphor; Motherwell; Kiefer. \u0000RESUMEN: Este artículo es un acercamiento a la pintura que nace de textos poéticos a través de Anselm Kiefer y Robert Motherwell. Presentamos la relación entre pintura y poesía desde la diferenciación de medios y nos acercamos a ella entendiéndola como una tensión metafórica. Es pintura que nace de la experiencia estética de la lectura que da lugar al germen creador. Es poesía que es transformada y convertida en un nuevo conocer y que es lanzada para seguir el movimiento en un continuo vaivén. A través de los dos pintores estudiados podremos acercarnos a diferentes formas de afrontar la pintura de la palabra desde la emoción del texto como forma de inicio creativo que da lugar a obras autónomas del texto original, alejadas de la ilustración. Para el desarrollo del trabajo, trataremos de situarnos en un lugar que permita la experimentación de esas obras desde la pasión, ante la pintura y ante la poesía, porque es desde nuestro ser espectadores-participantes desde dónde se accede a este tipo de pinturas.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"60 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139527225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Créditos","authors":"Equipo Editorial","doi":"10.7203/imago.15.28164","DOIUrl":"https://doi.org/10.7203/imago.15.28164","url":null,"abstract":"Créditos","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139527275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ingeniosa Assiduitate","authors":"Equipo Editorial","doi":"10.7203/imago.15.27564","DOIUrl":"https://doi.org/10.7203/imago.15.27564","url":null,"abstract":"Ingeniosa Assiduitate","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":" 712","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139617448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los tipos iconográficos de la tradición cristiana, vol. 7, Antigua Alianza I. Los Patriarcas, Rafael García Mahíques (dir.), Madrid: Encuentro, 2022, 884 pp.","authors":"Andrés Ávila Valverde","doi":"10.7203/imago.14.25778","DOIUrl":"https://doi.org/10.7203/imago.14.25778","url":null,"abstract":"Recensión de libro:Los tipos iconográficos de la tradición cristiana, vol. 7, Antigua Alianza I. Los Patriarcas, Rafael García Mahíques (dir.), Madrid: Encuentro, 2022, 884 pp.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121794421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MARÍAS. Entre la adoración y el estigma, María Ángeles Martí Bonafé (coord.), Valencia: Tirant Humanidades, 2022, 103 pp","authors":"Andrés Herraiz Llavador","doi":"10.7203/imago.14.25582","DOIUrl":"https://doi.org/10.7203/imago.14.25582","url":null,"abstract":"Recensión de libro:MARÍAS. Entre la adoración y el estigma, María Ángeles Martí Bonafé (coord.), Valencia: Tirant Humanidades, 2022, 103 pp.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121084039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tres décadas y trece congresos de la SEE: interculturalidad e interdisciplinariedad de los estudios de emblemática (I)","authors":"Javier Azanza López","doi":"10.7203/imago.14.25363","DOIUrl":"https://doi.org/10.7203/imago.14.25363","url":null,"abstract":"ABSTRACT: The origins of the Spanish Society of Emblematics (SEE) go back to the 1st International Emblematic Symposium, organized in Teruel in 1991 by Santiago Sebastián, a pioneer of iconological-iconographic studies in Spain. Since then, the SEE has ensured the consolidation, development and dissemination of emblematic research in Spain through various activities, including its international conferences. Three decades and thirteen congresses later, the half thousand works gathered in them constitute a representative example of Hispanic emblematic production, susceptible of an analysis from different perspectives. This study does so from its border-crossing nature embodied in its interculturality and interdisciplinarity, two of the identifying signs of emblematic research and two of the main challenges of the Humanities for the 21st Century. \u0000KEYWORDSEmblematic and Visual Studies; Santiago Sebastián López; Spanish Society of Emblematics (SEE); International Congresses of the SEE; Cross-Border Studies, Interculturality and Interdisciplinarity \u0000RESUMEN: Los orígenes de la Sociedad Española de Emblemática (SEE) se remontan al I Simposio Internacional de Emblemática, organizado en Teruel en 1991 por Santiago Sebastián, pionero de los estudios iconológico-iconográficos en España. Desde entonces, la SEE ha velado por la consolidación, desarrollo y difusión de la investigación emblemática en nuestro país a través de diversas actividades, entre las que destacan sus congresos internacionales. Tres décadas y trece congresos después, el más de medio millar de trabajos reunidos en ellos constituye una muestra representativa de la producción emblemática hispánica, susceptible de un análisis desde diferentes perspectivas. Este artículo lo hace desde su naturaleza transfronteriza plasmada en su interculturalidad e interdisciplinariedad, dos de las señas identitarias de los estudios emblemáticos y dos de los grandes retos de las Humanidades para el siglo XXI.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126119977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Baldassare Peruzzi: proyecto para la tumba del papa Adriano VI","authors":"Jesús María González de Zárate García","doi":"10.7203/imago.14.25541","DOIUrl":"https://doi.org/10.7203/imago.14.25541","url":null,"abstract":"ABSTRACT: This essay analyzes the tomb of Adrian VI created by Baldassare Peruzzi circa 1553, and studies the drawings for this project and the engravings etched for it following this model. Certain differences can be discerned between the project and the actual tomb in Santa Maria dell’Anima in Rome. I focus on the sources of the cardinal virtues that are depicted, as well as the two theological virtues found in the project. \u0000KEYWORDSTomb of Adrian VI; Peruzzi; Virtues \u0000RESUMEN: Este estudio analiza la tumba de Adriano VI que levantara Baldassare Peruzzi (c.1533) y presenta en dibujo su proyecto así como los grabados que se abrieron siguiendo el modelo. Se presentan ciertas diferencias con la composición actual en santa María dell’Anima en Roma. Reparamos en las fuentes de las virtudes cardinales que se dan cita y en las dos teologales que se encuentran en el proyecto.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123608849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Las Empresas de la eternidad. Juan de Santiago y la retórica verbo-visual jesuítica, María José Cuesta García de Leonardo, València: Universitat de València, 2022, 220 pp","authors":"Montiel Seguí Balaguer","doi":"10.7203/imago.14.25751","DOIUrl":"https://doi.org/10.7203/imago.14.25751","url":null,"abstract":"Recensión de libro:Las Empresas de la eternidad. Juan de Santiago y la retórica verbo-visual jesuítica, María José Cuesta García de Leonardo, València: Universitat de València, 2022, 220 pp.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123697631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Divisas o empresas de infantas españolas casadas con reyes o príncipes de la dinastía Avis de Portugal (fines del siglo XV y siglo XVI)","authors":"Sagrario López Poza","doi":"10.7203/imago.14.25092","DOIUrl":"https://doi.org/10.7203/imago.14.25092","url":null,"abstract":"ABSTRACT: This article offers data on the devices and personal imprese worn by princesses from Spanish kingdoms who served in a royal capacity in the kingdom of Portugal between the end of the fifteenth century and the beginning of the sixteenth century. These princesses held such positions as the wives of Portuguese princes or as consort queens of the members of the House of Avis. \u0000KEYWORDSDevices; Badges; Emblem Studies; House of Trastámara; House of Austria; House of Avis; Manuel I o Venturoso; João III King of Portugal; João Manuel of Portugal; Isabel of Aragón; María of Aragón; Leonor of Austria; Catalina of Austria; Juana of Austria \u0000RESUMEN: Se ofrecen datos sobre las divisas o empresas personales que ostentaron infantas que, procedentes de los reinos españoles ocuparon puestos relevantes en el reino de Portugal, entre finales del siglo XV y el siglo XVI, bien como esposas de príncipes lusos o como reinas consortes de miembros de la Casa de Avís.","PeriodicalId":436934,"journal":{"name":"IMAGO. Revista de Emblemática y Cultura Visual","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127158746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}