New Review of Film and Television Studies最新文献_第8页

Ambiguous images of Soviet-Kyrgyz mountainscapes in The Sky of Our Childhood (1966) 《我们童年的天空》(1966)中苏联-吉尔吉斯山脉的模糊图像

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102402

Anna Ladinig

引用次数: 0

Landscape and the moving image 景观和动态图像

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2164457

R. Farrell

引用次数: 0

Cinematic cultures of descent: the other sides of the mountaineering story 血统的电影文化:登山故事的另一面

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102405

Eva Müller

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引用次数: 1

Anti-Heimat cinema: the Jewish invention of the German landscape 反黑马特电影：犹太人对德国景观的发明

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2023.2167468

Kajsa Philippa Niehusen

引用次数: 1

Imagining Taking Tiger Mountain (by strategy): two landscapes of the Anthropocene, 1970 and 2014 《智取虎山》（策略）：1970年和2014年人类世的两个景观

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102403

S. Cubitt

引用次数: 0

The landscapes of western movies: a history of filming on location, 1900–1970 西方电影的风景：外景拍摄史，1900-1970

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2023.2165375

J. Winn

{"title":"The landscapes of western movies: a history of filming on location, 1900–1970","authors":"J. Winn","doi":"10.1080/17400309.2023.2165375","DOIUrl":"https://doi.org/10.1080/17400309.2023.2165375","url":null,"abstract":"with most matters they may deem under-examined or neglected within it. In other words, her entry shows there is still much to be studied and debated in terms of how artists have figured (and continue to aesthetically figure) landscape. Lastly, since Elwes openly acknowledges the benefits of experiencing artwork in person, this book should provide all types of readers with a useful companion for navigating environmentally themed experimental art local to them. Accordingly, I envision Elwes’ book for both academic and non-academic contexts. In my current university setting, it could be a great teaching aid for units on topics like environmental art and experimental film. Selections also could be included in environmental media production courses to introduce students to the rich alternatives for creating media on environmental issues outside of a typical documentary or narrative frame. For instance, this past summer, my advisor was involved in a nine-week environmental media production and documentary studies program called the ‘Coastal Media Project’. While planning her syllabus, she mentioned looking forward to introducing students to environmentally themed films other than conventional nature and wildlife documentaries. Given these remarks, I am confident the program would have welcomed Elwes’ insights had they been available during its run. And if it gets greenlit for future sessions, I’ll recommend the book with enthusiasm to the faculty, filmmakers, and students involved.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42901663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Highroads and skyroads: mountain roadbuilding in U.S. government films of the 1920s and ‘30s 公路和天桥：20世纪二三十年代美国政府电影中的山路建设

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102401

J. Peterson

引用次数: 0

Revisiting Brokeback Mountain – how mountains matter, or: melodrama, melancholy, (im-)mobility 重温断背山——山是如何重要的，或者：情节剧、忧郁、（im-）流动性

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2114257

S. Sielke

{"title":"Revisiting Brokeback Mountain – how mountains matter, or: melodrama, melancholy, (im-)mobility","authors":"S. Sielke","doi":"10.1080/17400309.2022.2114257","DOIUrl":"https://doi.org/10.1080/17400309.2022.2114257","url":null,"abstract":"ABSTRACT Returning to Brokeback Mountain and its mountainous aesthetics, my contribution develops a three-part argument that reengages the cinematic landscape projected in Ang Lee’s ‘love story’ – a landscape that echoes, as I show, a national visual culture mapped and remapped by paradigmatic moments in art, photography, and film. In part one, ‘Brokeback Mountain and “the force-field of melodrama”’, I show how mountains figure and function in the central genre of film history where they foreground, yet also curtail, the political dimension of personal fears and longings. Calling on the tradition of the Western as much as on the work of Edward Hopper, Ansel Adams, Andrew Wyeth, William Eggleston, Richard Avedon, and beyond, Brokeback Mountain – so I delineate in my second part ‘(Im-)mobility, mediation, melancholy’ – superimposes its own version of the West on representations we are more familiar with, producing a visual space and soundscape that is bound to shift our perspective. In its third and final part, ‘Landscaping a desire that has no name – or art’, my contribution shows why, since then, mountains have never been the same in the US-American cultural imaginary, and why we look at Westerns, at Adams, and Avedon even more mournfully now, superimposing on them Brokeback Mountain’s gender melancholy.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49404860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cinematic figurations of mountains 山的电影形象

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2023.2163864

Cornelia Klecker, Christian Quendler

引用次数: 0

On longing for loss: a theory of cinematic memory and an aesthetics of nostalgia 对失落的渴望：一种电影记忆理论与怀旧美学

IF 0.8 2区艺术学

New Review of Film and Television Studies Pub Date : 2022-11-18 DOI: 10.1080/17400309.2022.2132074

Zoë Anne Laks

{"title":"On longing for loss: a theory of cinematic memory and an aesthetics of nostalgia","authors":"Zoë Anne Laks","doi":"10.1080/17400309.2022.2132074","DOIUrl":"https://doi.org/10.1080/17400309.2022.2132074","url":null,"abstract":"ABSTRACT Nostalgia is everywhere in media today—be it films, television, or advertisements. But what does it mean to say that media is nostalgic? Beyond presenting nostalgic narratives, media texts can also express nostalgia stylistically. So how does this nostalgia look and feel? This article presents an original theory of the aesthetics of nostalgia, arguing that ‘pastness’ becomes fantastical when nostalgic media use an artificial style: often a hazy and hyper-coloured image. Through a case study of Guy Maddin’s Careful (1992), this article demonstrates how nostalgia may function audiovisually in the context of cinematic melodrama theory. These nostalgic aesthetics serve as both an articulation of mediated memory and a reflection of lived nostalgia, which is a longing for the inaccessible, the impossible, the lost—in other words, fantasy itself. Using phenomenologies of nostalgia by Edward Casey, James Hart, and Steven Galt Crowell, this article defines nostalgia philosophically, as the contradictory position between emotional yearning and a self-reflexive distance from the past. Such a radically critical nostalgia locates nostalgics not in a regressive and idealized relic of the past, but in the present moment, in which we may long for the loss of a past so inaccessible that it never was.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46457116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2