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New Review of Film and Television Studies最新文献

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Reading Joey Soloway: popularizing feminist and queer theory in independent film and television 阅读乔伊·索洛维:在独立影视作品中普及女权主义和酷儿理论
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2196222
Sarah E. S. Sinwell
{"title":"Reading Joey Soloway: popularizing feminist and queer theory in independent film and television","authors":"Sarah E. S. Sinwell","doi":"10.1080/17400309.2023.2196222","DOIUrl":"https://doi.org/10.1080/17400309.2023.2196222","url":null,"abstract":"ABSTRACT Engaging with ideas of hegemonic masculinity, femininity, homosexuality, and heteronormativity, this article examines the film and television work of Joey Soloway as a means of studying the popularization of feminist and queer theory within contemporary American independent media. By focusing on representations of non-normative genders and sexualities (including sex work, transgender identity, and polyamory), I explore the ways in which Soloway pushes feminist and queer theory beyond the limits of the popular. Through overt references to feminist and queer filmmakers and theory, I argue that Soloway’s film and television work subverts traditional modes of storytelling. Examining Soloway’s first film Afternoon Delight and their two series for Amazon, Transparent (2014–2019) and I Love Dick (2016), as well as the coverage of Soloway’s work within the popular press (for example, The New York Times, Newsweek, Huffington Post, and Rolling Stone), this article also analyzes how Soloway’s own authorial persona and their public identification with queerness intertwines with the personal, the political, and the popular.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"187 - 210"},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48561554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Xavier Dolan’s musical parentheses 关于泽维尔·多兰的音乐括号
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2200686
Sergio Rigoletto
{"title":"On Xavier Dolan’s musical parentheses","authors":"Sergio Rigoletto","doi":"10.1080/17400309.2023.2200686","DOIUrl":"https://doi.org/10.1080/17400309.2023.2200686","url":null,"abstract":"ABSTRACT Several critics have described Xavier Dolan as a gifted yet self-indulgent filmmaker. From the stylish costume design to the carefully composed arrangement of colors and objects within the mise en scène, Dolan’s films would seem to be guilty of an over-investment in the image. This essay interrogates the aesthetic and affective possibilities that the ostensibly intolerable textuality of Dolan’s films allows by focusing on their distinctive deployment of the musical parenthesis. What may one gain by indulging in the pleasures of the parenthetical mode? The expectation according to which such pleasures should be dispensed with moderation betrays suspicion towards a filmic mode of stylistic and emotional excess that oversteps certain boundaries and, in so doing, undermines hierarchies of value and taste. This essay questions the authoritative appeal of these hierarchies, arguing that there may be something valuable – and queer – about their displacement.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"158 - 186"},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48996573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality 儿童观众:从现象学的角度看现实的想象转变
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-03-20 DOI: 10.1080/17400309.2023.2176156
Bettina Henzler
{"title":"Child spectators: towards a phenomenological perspective on the imaginary transformations of reality","authors":"Bettina Henzler","doi":"10.1080/17400309.2023.2176156","DOIUrl":"https://doi.org/10.1080/17400309.2023.2176156","url":null,"abstract":"ABSTRACT This paper establishes the motif of ‘child spectators’ within the self-reflexive tradition of modern European cinema since the 1940s and within discourses on the affinity of childhood and cinema, dating back to the beginning of the twentieth century. Through a close reading of The spirit of the beehive (Víctor Erice, 1973) and Jacquot de Nantes (Agnès Varda, 1991) that deals with the impact of the cinema experience on a child’s life, I analyze how this motif stages spectatorship, cinephilia, and filmmaking. First, I show how these films reflect on the impact of film experience and the process of film education as based on the existential being described by phenomenology. Second, I argue that this motif implies specific aesthetic strategies that are often linked to childhood and cinema. The child spectator calls for the understanding of childhood as a film aesthetical category and invites us to engage in a distinctive form of spectatorship. If the children in these films represent and address the phenomenological dimension of film experience, they also invite us, third, to reconsider aspects rarely addressed by phenomenology, especially the integration of imagination and materiality in film experience, and the interdependence of film experience and education.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"451 - 478"},"PeriodicalIF":0.8,"publicationDate":"2023-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47555194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonic modernities: capitalism, noise, and the city essay film 声音现代化：资本主义、噪音和城市散文电影
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-03-07 DOI: 10.1080/17400309.2023.2174764
Laura Rascaroli
{"title":"Sonic modernities: capitalism, noise, and the city essay film","authors":"Laura Rascaroli","doi":"10.1080/17400309.2023.2174764","DOIUrl":"https://doi.org/10.1080/17400309.2023.2174764","url":null,"abstract":"ABSTRACT Oculocentric perspectives are often dominant in descriptions of the city essay film. Whether flâneurial, observational, lyrical or visionary, the gaze is often placed at the centre of the filmic perception of the city, which is itself conceived of as a sight, image, or palimpsest. In this article, I reflect on the centrality of noise to modernity, and of capitalism to urban sound. In doing so, I pursue a dual goal: to foreground a sound-based understanding of the city through the essay film; and to ask how sound can help us understand the city essay film as a critique at once of the metropolis’ entanglement with capitalism and of the cinema’s historical contribution to the creation of the city as spectacle. A workable definition of the city essay film as an object of theory is attained via an engagement with urban and sound studies, and the discussion of sound design and sound discourse in Many Undulating Things (2019), a geopolitical essay by Bo Wang and Pan Lu about Hong Kong.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"527 - 543"},"PeriodicalIF":0.8,"publicationDate":"2023-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48660845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
V.F. Perkins and the redescription of films V.F.帕金斯与电影的重新描述
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-02-07 DOI: 10.1080/17400309.2023.2170667
Dominic Lash
{"title":"V.F. Perkins and the redescription of films","authors":"Dominic Lash","doi":"10.1080/17400309.2023.2170667","DOIUrl":"https://doi.org/10.1080/17400309.2023.2170667","url":null,"abstract":"ABSTRACT This article explores the work of the critic V.F. Perkins in the light of the concept of description, and vice versa. It argues that a range of distinct senses of description come together in Perkins’s work, and uses that work to assist in the construction of some proposals about the function and value of description in films and film criticism. Perkins had, it is argued, a particular interest in films that explore what might be referred to as ‘failures of redescription’, including Max Ophüls’s Letter from an Unknown Woman and Elia Kazan’s America, America. His writings on these films are explored with a view to demonstrating the ways in which the descriptive practices Perkins used in his writing can bring out rich and fascinating connections between criticism as an ethical practice with affinities to moral philosophy (via a concern with appropriate act descriptions) and the descriptions that are traced by films themselves.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"479 - 504"},"PeriodicalIF":0.8,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49075404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ambiguous images of Soviet-Kyrgyz mountainscapes in The Sky of Our Childhood (1966) 《我们童年的天空》(1966)中苏联-吉尔吉斯山脉的模糊图像
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102402
Anna Ladinig
{"title":"Ambiguous images of Soviet-Kyrgyz mountainscapes in The Sky of Our Childhood (1966)","authors":"Anna Ladinig","doi":"10.1080/17400309.2022.2102402","DOIUrl":"https://doi.org/10.1080/17400309.2022.2102402","url":null,"abstract":"ABSTRACT Mountains play dominant and strategic roles in Kyrgyz cinema. They serve as an important mediator in the constructed antagonism between ‘national’ and ‘socialist’ evoked by media representations and, further, in the conventional associations between ‘nature’ and ‘national’, on the one hand, and ‘progress’ and ‘Soviet’, on the other. This article explores how mountainscapes constitute and interweave ‘Sovietness’ and ‘Kyrgyzness’ with reference to the 1966 film The Sky of Our Childhood (Nebo nashego detstva, 1966), directed by Tolomush Okeyev. The mountainscape serves not as a mere backdrop to the narrative but expresses ambiguities as a result of its transformative power.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"75 - 95"},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43843310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Landscape and the moving image 景观和动态图像
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2164457
R. Farrell
{"title":"Landscape and the moving image","authors":"R. Farrell","doi":"10.1080/17400309.2022.2164457","DOIUrl":"https://doi.org/10.1080/17400309.2022.2164457","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"120 - 124"},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60389293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinematic cultures of descent: the other sides of the mountaineering story 血统的电影文化:登山故事的另一面
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102405
Eva Müller
{"title":"Cinematic cultures of descent: the other sides of the mountaineering story","authors":"Eva Müller","doi":"10.1080/17400309.2022.2102405","DOIUrl":"https://doi.org/10.1080/17400309.2022.2102405","url":null,"abstract":"ABSTRACT This essay introduces the descent as a critical vantage point that broadens the mountain film genre and reconsiders modernist debates with an eye towards cinema’s socio-ecological substance. I analyze three films—Philipp Stölzl’s Nordwand (2008), Nils Gaup’s Ofelaš (1987), and Jeff Orlowski’s Chasing Ice (2012)—for how they highlight social connectivity and environmental sustainability in their accounts of national tragedy, Indigenous legend, and eco-catastrophe. Central to this inquiry are the multiperspectival and self-reflective qualities of cinema and the ways in which its immersive qualities dovetail into cinematic world-building and global decolonization. By bringing media ecology together with postcolonial scholarship on alpinist control and film historical reflections on descent, I argue that cinematic cultures of descent reveal the hidden stakes of alpinism and challenge established ideas of the perception of self and Other in modern mountaineering. This, in turn, prompts fresh registers of thinking mountains and mountaineering in ways that invite cultural renegotiations of gender roles, power, and individualism among mountaineers. Ultimately, it highlights the special role film plays in facilitating a change of perspective, thus affecting behavior in the human and non-human world.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"96 - 115"},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44605679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Imagining Taking Tiger Mountain (by strategy): two landscapes of the Anthropocene, 1970 and 2014 《智取虎山》（策略）：1970年和2014年人类世的两个景观
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2022.2102403
S. Cubitt
{"title":"Imagining Taking Tiger Mountain (by strategy): two landscapes of the Anthropocene, 1970 and 2014","authors":"S. Cubitt","doi":"10.1080/17400309.2022.2102403","DOIUrl":"https://doi.org/10.1080/17400309.2022.2102403","url":null,"abstract":"ABSTRACT The International Geological Congress has yet formally to adopt the Anthropocene. It is still, to that extent, an imagined epoch. The term ‘Anthropocene’ refers us to the deep time of geological epochs, but alternate terms for what we can expect to experience have a more specifically anthropological focus: the Capitalocene, Chthulucene and Misanthropocene. Only Entropocene breaks with the humanistic tradition. Comparing Tsui Hark’s 2014 The Taking of Tiger Mountain (Zhiqu weihu shan), the second adaptation of Qu Bo’s adventure novel of the People’s Liberation Army, with the 1970 film of the Peking Opera version directed by Xie Tieli, demonstrates the stakes in imaginations of mountains separated by 45 years. This paper argues that the later film evolves from the failure of the Cultural Revolution’s imagination to encompass the landscape of its setting. The increased incoherence of the later film derives from its increased engagement in technical mediations, which in turn enable a complex interaction between utopian Revolution and dystopian Anthropocene imaginaries.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"38 - 52"},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44897966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anti-Heimat cinema: the Jewish invention of the German landscape 反黑马特电影：犹太人对德国景观的发明
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-01-02 DOI: 10.1080/17400309.2023.2167468
Kajsa Philippa Niehusen
{"title":"Anti-Heimat cinema: the Jewish invention of the German landscape","authors":"Kajsa Philippa Niehusen","doi":"10.1080/17400309.2023.2167468","DOIUrl":"https://doi.org/10.1080/17400309.2023.2167468","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":"116 - 120"},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43112714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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