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New Review of Film and Television Studies最新文献

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‘Unique joy’: Netflix, pleasure and the shaping of queer taste “独特的快乐”:Netflix、快乐和酷儿品味的塑造
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2193521
Clara Bradbury-Rance
{"title":"‘Unique joy’: Netflix, pleasure and the shaping of queer taste","authors":"Clara Bradbury-Rance","doi":"10.1080/17400309.2023.2193521","DOIUrl":"https://doi.org/10.1080/17400309.2023.2193521","url":null,"abstract":"ABSTRACT This article discusses the ‘Netflix imaginary’ and how it shapes our understanding of queer taste and legibility in contemporary visual culture. While Netflix has promoted itself as a bastion of LGBTQ inclusivity and other forms of ‘diversity’, this article considers the platform not on the basis of celebrated LGBTQ ‘Netflix Originals’ such as Sex Education or Queer Eye but rather on how our navigations of the platform’s content throw our queer attachments and recommendations into pleasurable chaos. If the ‘Netflix imaginary’ is built around personalisation – that is, the promise of knowledge and insight – it more often generates bewilderment and surprise. But the article argues that this uncanny algorithmic meddling also has the potential to generate its own source of fun, entertainment and queer pleasure. By analysing what consumers are led to understand of the site’s dependence on and commitment to collaborative filtering, algorithmic signposting and customer agency and choice, I consider how we might employ a queer method for engaging subversively with Netflix’s representational inconsistencies and inadequacies – how we might see Netflix itself as a queer method for reconfiguring queer taste.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44330534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Digital space and embodiment in contemporary cinema: screening composite spaces 数字空间及其在当代电影中的体现:放映复合空间
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2211914
Henry Powell
{"title":"Digital space and embodiment in contemporary cinema: screening composite spaces","authors":"Henry Powell","doi":"10.1080/17400309.2023.2211914","DOIUrl":"https://doi.org/10.1080/17400309.2023.2211914","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42611050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Death and collective autobiography in Silverlake Life: The View from Here 死亡与《银湖人生》集体自传：从这里看
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2205812
Gabriel Kitofi Tonelo
{"title":"Death and collective autobiography in Silverlake Life: The View from Here","authors":"Gabriel Kitofi Tonelo","doi":"10.1080/17400309.2023.2205812","DOIUrl":"https://doi.org/10.1080/17400309.2023.2205812","url":null,"abstract":"ABSTRACT This article presents a study of the creative process of Silverlake Life: The View from Here (Tom Joslin and Peter Friedman, 1993), from the perspective of its authorial multiplicity. Silverlake Life is regarded as one of the main representatives of autobiographical documentary in the 1990s. The specificity of the film is found in the circumstances of the death of the filmmaker-autobiographer, Tom Joslin. By recognizing a tripartite process of creative autonomy among Tom Joslin, Mark Massi and Peter Friedman, this article outlines both how each individual contributed to the achievement of the film and how Silverlake Life preserves its status as autobiographical documentary despite the tragic deaths of both Joslin and Massi before the film’s completion. This work of comprehending the film’s collaborative autobiographical process was made possible through the analysis of three extratextual sources: the original proposal for the film, written by Tom Joslin and which appears at the beginning of the narrative; the written diary of Mark Massi, Joslin’s widower; and extensive interviews with Peter Friedman on the subject.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48462047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer times in Moonlight 月光下的酷儿时光
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2206391
M. Stekl
{"title":"Queer times in Moonlight","authors":"M. Stekl","doi":"10.1080/17400309.2023.2206391","DOIUrl":"https://doi.org/10.1080/17400309.2023.2206391","url":null,"abstract":"ABSTRACT The time is out of joint in Moonlight (2016). While Barry Jenkins’ film appears to divide Chiron’s life into three chronological periods, each stage both repeats and anticipates something of the others, on the levels of both form and content – from the recurrence of heteronormative, antiBlack violence throughout Chiron’s life to the reprisal of the police-like flashes of light that cinematographically periodize his story, this narrative is (un)structured by repetition. This essay asks how Moonlight’s reiterative temporality might intervene in the ‘temporal turn’ in queer studies. By emphasizing the structuring repetition of antiBlackness, I want to complicate the utopian aspirations of queer futurism, in the vein of José Esteban Muñoz, as well as the psychoanalytic elision of race that defines queer anti-futurism, or the ‘anti-social thesis’, after Lee Edelman. What is the (non)place of Blackness in romances of queer futurity? In romances of queer negativity? In conversation with prior queer and Black scholarship on Moonlight, I argue that the film stages Blackness as a disruption to both straight and queer temporalities as we know them. Ultimately, I suggest that the film posits a third way out of the futurism/anti-futurism deadlock in queer studies: the iterability that (de)constructs Black(ness)’s narrative gestures toward an absolute open(ended)ness which is unrealizable as futurity and which is inextricable from the endlessly reiterated antiBlack, antiqueer violence of the modern world.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43478085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Joey Soloway: popularizing feminist and queer theory in independent film and television 阅读乔伊·索洛维:在独立影视作品中普及女权主义和酷儿理论
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2196222
Sarah E. S. Sinwell
{"title":"Reading Joey Soloway: popularizing feminist and queer theory in independent film and television","authors":"Sarah E. S. Sinwell","doi":"10.1080/17400309.2023.2196222","DOIUrl":"https://doi.org/10.1080/17400309.2023.2196222","url":null,"abstract":"ABSTRACT Engaging with ideas of hegemonic masculinity, femininity, homosexuality, and heteronormativity, this article examines the film and television work of Joey Soloway as a means of studying the popularization of feminist and queer theory within contemporary American independent media. By focusing on representations of non-normative genders and sexualities (including sex work, transgender identity, and polyamory), I explore the ways in which Soloway pushes feminist and queer theory beyond the limits of the popular. Through overt references to feminist and queer filmmakers and theory, I argue that Soloway’s film and television work subverts traditional modes of storytelling. Examining Soloway’s first film Afternoon Delight and their two series for Amazon, Transparent (2014–2019) and I Love Dick (2016), as well as the coverage of Soloway’s work within the popular press (for example, The New York Times, Newsweek, Huffington Post, and Rolling Stone), this article also analyzes how Soloway’s own authorial persona and their public identification with queerness intertwines with the personal, the political, and the popular.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48561554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Xavier Dolan’s musical parentheses 关于泽维尔·多兰的音乐括号
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2200686
Sergio Rigoletto
{"title":"On Xavier Dolan’s musical parentheses","authors":"Sergio Rigoletto","doi":"10.1080/17400309.2023.2200686","DOIUrl":"https://doi.org/10.1080/17400309.2023.2200686","url":null,"abstract":"ABSTRACT Several critics have described Xavier Dolan as a gifted yet self-indulgent filmmaker. From the stylish costume design to the carefully composed arrangement of colors and objects within the mise en scène, Dolan’s films would seem to be guilty of an over-investment in the image. This essay interrogates the aesthetic and affective possibilities that the ostensibly intolerable textuality of Dolan’s films allows by focusing on their distinctive deployment of the musical parenthesis. What may one gain by indulging in the pleasures of the parenthetical mode? The expectation according to which such pleasures should be dispensed with moderation betrays suspicion towards a filmic mode of stylistic and emotional excess that oversteps certain boundaries and, in so doing, undermines hierarchies of value and taste. This essay questions the authoritative appeal of these hierarchies, arguing that there may be something valuable – and queer – about their displacement.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48996573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transmasculinity on television 电视上的变性
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-04-03 DOI: 10.1080/17400309.2023.2211569
A. d’Harcourt
{"title":"Transmasculinity on television","authors":"A. d’Harcourt","doi":"10.1080/17400309.2023.2211569","DOIUrl":"https://doi.org/10.1080/17400309.2023.2211569","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44058750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality 儿童观众:从现象学的角度看现实的想象转变
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-03-20 DOI: 10.1080/17400309.2023.2176156
Bettina Henzler
{"title":"Child spectators: towards a phenomenological perspective on the imaginary transformations of reality","authors":"Bettina Henzler","doi":"10.1080/17400309.2023.2176156","DOIUrl":"https://doi.org/10.1080/17400309.2023.2176156","url":null,"abstract":"ABSTRACT This paper establishes the motif of ‘child spectators’ within the self-reflexive tradition of modern European cinema since the 1940s and within discourses on the affinity of childhood and cinema, dating back to the beginning of the twentieth century. Through a close reading of The spirit of the beehive (Víctor Erice, 1973) and Jacquot de Nantes (Agnès Varda, 1991) that deals with the impact of the cinema experience on a child’s life, I analyze how this motif stages spectatorship, cinephilia, and filmmaking. First, I show how these films reflect on the impact of film experience and the process of film education as based on the existential being described by phenomenology. Second, I argue that this motif implies specific aesthetic strategies that are often linked to childhood and cinema. The child spectator calls for the understanding of childhood as a film aesthetical category and invites us to engage in a distinctive form of spectatorship. If the children in these films represent and address the phenomenological dimension of film experience, they also invite us, third, to reconsider aspects rarely addressed by phenomenology, especially the integration of imagination and materiality in film experience, and the interdependence of film experience and education.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47555194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonic modernities: capitalism, noise, and the city essay film 声音现代化：资本主义、噪音和城市散文电影
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-03-07 DOI: 10.1080/17400309.2023.2174764
Laura Rascaroli
{"title":"Sonic modernities: capitalism, noise, and the city essay film","authors":"Laura Rascaroli","doi":"10.1080/17400309.2023.2174764","DOIUrl":"https://doi.org/10.1080/17400309.2023.2174764","url":null,"abstract":"ABSTRACT Oculocentric perspectives are often dominant in descriptions of the city essay film. Whether flâneurial, observational, lyrical or visionary, the gaze is often placed at the centre of the filmic perception of the city, which is itself conceived of as a sight, image, or palimpsest. In this article, I reflect on the centrality of noise to modernity, and of capitalism to urban sound. In doing so, I pursue a dual goal: to foreground a sound-based understanding of the city through the essay film; and to ask how sound can help us understand the city essay film as a critique at once of the metropolis’ entanglement with capitalism and of the cinema’s historical contribution to the creation of the city as spectacle. A workable definition of the city essay film as an object of theory is attained via an engagement with urban and sound studies, and the discussion of sound design and sound discourse in Many Undulating Things (2019), a geopolitical essay by Bo Wang and Pan Lu about Hong Kong.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48660845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
V.F. Perkins and the redescription of films V.F.帕金斯与电影的重新描述
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-02-07 DOI: 10.1080/17400309.2023.2170667
Dominic Lash
{"title":"V.F. Perkins and the redescription of films","authors":"Dominic Lash","doi":"10.1080/17400309.2023.2170667","DOIUrl":"https://doi.org/10.1080/17400309.2023.2170667","url":null,"abstract":"ABSTRACT This article explores the work of the critic V.F. Perkins in the light of the concept of description, and vice versa. It argues that a range of distinct senses of description come together in Perkins’s work, and uses that work to assist in the construction of some proposals about the function and value of description in films and film criticism. Perkins had, it is argued, a particular interest in films that explore what might be referred to as ‘failures of redescription’, including Max Ophüls’s Letter from an Unknown Woman and Elia Kazan’s America, America. His writings on these films are explored with a view to demonstrating the ways in which the descriptive practices Perkins used in his writing can bring out rich and fascinating connections between criticism as an ethical practice with affinities to moral philosophy (via a concern with appropriate act descriptions) and the descriptions that are traced by films themselves.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49075404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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