{"title":"The Australian film revival: 1970s, 1980s, and beyond","authors":"Jonathan Devine","doi":"10.1080/17400309.2024.2362591","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362591","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"61 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141333778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A note of introduction","authors":"Matt Connolly","doi":"10.1080/17400309.2024.2362610","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362610","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"27 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141309107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transformational ethics of film: thinking the cinemakeover in the film-philosophy debate","authors":"Daniel Smith","doi":"10.1080/17400309.2024.2362592","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362592","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141309039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Starmaker: David O. Selznick and the production of stars in the Hollywood studio system","authors":"Gabrielle Stecher","doi":"10.1080/17400309.2024.2362590","DOIUrl":"https://doi.org/10.1080/17400309.2024.2362590","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"10 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141329719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mediating the elemental: an immaterialist ethics for ecomaterialist media theory","authors":"Ludo de Roo","doi":"10.1080/17400309.2024.2342212","DOIUrl":"https://doi.org/10.1080/17400309.2024.2342212","url":null,"abstract":"Up until the 19th century, the notion ‘medium’ described the natural elements – e.g. earth, water, fire, and air. John Durham Peters’ media philosophy (2015) demonstrates how contemporary technical...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"16 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140915164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lost souls, victims and deviants: radicalization and gender in Agents of S.H.I.E.L.D.","authors":"Eve Bennett","doi":"10.1080/17400309.2023.2257857","DOIUrl":"https://doi.org/10.1080/17400309.2023.2257857","url":null,"abstract":"The Marvel TV series Agents of S.H.I.E.L.D., which is set in a fictional American intelligence agency, reproduces contemporary media, academic, and governmental discourse surrounding violent radica...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I’ll Be Gone in the Dark: feminism and the adaptation of true crime in the #MeToo era","authors":"Tanya Horeck","doi":"10.1080/17400309.2023.2264713","DOIUrl":"https://doi.org/10.1080/17400309.2023.2264713","url":null,"abstract":"This article considers what Liz Garbus’s television version of Michelle McNamara’s I’ll Be Gone in the Dark (HBO, 2018) reveals about true-crime adaptation in a post #MeToo era, particularly in rel...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"4 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shit happens on the big screen: faecal motifs in contemporary film","authors":"Marzena Keating, Joanna Łapińska","doi":"10.1080/17400309.2024.2304612","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304612","url":null,"abstract":"The aim of this article is to analyse various excremental motifs and their functions in selected contemporary films. Drawing on concepts such as Julia Kristeva’s abject, Mary Douglas’s taboo and Mi...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"27 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Televisual authorship and the affective feminism of HBO’s Sharp Objects adaptation","authors":"Jessica Ford","doi":"10.1080/17400309.2023.2263693","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263693","url":null,"abstract":"Sharp Objects (2018) has been widely read by journalists and critics as ‘feminist’, and broadly speaking, the miniseries’ feminism has been attributed to its subversion of crime television tropes a...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"23 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Labors of love","authors":"Maria San Filippo","doi":"10.1080/17400309.2024.2315701","DOIUrl":"https://doi.org/10.1080/17400309.2024.2315701","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"170 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}