声音现代化：资本主义、噪音和城市散文电影

IF 0.3 2区艺术学 0 FILM, RADIO, TELEVISION

New Review of Film and Television Studies Pub Date : 2023-03-07 DOI:10.1080/17400309.2023.2174764

Laura Rascaroli

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引用次数: 0

摘要

摘要在城市散文电影的描写中，以视觉为中心的视角往往占主导地位。无论是情感的、观察的、抒情的还是富有远见的，凝视往往被置于对城市的电影感知的中心，而城市本身被认为是一种景象、图像或重写本。在这篇文章中，我反思了噪音对现代性的中心地位，以及资本主义对城市声音的中心地位。在这样做的过程中，我追求一个双重目标：通过散文电影来展望对这座城市基于声音的理解；并询问声音如何帮助我们理解这部城市散文电影，它既是对大都市与资本主义纠缠的批判，也是对电影对城市景观创造的历史贡献的批判。通过参与城市和声音研究，以及Bo·王和潘璐关于香港的地缘政治文章《许多不确定的事情》（2019）中对声音设计和声音话语的讨论，获得了将城市散文电影作为理论对象的可行定义。

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Sonic modernities: capitalism, noise, and the city essay film

ABSTRACT Oculocentric perspectives are often dominant in descriptions of the city essay film. Whether flâneurial, observational, lyrical or visionary, the gaze is often placed at the centre of the filmic perception of the city, which is itself conceived of as a sight, image, or palimpsest. In this article, I reflect on the centrality of noise to modernity, and of capitalism to urban sound. In doing so, I pursue a dual goal: to foreground a sound-based understanding of the city through the essay film; and to ask how sound can help us understand the city essay film as a critique at once of the metropolis’ entanglement with capitalism and of the cinema’s historical contribution to the creation of the city as spectacle. A workable definition of the city essay film as an object of theory is attained via an engagement with urban and sound studies, and the discussion of sound design and sound discourse in Many Undulating Things (2019), a geopolitical essay by Bo Wang and Pan Lu about Hong Kong.

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来源期刊

New Review of Film and Television Studies FILM, RADIO, TELEVISION-

CiteScore

0.50

自引率

0.00%

发文量