{"title":"La eficacia rupturista e innovadora de la maniobra de apropiación en el contexto del arte moderno latinoamericano","authors":"C. Pavez","doi":"10.7764/67.3","DOIUrl":"https://doi.org/10.7764/67.3","url":null,"abstract":"Este articulo busca revelar posibles cristalizaciones conceptuales que pudieran detener la reflexion en torno a los procedimientos de apropiacion artistica. Para ello, se reconsidera la idea de una supuesta modernidad artistica pura y despojada de su pasado, y se evalua la creencia tacita de que algun estilo, elemento u operacion especifica es, en si mismo, suficiente para constatar la modernidad de las obras. Con todo, y en virtud de examinar su fuero moderno, distingue y examina si las propuestas artisticas reconvirtieron los recursos disponibles (apropiacion transformadora), si edificaron versiones de algun estilo hegemonico (apropiacion acoplada), o si establecieron diatribas apegadas a su referente (apropiacion critica).","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88547413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vivir en estado de búsqueda. Las Antígonas modernas del desierto y el Río de la Plata","authors":"Cynthia Pamela Shuffer Mendoza","doi":"10.7764/67.9","DOIUrl":"https://doi.org/10.7764/67.9","url":null,"abstract":"The present text seeks to highlight the intertextual connections that exist between the myth of Antigone and other relations—audiovisual, photographic and theatrical—in order to unravel the vital power of its protagonists. The legacy of the Antigone archetype is present in hypertexts as a disobedient force towards official mandates, a female figure who resists injustice and the patriarchal order imposed by the laws of the city of Thebes. The documentary Nostalgia de la luz by the Chilean Patricio Guzman, the Uruguayan theater play Antigona Oriental by Volker Losch and Marianella Morena and the Siluetazo (silhouette drawings on the ground) made by the Mothers of Plaza de Mayo in the company of three visual artists will be the works that will allow us to get closer to the Antigone figure from the testimonies of the women who lost their brothers, parents and children—descendants of Polinices—in the framework of the dictatorships of the seventies in the Southern Cone.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84739445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Levinas, Ionesco o el arte de “se débarrasser” del ser","authors":"Pablo Facundo Ríos Flores","doi":"10.7764/67.2","DOIUrl":"https://doi.org/10.7764/67.2","url":null,"abstract":"espanolDurante el periodo de entreguerras Europa experimento una crisis de los modos tradicionales de legitimacion politico-social, que suscito pronto la busqueda de una “salida” y renovacion de los antiguos fundamentos del poder soberano. En “De l’evasion” (1935) Levinas fue capaz de reconocer este sentimiento epocal como advertir, simultaneamente, los peligros subyacentes a los nuevos proyectos salvificos. El presente articulo tiene como objetivo analizar las reflexiones levinasianas de 1935, a partir de un estudio conjunto con sus lecturas talmudicas “Desacralizacion y desencantamiento” (1971) y “Los danos causados por el fuego” (1975), asi como con la obra Amedee ou Comment s’en debarraser (1954) de Eugene Ionesco. Ello permitira comprender el significado otorgado por Levinas a la atmosfera elemental que penetra la Europa de entreguerras, asi como la apuesta levinasiana por el trabajo del arte como modelo para pensar una posible salida o evasion de aquella atmosfera epocal. EnglishDuring the interwar period Europe experienced a crisis of traditional modes of political and social legitimacy, which soon provoked the search for an “exit” and renewal of the old foundations of sovereign power. In “De l'evasion” (1935) Levinas was able to recognize this epochal feeling and simultaneously warn about the underlying dangers of new salvific projects. The present article aims to analyze the Levinasian reflections of 1935, based on a joint study over his Talmudic Readings “Desacralization and Disenchantment” and “Damages Due to Fire” (1971), as well as the work Amedee ou Comment s'en debarraser (1954) by Eugene Ionesco. This will allow to comprehend the meaning granted by Levinas to the elemental atmosphere that penetrated the interwar Europe, as well as the Levinasian commitment to the work of art as a model of thinking an escape or evasion from that epochal atmosphere.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81876839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recomponer el paisaje: evidenciar y denunciar","authors":"Bruno Jara Ahumada","doi":"10.7764/67.6","DOIUrl":"https://doi.org/10.7764/67.6","url":null,"abstract":"The investigation states that the landscape was repetitive in the visual testimonies of the Chilean military dictatorship. By landscape it comprises a visual, political and cultural construction, which gives space-reference density to the memory accounts. In this context, we distinguish a struggle of meanings: first, authoritarianism instrumented the landscape to convey the subterranean values and promoted the legitimacy of the regime. At the same time, the resistance generated denotative landscapes, in an accusatory-testimony key, which materialized in endless means. Specifically, a corpus composed of arpilleras and drawings in prison will be examined. Beyond its specificities, we propose that one of the main functions that brings together both sets is its use as a device of evidence and denunciation. Thus, we will try to recompose part of the dissident landscape by weaving together certain images that account for the spatial substrate of the events.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73731459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Embodied Craft in Lia Cook’s Textiles and «The Lady of Shalott»","authors":"James Krasner","doi":"10.13128/AISTHESIS-11146","DOIUrl":"https://doi.org/10.13128/AISTHESIS-11146","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72846168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Foucault’s Biopower and E. M. Forster’s A Passage to India","authors":"M. Hanif, Maryam Madadizadeh","doi":"10.13128/AISTHESIS-11108","DOIUrl":"https://doi.org/10.13128/AISTHESIS-11108","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75409635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aesthetic Response to the Unfinished: Empathy, Imagination and Imitation Learning","authors":"Fabio Tononi","doi":"10.13128/AISTHESIS-10737","DOIUrl":"https://doi.org/10.13128/AISTHESIS-10737","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79152205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Los esposos William y Emma Hamilton en el imaginario occidental. El aporte de Susan Sontag con su novela El amante del volcán","authors":"O. Sanfuentes","doi":"10.7764/aisth.66.16","DOIUrl":"https://doi.org/10.7764/aisth.66.16","url":null,"abstract":"Los esposos Hamilton son personajes historicos europeos famosos en su epoca, y cuyos nombres pasaron a la posteridad. Emma Hamilton por haber salido de la extrema pobreza y ascendido socialmente a traves de sus habilidades y ambicion, y por haber sido esposa de William Hamilton —coleccionista de renombre— y amante de Horacio Nelson. Este articulo aborda la construccion historica de estos personajes a traves de prensa de la epoca y bibliografia posterior, con un especial enfasis en el aporte de Susan Sontag en la configuracion de los personajes y su epoca a traves de la novela El amante del volcan .","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75449559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bananas y otros frutos del deseo: divas y subversiones en la performance de Ney Matogrosso","authors":"María del Pilar del Pilar Jarpa Manzur","doi":"10.7764/aisth.66.10","DOIUrl":"https://doi.org/10.7764/aisth.66.10","url":null,"abstract":"Teniendo en cuenta el universo simbolico de las dictaduras civico-militares del Cono Sur como contexto, el presente articulo busca reflexionar en torno a los alcances esteticos y politicos de la figuracion de la diva en la performance de artistas locales, a traves del caso de Ney Matogrosso (1941) y su reapropiacion de Carmen Miranda (1909-1955). Desde una orientacion teorica feminista en clave poscolonial, es posible sospechar que la figuracion de la diva es estrategicamente infiltrada en su performance, desde una red de superposiciones esteticas que apuntan a desestabilizar el orden simbolico dominante, volviendo porosas las fronteras entre lo masculino y lo femenino, lo politico y lo espectacular. La relevancia de este estudio reside no solo en la tentativa de dar luz a este “gesto parodico de oropel” (Castillo 92) desde sus posibles efectos esteticos, sino tambien aportar al campopoco explorado de sus implicaciones (micro) politicas en el contexto latinoamericano.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82123752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El imaginario estético de la histeria en la cultura japonesa","authors":"M. C. M. Barea","doi":"10.7764/aisth.66.8","DOIUrl":"https://doi.org/10.7764/aisth.66.8","url":null,"abstract":"El presente articulo estudia el entramado estetico que interviene en la construccion de la imagen de la mujer histerica en Japon. El trabajo profundiza en los recursos visuales, artisticos y literarios que rodean el fenomeno de la histeria en el bagaje cultural nipon. Para ello se acometera un detallado recorrido partiendo de la critica a la definicion tradicional de la histeria como “patologia radicalmente femenina” con origen en el “mal de utero”. Esta creencia en Japon se manterializa en variados mitos culturales, como la vagina dentata, la mujer-arana, la mujer-demonio, la mujer-venenosa, o la mujer-poseida, cuyas caracteristicas se prolongan hasta su recreacion en la psiquiatria moderna. Finalmente, el articulo pretende exponer el sometimiento del cuerpo de la mujer japonesa, evidenciando los discursos misoginos ocultos tras estas imagenes, mientras se relee la histeria como herramienta de empoderamiento del colectivo femenino.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81759212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}