Aisthesis-Pratiche Linguaggi e Saperi dell Estetico最新文献

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“Cuando voy al trabajo…”: Cuerpo y oficio de Panaderos en el contexto de la narrativa chilena reciente “当我去上班的时候……”:最近智利叙事背景下的面包师的身体和职业
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-12-01 DOI: 10.7764/68.14
Lorena Amaro
{"title":"“Cuando voy al trabajo…”: Cuerpo y oficio de Panaderos en el contexto de la narrativa chilena reciente","authors":"Lorena Amaro","doi":"10.7764/68.14","DOIUrl":"https://doi.org/10.7764/68.14","url":null,"abstract":"In Chile, “set the body to work” is a popular expression that highlights the materiality of the effort invested in any economic activity. It is also a metaphor that leads us to reflect on the “absence of body” in recent narrative since accounts that articulate narrators’ voices and experiences of physical or manual trade are scarce. This article addresses an exception, the novel Panaderos (Bakers), by Nicolas Meneses (2018), that presents the everyday life of a working family in detail: the mother (a seasonal agricultural worker), the father (a baker), and the foray of the family’s eldest son, the narrator, in a supermarket’s bakery. Their lives revolve around activities that require manual skills and specialized training. On one end, their trade connects them to risk and physical accidents. On the other, they are under entrepreneurial logics devoid of empathy or justice, a system condemned by the recent Chilean social uprising.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76442569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fun, Taste & Games. An Aesthetics of the Idle, Unproductive, and Otherwise Playful 乐趣,品味和游戏。闲散、非生产性和玩闹的美学
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-12-01 DOI: 10.7764/68.12
Diego Maté
{"title":"Fun, Taste & Games. An Aesthetics of the Idle, Unproductive, and Otherwise Playful","authors":"Diego Maté","doi":"10.7764/68.12","DOIUrl":"https://doi.org/10.7764/68.12","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76008228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 15
Los nombres del futuro, una propuesta 未来的名字,一个提议
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-12-01 DOI: 10.7764/68.21
M. Ríos
{"title":"Los nombres del futuro, una propuesta","authors":"M. Ríos","doi":"10.7764/68.21","DOIUrl":"https://doi.org/10.7764/68.21","url":null,"abstract":"Este ensayo desentraña cómo y si acaso la literatura responde o se pliega al despertar político en Chile. En otras palabras, ¿qué significa despertar con el lenguaje? A pesar de que la respuesta ha sido lenta, las literaturas tienen un rol fundamental de escribir las heliografías del futuro y dar cuerpo a comunidades que están a la espera (de justicia y de constituirse). En la revuelta, esas comunidades emergieron desde los subterráneos del orden neoliberal poniendo en simultánea acción el goce y el sacrificio. La propuesta es que la lengua literaria que no es potencialidad, sino potencia, una lengua que pone en acción el presente del colectivo para dar nombre a los espacios emancipatorios que transitan a las sombras del Estado/mercado. Utilizando metodologías críticas de los estudios culturales, teorías del otro utopianismo y calibraciones del poder deseante del lenguaje poético, se critica la literatura neoliberal y sus prácticas extractivistas con el objetivo de proponer otras metodologías estéticas que abran espacios al respirar del otro.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80528286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Early Modern Aesthetics: Antony and Cleopatra and the Afterlife of Domination 早期现代美学:安东尼、克利奥帕特拉和统治的来世
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-12-01 DOI: 10.13128/AISTHESIS-11728
N. Mapp
{"title":"Early Modern Aesthetics: Antony and Cleopatra and the Afterlife of Domination","authors":"N. Mapp","doi":"10.13128/AISTHESIS-11728","DOIUrl":"https://doi.org/10.13128/AISTHESIS-11728","url":null,"abstract":"This essay argues that Antony and Cleopatra’s pitting of Egypt against Rome is a cipher of aesthetic resistance to modern rationality. The coordinates are Adornian. Antony’s and Cleopatra’s complex identities elude the disenchanting, nominalist machinery in which diffuse indeterminacy necessitates conceptual imposition. Here, the individuals are essentially dramatized: sensate, embodied selves composed and expressed in relations of passionate recognition. The lovers’ deaths, and especially Cleopatra’s self-conscious theatre, rewrite the ascetic, dominative, and pseudo-theatrical rationality of Octavian Rome. The protest, the passion and singularity, lives mainly through its expressive emphases – such as hyperbole – and the re-functioning of the very dominative roles and norms being opposed. This reflects the restricted but critical – aesthetic – status of early modern drama, and specifies its opposition to the deepening attack on sensate knowing in its world.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87651267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El Taller de Fotografía Azentún con adolescentes mapuche de Santiago. Una propuesta fotográfica-performática para recrear una identidad visual indígena y urbana en el Museo Histórico Nacional de Chile azentun摄影工作室与圣地亚哥的马普切青少年。在智利国家历史博物馆重建土著和城市视觉身份的摄影表演方案
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-08-21 DOI: 10.7764/67.10
José Mela Contreras
{"title":"El Taller de Fotografía Azentún con adolescentes mapuche de Santiago. Una propuesta fotográfica-performática para recrear una identidad visual indígena y urbana en el Museo Histórico Nacional de Chile","authors":"José Mela Contreras","doi":"10.7764/67.10","DOIUrl":"https://doi.org/10.7764/67.10","url":null,"abstract":"El presente articulo reflexiona sobre la experiencia del Taller de Fotografia Azentun con adolescentes mapuche de la ciudad de Santiago, en torno a la identidad indigena desde una perspectiva contemporanea. La investigacion promovio la construccion de un relato de autorrepresentacion de la identidad mapuche por medio del uso de la fotografia y una lectura critica sobre el imaginario visual mapuche.  Algunas de las imagenes realizadas por el grupo de adolescentes fueron expuestas en el Museo Historico Nacional como un ejercicio de tension y relectura del relato identitario oficial en contraste con los microrrelatos adolescentes.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72406627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las lecciones sobre estética de Hegel: discrepancias fundamentales entre la edición de Hotho y los Nachschriften 黑格尔的美学教训:Hotho版本和Nachschriften版本之间的根本差异
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Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-08-21 DOI: 10.7764/67.1
Italo Angelo Debernardi Cárcamo
{"title":"Las lecciones sobre estética de Hegel: discrepancias fundamentales entre la edición de Hotho y los Nachschriften","authors":"Italo Angelo Debernardi Cárcamo","doi":"10.7764/67.1","DOIUrl":"https://doi.org/10.7764/67.1","url":null,"abstract":"This paper argues the need to reread Hegelian aesthetics based on the transcripts of Hegel’s Berlin lectures on aesthetics. To do this, the differences between these notebooks and the Lectures on Aesthetics edited by Hotho, are exposed and analyzed, showing the most relevant modifications and manipulations that the editor made both on the structure and the content of Hegelian aesthetics. Thus, the analysis begins with the inclusion of the natural beauty in the Lectures on Aesthetics; then, it deals with the systematization and triadic structure of this work; and, finally, the problematic canonical definition of the ideal.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87902440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aby Warburg y el pathos superviviente. De la psicología a la memoria social
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-08-21 DOI: 10.7764/67.5
Daniela Losiggio
{"title":"Aby Warburg y el pathos superviviente. De la psicología a la memoria social","authors":"Daniela Losiggio","doi":"10.7764/67.5","DOIUrl":"https://doi.org/10.7764/67.5","url":null,"abstract":"The present work aims to restore the problem of the Warburg’s method. First, we will analyse the influence of Jacob Burckhardt and Robert Vischer in the Warburguian proposal of a psychology for the approach of cultural phenomena. Then, we will discover that Warburg moves from this approach towards a new concern for the way in which impersonal forces produce historical-cultural senses. As we propose here, on the one hand, this movement is mediated by the configuration of a critique towards aestheticism and historicism (made explicit in 1900 through a famous epistolary exchange with Andre Jolles); on the other hand, it allows a better understanding of the notion of surviving pathos as well as the Warburguian interest for developing a theory of social memory, influenced by Richard Semon.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78619255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los modos del cine documental. Análisis de tres modelos 纪录片的模式。三种模型分析
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-08-21 DOI: 10.7764/67.4
Carlos Guillermo Lloga Sanz
{"title":"Los modos del cine documental. Análisis de tres modelos","authors":"Carlos Guillermo Lloga Sanz","doi":"10.7764/67.4","DOIUrl":"https://doi.org/10.7764/67.4","url":null,"abstract":"The present work is a theoretical study that compares the modes of documentary representation provided by Bill Nichols, Michael Renov, and John Corner. Such paradigms correspond to the increase of documentary studies from the beginnings of nineties of 20th century. They have become prominent guides for the reinterpretation of aesthetics and history of documentary film. The critical revision proposed here includes the analysis of specific examples of Cuban documentary films produced by Cuban Institute of Art and Cinematic Industry (ICAIC) between 1959 and 1991. The three models followed identify different theoretical backgrounds over which project the image of documentary, for that reason, this study argues for the triangulation of the categories in the exam of significant volumes of documentaries.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75268728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El cuerpo del terror: el genio maligno en La Casa Muda 恐怖的身体:无声之家的邪恶天才
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-08-21 DOI: 10.7764/67.7
Estefanía Paz Hermosilla Órdenes
{"title":"El cuerpo del terror: el genio maligno en La Casa Muda","authors":"Estefanía Paz Hermosilla Órdenes","doi":"10.7764/67.7","DOIUrl":"https://doi.org/10.7764/67.7","url":null,"abstract":"This paper investigates the nature of the ghost and terror into philosophical thought, and how it allows us to reconsider, in the field of epistemology, the experience of terror in the perception, understanding and knowledge about reality. This analysis is developed, firstly, by means of the recovering of the evil genius figure mentioned in the Metaphysical Meditations by Rene Descartes, which provides a key to reconsider terror as an element present in the conformation of subjectivity. Besides that, it is based on the considerations on Jacques Derrida’s cinema as a device for the production of spectra, meanwhile it allows us to understand the figure of the ghost as that which disrupts and alters the reality. Both lines of study converge in the analysis of the Uruguayan horror \u0000film The Silent House, directed by Gustavo Hernandez, which opens the possibility of appreciating how terror is a bodily experience that allows the subject to access a new understanding of himself and his world.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87875321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transposición de El Húsar de la Muerte de Pedro Sienna por el colectivo La Patogallina 《佩德罗·西耶纳之死的轻骑兵》由la Patogallina集体改编
IF 0.2
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-08-21 DOI: 10.7764/67.8
Isabel Andrea Sapiaín Caro, Carla Cortez Cid
{"title":"Transposición de El Húsar de la Muerte de Pedro Sienna por el colectivo La Patogallina","authors":"Isabel Andrea Sapiaín Caro, Carla Cortez Cid","doi":"10.7764/67.8","DOIUrl":"https://doi.org/10.7764/67.8","url":null,"abstract":"This work analyzes the “adaptation” of the film El husar de la muerte of Pedro Sienna made by La Patogallina collective. It explores the link between both pieces from the transposition viewpoint, the relationship between the silent cinematographic language and the theatrical one, and the political aftermaths of the theater piece. For such reasons, it notes the success achieved by the movie, the popularity of the character Manuel Rodriguez, the characteristics of the play and the narrative and aesthetics operations of the transposition. With this, La Patogallina would build a piece that celebrates both the silent cinema code from the theatrical language and the figure of Manuel Rodriguez, updating its political meaning and that of its fight in contemporary Chile.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87608671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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